Miriam Selima Fieno/ Nicola Di Chio (IT)

Sorry, this entry is only available in Italian.

Spettacolo multimediale partecipato | durata 75 min

c/o ZONAK.
Per partecipare occorre richiedere tessera 2023 almeno 24 ore prima dello spettacolo.
Fallo subito, clicca QUI

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Attraverso un dialogo che oscilla tra il teatro e il documento, dove la narrazione dal vivo si fonde alla narrazione audiovisiva, due adolescenti si confrontano: Giorgia, una ragazzina italiana di 14 anni, racconta la sua vita quotidiana di europea che vive in un florido tempo di pace, nella quale giace tuttavia il dolore di una guerra familiare; Abdo un giovane rifugiato siriano avvicina Giorgia alla conoscenza di un’altra guerra: quella fatta di bombe, missili ed esplosioni sotto cui vivono da undici anni migliaia di suoi coetanei in Siria.

Gli spettatori sono invitati a entrare delicatamente in un mondo privato e lacerante insieme ai protagonisti che, attraverso dispositivi elettronici e materiali personali, accettano di esporre una elaborazione viva e dal vivo della loro biografia e degli aspetti privilegiati e dolorosi che hanno segnato le loro storie fino ad oggi. Lo spettacolo va alla ricerca di un equilibrio tra storia personale e storia epocale, in un intenso affresco emotivo dove la tecnologia dilata come una lente di ingrandimento il nostro presente e apre squarci su mondi non poi così distanti, mostra i volti della guerra, entra dentro le case e ne fa vedere i frammenti, i ricordi, i futuri possibili.

concept e regia Nicola di Chio, Miriam Selima Fieno in scena Abdo Al Naseef Alnoeme, Giorgia Possekel drammaturgia Miriam Selima Fieno scenografia virtuale e light design Maria Elena Fusacchia videomaking Nicola Di Chio, Miriam Selima Fieno, Abdo Al Naseef Alnoeme, Giorgia Possekel video di archivio Hazem Alhamwy realizzazione miniature Ilenia Lella Fieno video di archivio Hazem Alhamwy spazio sonoro Antonello Ruzzini produzione Tieffe Teatro Menotti, Bottega degli Apocrifi con il sostegno di CSS Teatro Stabile di Innovazione del FVG / Dialoghi – Residenze delle Arti Performative a Villa Manin 2022_2024, Qui e Ora Residenza Teatrale, L’ Arboreto Teatro Dimora di Mondaino, Teatro Giovani Teatro Pirata / AMAT, Zona K in collaborazione con Mishwar Ong.Vincitore Premio YOUNG&KIDS 2022 FIT Festival Lugano Menzione Premio Scenario Infanzia 2020 Vincitore Bando Alte Marche Creative 2021

Nicola Di Chio e Miriam Selima Fieno sono attori, registi e autori. Si diplomano alla Civica Accademia d’Arte Drammatica “Nico Pepe” di Udine.  Lavorano insieme dal 2011 nell’ambito delle performing arts creando opere di drammaturgia contemporanea che spaziano dalla fiction alla non fiction. Realizzano gli spettacoli “Lybia. Back home”, “Human Animal”, “RealItaly”, “Cantare all’amore”, “La protesta”. Vincono il Bando Ora! di Compagnia di San Paolo, il Premio Scintille, il Bando Funder35 di Cariplo, il Bando Hangar Creatività di Regione Piemonte, il Bando Next, il Premio In-Box. Negli anni ricevono importanti riconoscimenti, realizzano rassegne e festival, conducono percorsi formativi. Dal 2018 dirigono il loro lavoro verso il teatro documentario definendo una nuova strada di indagine e produzione che li porta a realizzare progetti ibridi i quali fondono il teatro al giornalismo narrativo al cinema del reale, affrontando temi legati alla geopolitica, ai diritti umani, alle relazioni tra Occidente e Medioriente. Lavorano con attori, musicisti, bambini, rifugiati, giornalisti, e creano opere che intrecciano non solo discipline diverse come il teatro, il cinema e la musica, ma anche identità culturali e artistiche distanti. Con i nuovi spettacoli documentari “Fuga dall’Egitto” e “From Syria: is this a child?” vincono il bando IntercettAzioni, il Bando Movin’up, il premio Young&Kids al Fit Festival di Lugano, la menzione al Premio Scenario Infanzia, il bando Alte Marche Creative. Attualmente sono impegnati nella realizzazione del nuovo film del regista siriano Hazem Alhamwi e nella scrittura del loro primo lungometraggio.

Mammalian Diving Reflex/Darren O’Donnell (CA)

Sorry, this entry is only available in Italian.

– PRIMA NAZIONALE –
un progetto di ZONA K e Triennale Teatro Milano

Performance multimediale partecipata con utilizzo di Visori 3D per 30 spettatori | durata 90 min | la performance è caratterizzata da un’intensa presenza di fumo

c/o ZONAK

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Guardiamo con nostalgia nel cielo notturno quel piccolo punto rosso e sogniamo stupidamente di ricominciare, come se i problemi sulla Terra si risolvessero più facilmente a -65° e con l’aiuto di alte dosi di radiazioni cosmiche. Combinando performance dal vivo e realtà virtuale, The Last Minutes Before Mars ci invita a entrare nel mondo di un gruppo di giovani per incontrarne famiglie e amici e trascorrere del tempo negli spazi preziosi delle loro vite. Ciò fa da sfondo all’incontro con gli altri estranei presenti in sala, in un’esperienza collettiva che riflette sulla consapevolezza di far parte tutti dello stesso viaggio, in movimento verso la medesima direzione – indipendentemente da quello che ci accade –; ora, centinaia di migliaia di anni fa e oltre, in un futuro troppo terrificante e bello da immaginare.

ideazione, regia: Darren O’DonneII co-direzione: Chiara Prodi team di co-ideazione: Darren O’Donnell, Konstantin Bock, Alice Fleming, Tina Fance, Sorcha Gibson, Thule Van Den Dam, Sara Guttadauro, Sara Ben Hamouda, Andrada Ciccotto, Fjoralba Qerimaj, Jerwin Mostiero, Morena Marra, Craig McCorquendale, Genny De Leon, Elisa Fasiello, Mervin Kyle Fajardo, Fi Nicholson, Gianluca Benvenuti  con: Sara Guttadauro, Sara Ben Hamouda, Andrada Ciccotto, Fjoralba Qerimaj, Jerwin Mostiero, Elisa Fasiello, Mervin Kyle Fajardo produttori esecutivi: Alice Fleming, Ryan Lewis, Virginia Antonipillai produttore associato: Craig McCourquodale  musiche: Isola Music ringraziamenti: Stephen O’ConneII, Letizia Gozzini (ITAS Giulio Natta)

The last Minutes Before Mars è stato originariamente co-commissionato e coprodotto da ZONA K e Triennale Milano Teatro, in collaborazione con l’ITAS Giulio Natta di Milano e con il sostegno del Canada Council of the Arts, deII’Ontario Arts Council e deII’Ambasciata del Canada in Italia.

Guidata da Darren O’Donnell, Mammalian Diving Reflex è una compagnia fondata a Toronto nel 1993. Dopo essersi allontanata da un’impostazione teatrale più tradizionale per passare a pratiche di impegno sociale incentrate sulla performatività. Creando spettacoli alla ricerca di contraddizioni da trasformare in esperienze esteticamente brillanti, i Mammalian cercano sempre di travolgere loro stessi e il pubblico con idee e sensazioni, lasciando che sia l’intuizione a guidare il percorso. (mammalian.ca)

Darren O’Donnell è romanziere, saggista, drammaturgo, filmmaker, regista di performance, direttore artistico e fondatore di Mammalian Diving Reflex. La sua missione è quella di dar vita a un tessuto sociale che integri profondamente la cultura e le istituzioni culturali, aumentandone la capacità di risposta sociale. Nel 2000 ha vinto il Pauline McGibbon Award per la regia ed è stato nominato per diversi Dora Awards di Toronto per scrittura, regia e recitazione, vincendo, insieme a Naomi Campbell, per il progetto While Mice. II suo lavoro con la compagnia Mammalian è entrato nella top 100 dello Yerba Beuna Culture Centre del 2016. È stato nominato due volte per il BKM-Preis Kulturelle Bildung tedesco e per il premio inaugurale Ellen Stewart Award di New York.

Foto © Paul Blakemore

Silke Huysmans & Hannes Dereere (BE)

– Season preview 2023 –

multimedia performance with English and Italian subtitles | duration 60 min

A meeting with the company will be held at the end of the performance on Friday 24 February.

c/o Out Off Theatre, via Mac Mahon 16

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‘We know more about the surface of the moon than we do about the bottom of the ocean.’ This statement is often heard when talking about the deep sea. Worldwide, only 10 percent of the ocean floor has been mapped and explored. At a moment in history when the planet we live on seems to have been explored extensively, some places remain unstudied and untouched.

After their acclaimed performances Mining Stories and Pleasant Island, Silke Huysmans and Hannes Dereere present the final part of their trilogy on mining. This time, they focus on a completely new industry: deep sea mining. With resources on land becoming increasingly scarce and overexploited, mining companies turn towards the ocean. In the spring of 2021, three ships gather on a remote patch of the Pacific Ocean. One of them belongs to the Belgian dredging company Deme-Gsr. Four kilometres below the sea surface, their mining robot is scraping the seabed in search of metals. On another ship, an international team of marine biologists and geologists keep a close watch on the operation. A third ship completes the fleet: on board of the infamous Rainbow Warrior, Greenpeace activists protest against this potential future industry.

From their small apartment in Brussels, Silke and Hannes connect with the three ships through satellite. Each of the ships represents one pillar of the public debate: industry, science and activism. Through a series of interviews and conversations, an intimate portrait of this new industry emerges. The piece is an attempt to capture a potentially pivotal moment in the history of the earth. How much deeper can mining companies dig, and what are we as humankind actually digging towards? What are the challenges and risks? What opportunities potentially lay ahead?

by & with Silke Huysmans & Hannes Dereere dramaturgy Dries Douibi sound mix Lieven Dousselaere outside eye Pol Heyvaert technique Korneel Coessens, Piet Depoortere, Koen Goossens & Babette Poncelet production CAMPO coproduction Bunker (Ljubljana), De Brakke Grond (Amsterdam), Noorderzon – Festival of Performing Arts and Society (Groningen), Zürcher Theater Spektakel (Zürich), Beursschouwburg & Kunstenfestivaldesarts (Brussels), PACT Zollverein (Essen), Théâtre de la Ville (Paris) & Festival d’Automne à Paris (Paris) residencies Kunstenwerkplaats, Pilar, Bara142 (Toestand), De Grote Post, 30CC, GC De Markten & GC Felix Sohie special thanks to John Childs, Henko De Stigter, Patricia Esquete, Iason-Zois Gazis, Jolien Goossens, Matthias Haeckel, An Lambrechts, Ted Nordhaus, Maureen Penjueli, Surabhi Ranganathan, Duygu Sevilgen, Joey Tau, Saskia Van Aalst, Kris Van Nijen, Vincent Van Quickenborne & Annemiek Vink thanks to all conversation partners & the people who helped with the transcriptions 

Silke Huysmans studied acting at the KASK School of Arts Ghent and Hannes Dereere theatre science at the University of Ghent. With their performances, the two Brussels-based artists investigate the use of journalistic and documentary elements within theatre. Underlying their work is extensive field research, which they use to shape their projects. Since 2016, they have been working on a trilogy involving long-term research on mining. For the first part entitled Mining Stories (2016), Silke and Hannes returned to where she grew up in Brazil. In 2015, a dam explosion flooded this place with toxic mining waste, causing one of the biggest ecological mining disasters in recent history. Mining Stories received the main prize at the Zürcher Theaterspektakel 2018 (Switzerland). From 2019 is the second part, Pleasant Island. In this performance, the tiny island state Nauru holds a mirror up to the whole world. Nauru was once a paradise in the Pacific. After decades of colonisation and mining, this island finds itself in grave danger, literally up to its neck in rising sea levels. Out of the Blue concludes the trilogy and premiered at the Kunstenfestivaldesarts in May 2022.

Babilonia teatri (IT)

– Season preview 2023 –

show-concert | duration 75 min

c/o Out Off Theatre, via Mac Mahon 16

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On 25 January 2011, the Egyptian revolution began, which within a few days led to the ousting of Mubarak. One of the triggers was the killing of Khalid Said by two policemen, who was guilty of asking the reason for a sudden search of him inside an internet café.  Khalid Said was beaten savagely and then taken to the barracks where he was tortured and killed. His body will be found lifeless in the middle of a street.

On 25 January 2011 in Tahrir Square was Ramy Essam, known in Egypt today as the voice of the revolution. Ramy in the square was singing for Khalid Said, for all the Khalid Saids, who before and after Khalid Said suffered the same fate. Ramy sang to depose Mubarak and, to this day, has never stopped singing against the successive regimes in Egypt.

Since 2014 Ramy has been living in exile, he can no longer set foot in Egypt, an arrest warrant for terrorism hangs over his head. The arrest warrant makes no reference to his art or the content of his songs, but it is clear that the Egyptian regime does not in any way welcome the call for freedom and justice for his people that he sings endlessly, and that the accusation of terrorism is completely unfounded.

Ramy’s songs, in Egypt and beyond, everyone knows them, his videos reach 10 million views, but he, for his people, cannot sing.

Not one note. Not a word. His mouth must remain shut. He can only connect with those who follow him through a screen.
Ramy has opened our eyes. Every day Ramy asks us questions and demands answers.

Questions that alone we did not have the words to formulate, but which today, working on stage side by side with Ramy become deeply concrete, deeply human, deeply political, deeply authentic.

With this performance we want to give voice to these questions.

What does the state mean. What justice means. What power means. What police means. What is process. What legality means. What constitutes incarceration. What means torture. What public opinion means. What journalism and freedom of information means. What responsibility, humanity, strength means.

To tell it, with us, will be the voice of those who, like Ramy, live every day on their skin what dictatorship means. Ramy will sing and shout it with the grace, poetry, anger and nostalgia of those who pay a high price every day, exile, for their choices.

We want to expose the hypocrisy of certain politics. We want to tell how and to what extent the reason of state is ready to trample underfoot the inviolable rights of man, repeatedly enshrined in international conventions that, in practice, remain a dead letter. We want to question ourselves on our weakness. About the weakness of a state that does not know how to give transparent answers. We want to tell how our being free citizens in a free state encounters and clashes with the dynamics of victim and executioner. With dynamics that harm, offend and play with people’s dignity. We believe that this is never acceptable and that it is always worth repeating with strength and determination.

In order not to stop being free citizens in a free state.

by Valeria Raimondi and Enrico Castellani with Ramy Essam, Enrico Castellani, Valeria Raimondi, Amani Sadat, Luca Scotton lights design Babilonia Teatri/Luca Scotton stage direction and video design Luca Scotton
production Teatro Metastasio di Prato

Babilonia Teatri is a group that has entered the contemporary theatre scene with a decisive step, distinguishing itself for a language that has been defined as pop, rock, punk. The founders of the group, Enrico Castellani and Valeria Raimondi, compose dramaturgies with a unique pace, a sort of litany carved out of the contradictions of today, brought to the stage with a rebellious attitude. 
They have investigated different angles of provincial life, crystallising it as a microcosm of a universal pain, tackled with desecrating courage. Courage that earned the group the prestigious Silver Lion at the Venice Biennale. Babilonia Teatri is characterised by its irreverent and divergent gaze on today's uncovered nerves. For an unconventional style that understands theatre as a mirror of society and reality. Through the use of new visual and linguistic codes it expresses the need and urgency of questioning, to bring out conflicts and tensions, with irony and cynicism, affection and indignation.

UNA PANCHINA TUTTA PER NOI

Sorry, this entry is only available in Italian.

laboratorio di teatro e fotografia alla ricerca della libertà espressiva

Quanti modi ci sono per sedersi su una panchina?
Quanti modi per raccontarla e raccontarci con un’immagine?

Seduti sulla stessa panchina pubblica – comodi o scomodi – esploriamoli insieme giocando col teatro e con la fotografia.

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Laboratorio ispirato dal lavoro “Ricerca della comodità in una poltrona scomoda” di Bruno Munari.
A cura di ZONA K con Elisa Canfora

partecipazione gratuita ・prenotazione obbligatoria ・ numero partecipanti limitato ・
organizzazione@zonak.it – 393. 8767162

Installazioni per Audio Ibrida di Veronika Tzekova

Sorry, this entry is only available in Italian.

In residenza dal 17 – 23 ottobre e dal 2 – 7 dicembre 2022

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Nella sua pratica artistica Veronika Tzekova si occupa principalmente di intervento, appropriazione e partecipazione; si concentra sul ripensamento e sulla trasformazione di oggetti, situazioni e sistemi. Negli ultimi anni ha realizzato numerosi progetti nello spazio pubblico ed è entrata come artista della piattaforma In-Situ. Nel periodo di residenza Tzekova intende concentrarsi sullo studio di alcuni luoghi e spazi di Milano, conosciuti come spazi ibridi. Si tratta di spazi con vocazione socioculturale, con forte radicamento nel territorio e dislocati in varie zone della città. A partire dallo studio e dalla conoscenza di questi luoghi, Tzekova ha immaginato di creare un collante, una visione artistica che li unisca e che concretizzerà in una restituzione aperta al pubblico contemporaneamente alla fruizione di un’audioguida dedicata agli spazi.

Ho cercato l’essenza degli spazi ibridi. Ho cercato un’essenza da trasporre a parole. E dopo ci ho guardato dentro. L’ho guardata attraverso la lente di ingrandimento della teoria degli insiemi.
L’ho decostruita per costruirla nuovamente, così da portare alla luce ciò che avevo visto nascosto in essa.
 
Lavoro con la costruzione visiva e la percezione del linguaggio per creare piccole scene che nel 90% dei casi contengono solo due parole e celebrano la sorpresa e la fascinazione che il linguaggio suscita.
 
Un approccio che ho usato è tratto dalla mia serie “CDoupbles” (parola passe-partout che include “couples” e “doubles”). Tipicamente, in CDoupble c’è una parola principale che ne contiene o un’altra o altre, che decisamente non fanno da radice e appaiono in maniera diversa, a seconda dell’oggetto, dell’installazione, del formato e del carattere. Ci sono molte di queste simbiosi di parole, ma io sono interessata a quelle che offrono terreno da gioco per la creazione di scene interessanti, speculazioni, associazioni, domande e via dicendo.
 
Un’altro approccio che ho usato è stato quello di “syllaBLEndings”, versi corti che fondono due (raramente più di due) parole, sistemate in tre righe; l’ultima sillaba della prima parola è la prima sillaba della seconda e di solito è sistemata nella riga centrale. Le due parole presenti in syllaBLEndings condividono, hanno qualcosa in commune, si appartengono, sono connesse, si mescolano, si amalgamano, si incontrano, si accavallano, si scontrano, si penetrano a  vicenda. Sono insomma gemelle siamesi: l’una sviluppa e fa crescere l’altra, la fine di una è l’inizio dell’altra, esistono in simbiosi, si completano a vicenda. Il syllaBLEnding è un processo.
 
In entrambi gli approci che ho menzionato il senso è prodotto attraverso la coesistenza delle parole nell’immaginario degli spettatori e dipende dalle associazioni che esse provocano in loro.
 
Naturalmente, ho colto questa opportunità e ho affrontato la sfida di uscire dalla mia zona franca e sperimentare alcuni diversi modus-operandi, dedicandomi a un uso nuovo degli effetti tipografici del linguaggio, al fine di dissezionarlo per ricavare e restiruire significati.
 
Miro a ritratti concettuali degli spazi ibridi che ho ricercato, i quali siano intelletualmente e poeticamente sfidanti. Ritratti che mettano in evidenza con una chiave di lettura l’essenza di ognuno di loro.

Veronika Tzekova
Graz
15 novembre 2022

BEE GENERATION [gLocale]

Sorry, this entry is only available in Italian.

L’emergenza climatica, il disastro ecologico, il futuro, il tempo che avanza, la responsabilità, le scelte e le azioni possibili: Bee Generation è una performance urbana che affronta questi temi dal punto di vista dei giovani, una generazione “bee” (ape), che come le api è preziosa e difficile da intercettare ma che ha un ruolo fondamentale per il futuro del pianeta.
Il suo futuro però – come quello delle api- è a rischio. 

Bee Generation è un ronzio che diventa suono e poi voce: si fa strada tra slogan e aspettative, paure e indifferenza. E’ un rumore che può pungere come una domanda, una provocazione, una messa in discussione dei ruoli. 

La performance si svolge in cuffia e prevede un meccanismo di azione partecipata, in cui un coro di ragazzi si mette in gioco e guida il pubblico costringendolo a fare delle scelte. Fino a che punto sei disposto a lottare per salvare il pianeta? Quali contraddizioni ci sono in mezzo agli slogan ambientalisti che sentiamo ogni giorno? A cosa saresti disposto a rinunciare? E se non fosse abbastanza? Nessuna scelta sarà indolore, nessun’ azione sarà senza conseguenze.

Bee Generation è il capitolo 2 del progetto “Generazione gLocale” che nasce per dare voce alle nuove generazioni per promuovere pratiche di convivenza e dialogo e favorire integrazione e inclusione: è uno spazio creativo in cui i ragazzi si pongono come cittadini e costruttori di futuro, un format che ogni volta viene replicato in contesti diversi e arricchito dagli interventi dei ragazzi che partecipano.

Il progetto è stato realizzato in seguito a un laboratorio teatrale presso l’ex Convitto del Trotter, con i ragazzi della scuola secondaria di primo grado I.C. Francesco Cappelli (un grazie speciale per il supporto al prof. Luigi Metropoli) e grazie al supporto dell’associazione Project for People.

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c/o mosso – ex Convitto Parco Trotter – Via Mosso 3, – ang. Via Padova (quartiere Turro)

Info: performance teatrale urbana itinerante e interattiva • in cuffia • durata 40 min. ca • consigliata dagli 8 anni in su

Ingresso gratuito con prenotazione obbligatoria: 02.97378443 / 393.8767162
biglietti@zonak.it

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Un progetto di ZONA K; drammaturgia, editing audio e regia di Federica Di Rosa e Davide Stecconi; creazione collettiva Cibele, Doa, Fatima, Malak, Ruben, Sara, Sarai, Youssef; laboratorio di street art per la realizzazione di elementi scenici a cura di Christian Gangitano; assistente allo spettacolo Leda Peccatori; con la partecipazione straordinaria di Flora Green People e Atelier Spazio Xpò’

SUPERABILE

Sorry, this entry is only available in Italian.

Uno spettacolo per l’inclusione sociale, un fumetto teatrale

Superabile parla del mondo, di quel mondo che non si ferma alla prima occhiata, ma supera lo stereotipo della definizione. Racconta la disabilità, partendo dalla conoscenza intima delle persone, tutte così diverse e complesse. Superabile oltrepassa le barriere fisiche e culturali, e per questo fa riferimento al “super” che è il contrario di “dis”. Uno spettacolo dove un regista disegnatore dotato di lavagna magica creerà per il pubblico un mondo fatto disegni all’interno del quale gli attori della compagnia saranno immersi come in una sorta di fumetto vivente.

“E voi che ci guardate, come ci vedete?” chiedono i cinque attori, di cui due in carrozzina, che si raccontano, portando idealmente nel viaggio lo spettatore. Il loro quotidiano è lo spazio che racchiude i sogni, le gioie, ma anche gli sguardi degli altri, la necessità di essere accompagnati, la mancanza di intimità, la perdita di autonomia che è quindi la perdita di un privato. Si sorride e ci si commuove, con leggerezza e ironia, grazie alla possibilità data da questi ragazzi di fare entrare gli spettatori nelle loro vite, di aprire al loro mondo, con uno sguardo capace anche di irridere l’asprezza della realtà.

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c/o e in collaborazione con  Olinda onlus / TeatroLaCucina, ex. Ospedale psichiatrico Paolo Pini, via Ippocrate 45 – M3 Affori FN

Spettacolo rivolto alle scuole secondarie di I grado, ingresso gratuito

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regia Michele Eynard; con Mathias Dallinger, Melanie Goldner, Paolo Grossi e Jason De Majo; rumorista Rocco Ventura; consulenza artistica Paola Guerra; in collaborazione con Lebenshilfe Südtirol; foto Marzia Rizzo

AUDIO IBRIDA
Un gioco. Un’esperienza. Un viaggio.

Sorry, this entry is only available in Italian.

Un progetto di ZONA K

Ibrida/o è chi ha spirito di avventura e capacità di adattamento.
Ibrida/o è resistente e sa gestire gli imprevisti.
Ibrida/o sa essere tante cose insieme senza perdere la sua identità.
E tu, quanto sei ibrida/o?

AUDIO IBRIDA è un viaggio, un gioco urbano attraverso Milano, è una voce elettronica di un navigatore speciale che guida alla scoperta degli Spazi Ibridi Socioculturali che abitano la città.

Puoi partecipare da sola/o o in squadra. Puoi muoverti a piedi, in auto, motorino, col tram o in bicicletta. Dovrai darti tempo, camminare, ascoltare suggerimenti e storie che non immagini.

Scegli uno dei 3 percorsi a tema. Ogni percorso prevede 5 tappe. Noi ti sveliamo solamente quella di partenza. Le tappe successive le scoprirai volta per volta.

Accumula i punti di ogni tappa, ricorda, questo è un gioco e alla fine… c’è chi vince e chi perde. Tu, vincerai?

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Istruzioni per partecipare all’audio guida:

1. scarica subito l’app gratuita izi.TRAVEL da App Store o Google Play. Per far sì che l’app funzioni senza problemi, devi avere un sistema operativo attuale (5 o successivo per Android o 13 o successivo per iOS). Avrai bisogno di 64 MB di spazio di memoria sul tuo dispositivo per installare l’app.

2. AUDIO IBRIDA sarà disponibile dal 7 all’11 dicembre. Il percorso inizia alle 14 e termina alle 17 di ogni giorno.

3. acquista i biglietti online: € 5,00 per ogni partecipante. 

4. alle ore 13.30 della giornata in cui hai deciso di partecipare, riceverai una mail da biglietti@zonak.it dettagliata con il link del percorso prescelto e potrai cominciare il gioco. Hai tempo fino alle ore 17.00 per completare il percorso e accumulare più punti possibili

5. indossa le tue cuffie, porta un notes, una penna e una powerbank/caricatore per lo smartphone e una piccola torcia

Scegli il tuo percorso.

PAESAGGI IBRIDI: per esplorare il paesaggio, tra campagna e città
Da percorrere in macchina, in motorino… o in bici, per i più sportivi.
Partenza: Cascina Sant’Ambrogio – CasciNet via Cavriana 38

IBRIDO VISTA MARE: per attraversare le stagioni, tra meteo e teatro
Da percorrere in bici o in metro.
Partenza: East River – Via Jean Jaurès, 22 Milano –

SPIRITO IBRIDO: per guardare oltre le apparenze, tra realtà e immaginazione 
Da percorrere in bici, con i mezzi pubblici o a piedi… per i più resistenti.
Partenza: Casa degli Artisti – via Tommaso da Cazzaniga angolo Corso Garibaldi, 89/A Milano

Percorsi consigliati dai 10 anni in su.

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Il progetto prosegue l’importante lavoro di ricerca, mappatura e relazione che la rete degli Spazi Ibridi Socioculturali sta portando avanti da qualche anno per produrre welfare generativo, fare cultura e partecipare al rinnovamento di un patrimonio culturale di una città in continua trasformazione come Milano.

Un progetto di ZONA K; testi Federica Di Rosa; registrazioni e sound design Luca De Marinis; installazioni di parole Veronika Tzekova; coordinamento artistico, organizzazione e comunicazione a cura di ZONA K; in collaborazione con Stecca3 e Temporiuso; con la partecipazione di BASE Milano, Casa degli Artisti, Cascina Cuccagna, CasciNet – Cascina Sant’Ambrogio, Eastriver, Giardini in Transito per il Giardino Comunitario ‘Lea Garofalo’, Il Cinemino, mare culturale urbano, Nuovo Armenia, Olinda onlus, Rob de Matt, Spirit de Milan, Stecca3, Terzo Paesaggio e ZONA K; con il sostegno del Comune di Milano

STOP [fermata metropolitana]

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Con il progetto “STOP” ZONA K si aggiudica un posto tra i vincitori del Bando “Milano è viva” del Comune di Milano, dedicato alle periferie.
Partner del progetto sono Project for People, Olinda onlus, ADA Stecca e ATELIER SPAZIO XPO’.

Il progetto STOP prevede la realizzazione di una serie di azioni di rafforzamento dell’offerta culturale, di inclusione sociale e culturale e di formazione secondo quelle pratiche performative che ZONA K sperimenta ormai da 10 anni. Percorsi itineranti, spettacoli partecipati, spettatori che diventano attori, non professionisti che contribuiscono al processo creativo. E’ in questo ambito che STOP trova una coerenza non solo artistica ma anche territoriale, concentrandosi nei Municipi 9 (zona Affori/Comasina e Isola) e Municipio 2 (ex convitto Trotter, via Padova), ma prevedendo anche un’azione diffusa in un territorio “senza confini” che vuole coinvolgere i numerosi Spazi Ibridi presenti in città.

STOP è una fermata di pensiero sulla necessità del teatro, sul valore del coinvolgimento del pubblico, sulle nuove modalità artistiche, sui margini della società e della città, sul presente nel quale viviamo. E’ il filo conduttore di progetti performativi e teatrali che si muovono su temi diversi – dal lavoro alla cura delle persone, dall’ambiente alla protesta politica, dalla ridefinizione della socialità alla riformulazione degli spazi urbani.

Per la modalità di lavoro di ZONA K le azioni si intrecciano. Quasi tutti gli spettacoli/performance lavorano sulla qualità e sull’innovazione dei linguaggi e al contempo racchiudono in sé azioni di inclusione sociale, di rafforzamento dell’offerta culturale e di formazione.

Questo il programma.

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Dialoghi tra i Rami

Sorry, this entry is only available in Italian.

Laboratorio di scrittura creativa ed espressività vocale per over 60!

Cosa ci raccontano gli alberi? Costruiamo insieme frammenti di storie da ascoltare e diamo voce ai personaggi nascosti nella natura.  

Il workshop prevede un lavoro di scrittura e di espressività vocale volta alla realizzazione di un racconto audio che verrà poi inviato ai partecipanti. 

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In collaborazione e presso BAM Biblioteca degli Alberi – Milano ideato e condotto da Federica Di Rosa per la giornata di festa BAM! Il parco si fa Isola
Partecipazione gratuita con prenotazione obbligatoria.

Per partecipare compila il modulo che trovi ➡︎ QUI

Jens Hillje, Alessandro Renda (DE/IT)

Sorry, this entry is only available in Italian.

Un progetto di ZONA K

Una chiamata pubblica, decine di lavoratrici e lavoratori che rispondono. È l’inizio del progetto che si è concretizzato nell’ultimo anno con incontri, laboratori teatrali, ricerca, video documentari, canzoni di protesta, cortei, un pretesto (America di Kafka), tre attori, un regista e un dramaturg.

Il “lavoro” come fil rouge. Il lavoro come aspirazione, come scelta obbligata, come fonte di sostentamento, ma soprattutto come motore che delinea le traiettorie, definisce autostima e convinzioni personali, rischia di plasmare i nostri valori e determina dove e con chi trascorriamo la maggior parte del tempo.

Ma il lavoro definisce veramente chi siamo? Quanto risponde alle nostre aspettative? Quanto peso ha nella nostra vita e nelle scelte che facciamo? Può oggi rappresentare un punto di osservazione sullo stato di salute della società, soprattutto dopo la fase acuta dell’emergenza sanitaria?

Non siamo niente, saremo tutto è la traduzione letterale di un verso de L’internazionale scritto dal poeta e rivoluzionario Eugène Pottier 150 anni fa. Non siamo niente, saremo tutto è anche il progetto teatrale prodotto da ZONA K, in cui Jens Hillje e Alessandro Renda hanno coinvolto lavoratrici e lavoratori di diversi settori, per esplorare storie individuali e affrontare il tema da differenti prospettive: possiamo specchiarci nelle storie lavorative altrui per sentirci più interconnessi? Quanto condiziona le nostre esistenze il rispetto di una volontà o di una vocazione? Comprendere felicità o insoddisfazioni individuali ci aiuta a valutare il benessere collettivo? Il concatenamento di storie diventa uno strumento di indagine per trasformare l’esperienza collettiva in una narrazione condivisa, un coro pensato come opera d’arte totale e scultura sociale per riabbracciare un desiderio di comunità e, attraverso il teatro, trovare nuove forme di rappresentazione della realtà.

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info spettacolo e biglietti: Biglietteria Teatro degli Impavidi +393464026006 (anche su WhatsApp)
teatroimpavidi@associazionescarti.it

c/o e in collaborazione con  Teatro degli Impavidi di Sarzana (SP)

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Alessandro Renda è attore, regista e filmmaker nel Teatro delle Albe di Ravenna. Si avvicina alla compagnia fin da adolescente partecipando ai laboratori della non-scuola, pratica teatral-pedagogica antiaccademica creata da Marco Martinelli. Nel 1998 viene scelto per interpretare uno dei dodici “palotini” dello spettacolo I Polacchi, testo e regia di Martinelli e da allora è attore e regista della compagnia. Dal 2001 è guida nei laboratori non-scuola. Dal 2003 si occupa di video, realizzando proiezioni per la scena o “traduzioni” in video di molti spettacoli del Teatro delle Albe e documentari su esperienze teatrali in giro per il mondo della compagnia.

Jens Hillje (Germania, 1968) dal 1989 al 1995 studia Arti applicate all’Università di Perugia, studi che prosegue a Hildesheim e a Berlino. Dal 1990 lavora nella scena del teatro indipendente tedesco come attore, autore e regista. Nel 1996 ha fondato insieme a Thomas Ostermeier lo spazio ‘Barracke’ al Deutsches Theater. Dal 1999 fino al 2009 è Chief-dramaturg e membro della direzione artistica della Schaubühne di Berlino con Thomas Ostermeier e la coreografa Sasha Waltz: con loro crea un ensemble permanente di danza e prosa di rilievo internazionale. In qualità di dramaturg lavora con i maggiori esponenti del teatro europeo: oltre a Ostermeier, Yael Ronen, Falk Richter, Luk Perceval, Sebastian Nübling, Nurkan Erpulat. Durante il suo periodo alla Schaubühne, Jens Hillje ha creato il F.I.N.D Festival nel 2000. Il festival per la drammaturgia internazionale e contemporanea ha presentato autori emergenti della scena teatrale e oggi è uno dei più rinomati festival in Germania. Dalla stagione 2013/14, Jens Hillje è co-direttore artistico e Chief-dramaturg del Gorki, insieme a Shermin Langhoff. Dal 2021 è free dramaturg. Nell’estate 2019 è stato insignito del Leone d’Oro alla carriera alla Biennale di Venezia.

A cosa servono, ancora, i miti greci?

Sorry, this entry is only available in Italian.

Ateatro e Bolzano29
in collaborazione con
Engramma, Teatro dei Borgia e ZONA K

presentano

A cosa servono, ancora, i miti greci?
in occasione della pubblicazione del numero 194 della rivista “Engramma”

c/o Bolzano29, via Bolzano 29A, Milano (Metro M1 Rovereto)

Intervengono:
Monica Centanni (direttore di “Engramma” e professore ordinario di Lingua e Letteratura greca, Università Iuav di Venezia e Università di Catania),
Maddalena Giovannelli (docente Storia del Teatro presso USI-Università della Svizzera Italiana, Lugano),
Daniela Sacco (ricercatrice e docente presso l’Università Iuav di Venezia), Gianpiero Borgia (Regista).

Conduce Oliviero Ponte di Pino (presidente di Ateatro).

“What’s Hecuba to him?”
Che cos’è Ecuba per lui, cos’è lui per Ecuba? Perché dovrebbe piangere per lei?
Fa chiedere Shakespeare ad Amleto.

Questo numero della rivista “Engramma”, incentrato sull’esperienza teorica e pratica di Teatro dei Borgia, è nato per tentare di rispondere a una domanda: “A cosa servono, ancora, i miti greci?”.
Rilanciamo la domanda di Amleto: “Cosa sono Medea, Filottete, Eracle per noi?”.
“Perché dobbiamo piangere per loro? Servono ancora i nomi, le storie, le figure del mito? Possono i miti greci dire il nostro presente?”.
La stessa domanda che dà il titolo al Seminario di studi che si è tenuto a Trani il 21 e il 22 maggio 2022 per iniziativa di Teatro dei Borgia e della rivista “Engramma”.

Vai alla trilogia LA CITTA’ DEI MITI di Teatro dei Borgia

CHIAMATA PUBBLICA
TEATRO PARTECIPATO

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NON SIAMO NIENTE, SAREMO TUTTO

 ZONA K lancia un grande progetto internazionale di teatro partecipato in collaborazione con Gli Scarti/Fuori Luogo di La Spezia.

Una “chiamata” alla cittadinanza di Milano per partecipare direttamente e in prima persona:
“Abbiamo bisogno di persone del territorio, di lavoratori e lavoratrici di alcuni settori che abbiano voglia di essere coinvolte all’interno di un percorso di indagine e di testimonianza che porterà ad una grande performance finale e che vuole coinvolgere direttamente le comunità cittadine sul tema del lavoro e dei suoi cambiamenti dopo l’esperienza della pandemia”.

La direzione artistica è di Jens Hillje (dramaturg berlinese, Leone d’oro alla Biennale 2019) e di Alessandro Renda (Teatro delle Albe di Ravenna) ideato e prodotto da ZONA K.

A CHI è rivolta la call?
–       Lavoratrici/lavoratori del mondo della SCUOLA E ISTRUZIONE (insegnanti, personale ata, studenti/studentesse)
–    Lavoratrici/lavoratori del mondo della SANITA’ e ASSISTENZA SOCIALE (infermieri/e, farmacisti/e, OSS, medici, caregivers etc)
–       Lavoratrici/lavoratori del mondo FOOD/DRINK, DELIVERY e COMMERCIO (ristoratori/trici, baristi/e, camerieri/e, riders, commessi/e di supermercato)

Oltre alle persone appartenenti alle suddette categorie possono partecipare anche coloro che abbiano voglia di condividere testimonianze indirette e la propria esperienza rispetto alle tematiche del progetto.

*NON è richiesta alcuna preparazione o esperienza teatrale pregressa e la partecipazione è gratuita

 

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Domenica 22 maggio 2022 ore 18.30 – 20.30 ci troveremo a ZONA K (Via Spalato 11, vicino ple Lagosta, quartiere Isola) per raccontare il progetto e le differenti modalità di partecipazione:

1. Semplice raccolta di testimonianze (anche video)
2. Partecipazione ai successivi incontri del 30 maggio e 6 giugno (ore 18.30 – 20.30)
3. Partecipazione performance finale (in autunno, data da definire)

Con noi ci sarà il regista Alessandro Renda.

Per partecipare o chiedere informazioni scrivi a stagione@zonak.it.

Deadline adesioni di partecipazione venerdì 20 maggio 2022.

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IL PROGETTO
Soprattutto in questi ultimi 30 anni di libero mercato e privatizzazioni sono state deluse molte possibilità di una società più giusta e la competizione è diventata la condizione che definisce le relazioni umane, trasformando i cittadini in consumatori, frantumando il tessuto sociale e le identità individuali. L’esperienza della pandemia ha messo fortemente in discussione l’idea di economia e società neoliberista. Ma se da un lato questa fase ha ulteriormente evidenziato gli squilibri sociali e provocato sofferenze e contrasti tra lavoratori, dall’altro ha sviluppato e fatto riemergere desideri di solidarietà, promuovendo la ricerca di buone pratiche. Come raccontare questa fase così confusa? Il teatro ci consente di evitare le strettoie del quotidiano, sprofondando storie, volti e esperienze in mondi “altri” capaci di leggere la realtà in tutta la sua complessità.

Il coro è alle origini del teatro, da rito a vero e proprio personaggio collettivo. Il coro nel teatro greco antico ha fondato il teatro europeo, rappresentando la cittadinanza della polis. Attraverso il coro possiamo manifestarci nella nostra individualità ma anche nello spirito più profondo di appartenenza a un gruppo.

Non siamo niente, saremo tutto è un progetto teatrale prodotto da ZONA K che si svilupperà tra il territorio di La Spezia e altre località italiane tra cui Milano, Pergine, Ravenna. L’idea è quella di lavorare con cori di non professionisti appartenenti a alcune categorie specifiche di lavoratori. Per affrontare le storture dei meccanismi lavorativi e lo sfruttamento alla base di tanti processi economici e non solo della nostra società, si è deciso di scegliere gruppi di lavoratori in grado di riflettere lo smantellamento delle politiche welfare avvenuto in maniera sostanziale negli ultimi decenni. Non si tratta di raccontare questi lavoratori lasciandoli nelle loro categorie di appartenenza, ma di esplorare delle storie individuali per affrontare il tema da una differente prospettiva: quanto siamo consapevoli degli effetti delle nostre scelte? Delle nostre responsabilità? Quanto siamo coinvolti nei processi che spesso condanniamo? Il coro diventa strumento di indagine che permette di trasformare l’esperienza collettiva in una narrazione condivisa, un coro pensato come opera d’arte totale e scultura sociale. Un ensemble vivo che unirà le esperienze lavorative contemporanee, mentre l’Internazionale, l’inno di emancipazione e liberazione, depositario di memorie ed esperienze di 150 anni di lotta per il giusto riconoscimento economico e politico del lavoro, sarà un puntello per verificare l’attualità di quei versi.

CHIAMATA PUBBLICA PER SUPERMEN OVER 60

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ZONA K e Casa degli Artisti Milano annunciano una
CHIAMATA PUBBLICA PER OVER 60 per partecipare a

“BLUE TIRED HEROES” DI MASSIMO FURLAN
performance urbana fuori dal comune intorno all’immagine del supereroe

termine invio candidature: 10 maggio 2022

 

 

E se Superman fosse invecchiato?

Massimo Furlan è un artista svizzero multidisciplinare che ama creare immagini, quadri viventi, in cui l’occhio vaga, osservando la composizione, l’equilibrio, i colori e la stravaganza.

Questo suo lavoro, presentato all’interno della stagione teatrale di ZONA K, mostra con grande umorismo e ironia corpi invecchiati che interpretano un Superman che finalmente può vivere la sua età reale, in contrasto con l’immagine di eterna giovinezza tipica dei supereroi.

Blue Tired Heroes è una performance urbana in cui un gruppo di anziani supereroi gioca con l’immobilità e le azioni quotidiane: cammina lentamente tra le strade di Milano, si siede sulle panchine, entra nei supermercati, si appoggia agli alberi dei parchi, attende il tram alla fermata…

 

CERCHIAMO 11 PERSONE tra i 60 e i 70 anni  CHE VOGLIONO CONDIVIDERE UN’ESPERIENZA DIVERTENTE E INTENSA.

NON È RICHIESTA NESSUNA QUALITÀ PARTICOLARE NELL’INTERPRETAZIONE.
OCCORRE SOLO ESSERE SE STESSI E POSSEDERE UNA BUONA DOSE  DI AUTOIRONIA E SENSO DELL’UMORISMO.

UNICA CARATTERISTICA RICHIESTA: AVERE PIU’ DI 60 ANNI (SUPERMAN È DEL 1934!)

 

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Vuoi partecipare e diventare un Superman? Ecco cosa fare!
Manda la tua candidatura scrivendo una mail a stagione@zonak.it allegando una tua foto a figura intera e il tuo numero di cellulare entro e non oltre il 10 maggio 2022.

È richiesta la presenza su tutti e 3 i giorni del progetto, 27, 28 e 29 maggio 2022.

La partecipazione si svolge su base volontaria. Verranno rimborsate eventuali spese di trasporto di A/R per e dal luogo delle prove e della performance.

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LE PROVE SI SVOLGERANNO NEL POMERIGGIO DI VENERDÌ 27 MAGGIO
Ci troveremo presso Casa degli Artisti (zona Garibaldi) per conoscerci e incontrare il regista Massimo Furlan. Cammineremo lungo il percorso individuato (3 km circa tra Garibaldi e Sarpi), provando le pose da supereroe suggerite dai luoghi che incontreremo lungo il tragitto.
Durata dell’impegno, 4 ore circa.

LA PERFORMANCE SI TERRA’ SABATO 28 E DOMENICA 29 MAGGIO, NEL POMERIGGIO
Si va in scena! Si indossano i costumi da Superman e si percorre il tragitto compiendo le azioni e le pose provate. Il pubblico sarà formato da passanti, abitanti delle vie delle zone Garibaldi e Sarpi, e ovviamente da tutti gli amici che vorranno assistere alla performance.
Durata impegno, 3 ore circa al giorno.

 

IL PROGRAMMA IN BREVE

Venerdì 27 maggio ore 15.00 – 19.00 (indicativo): incontro e prove con il regista, ritrovo c/o Casa degli Artisti, Corso Garibaldi 89/A, angolo via Tommaso da Cazzaniga – M2 Moscova –

Sabato 28 e Domenica 29 maggio ore 16.30 – 19.30 (indicativo): 1 passeggiata di circa 1h30 al giorno in città, ritrovo c/o Casa degli Artisti.
Durata dell’impegno, 3 ore circa al giorno.

Domenica 29 maggio, dopo lo spettacolo, festeggeremo insieme con un bell’aperitivo!

Lisandro Rodríguez (AR)

In order to enter, in addition to booking, it is compulsory to send the membership application/renewal for the year 2022 at least 24 hours before the performance.
For this event the fee of € 2,00 is not due. Send the request

 

– COLLABORATIONS SECTION –

Extremophile (‘extreme’ with the suffix -philos, from the Greek philéô, to love) is the adjective assigned to those organisms capable of growing and thriving in extreme conditions, i.e. in hostile environments, due to high temperature, acidity or salt concentration. They are therefore those who, as ‘lovers’ of extreme habitats, live differently from the rest of the living.

This is what happens to the protagonists of Alexandra Badea’s work – as the title suggests – which traverses three (or more) stories of love and restlessness. A ministry chief of staff falls in love with a left-wing militant, while a teacher blows himself up in front of a school; a marine biologist is torn between working as a researcher and working for a powerful multinational corporation that devastates the seabed; an Israeli soldier, who pilots drones from a distance, watches his enemies make love on the terraces of their homes.

Rodríguez stages the text by bringing into dialogue the faults and the forgotten dreams, the intimate and the political, and says: “when these characters talk about their work and link it to love, in some way they are also talking about a world that is becoming unbearable”.

 

At the end of the first performance on 19 May, the company and the director will meet the audience.

 

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a project by Piccolo Teatro di Milano – Teatro d’Europa, presented in the festival “Presente Indicativo” 

show ● national premiere ● in Spanish ● duration 80 min.

free entrance ● Sold Out

In order to enter, in addition to booking, it is compulsory to send the membership application/renewal for the year 2022 at least 24 hours before the performance.
For this event the fee of € 2,00 is not due. Send the request, click here

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by Alexandra Badea directed by Lisandro Rodríguez with Ariel Bar-On, Anabela Brogioli, Zoilo Garcés, Lisandro Rodríguez music “Mundo cruel”: Guillermo Rodríguez lights Matías Sendón production Débora Staiff, Estudio Los Vidrios in collaboration with ZONA K. Thanks to the Instituto Cervantes for their collaboration.

 

Post, il tempo delle domande

Media partner of  POST, the theatre season, could only be Q code Magazine, an independent magazine that prefers multimedia. It is geopoetic, that is, it tells geopolitics through stories, it is an open place for those who have passion, competence and ability to say it, it is a quarterly paper magazine to return to a slow and thoughtful reading. It is resistant, stubborn and abrasive. It believes in collaboration and sharing between sister organizations. It is edited by Angelo Miotto and Christian Elia, and in its nine years of life has hosted hundreds of signatures from all over the world.

Post, il tempo delle domande is the name of the Q Code podcast for ZONA K .
We have chosen keywords, related to the shows of the season.
The audio essays are by Angelo Miotto.

Listen to the podcasts by clicking HERE

 

POST

What define POST?

Etymologically the answer is easy, something that comes later in time or conceptual terms. The society we live in seems to be an endless catalogue of posts. We are in a post-democracy, citizens are post-materialist, capitalism has become post-capitalism, not to go into the more complex and philosophical definitions of post-structuralism, post-modernism and deconstructionism. Even the very concept of truth can no longer be separated from post-truth, voted by the Oxford Dictionary as word of the year for 2016. Everything is questioned, reconsidered, studied in its continuous evolution. It is as if certain principles and doctrines, which formed the basis of a certain culture in the second half of the 20th century, can no longer keep up with the times without having made room for a new political, cultural and social sensibility. Is it fair to ask whether a new progressive culture is possible for the 21st century? Is politics capable of formulating a new, compelling vision that (re)brings people together and is not just an expression of power?

We are not in a position to give answers, for us POST is still the time of questions that every change brings. It is the moment we find ourselves living. The ‘after’ of which the contours are not yet clear. It is not the criticism or the overcoming of what we have done and experienced so far, it is the time of uncertainty, of the need to reconsider positions and choices made so far without fully seeing the next step. It is more than a season’s headline, a well-crafted claim by a good copywriter. It is our present that we continue to look at with an artistic and political eye. It is looking for a new position, finding a new balance between creativity and proximity, between artistic research and audience engagement, between relationships and growth. POST is the start of a new path of openness, a broader view, reflections and comparisons. It is a stimulus for other thoughts, not necessarily our own.

And in this reservoir of suggestions, we started to measure ourselves with new possibilities, parallel actions, not substituting but complementary to the presentation of a theatre season. The first step was to call Jens Hillje as visiting dramaturg. A leading figure of European theatre, Golden Lion for Lifetime Achievement in 2019, Hillje has accompanied months of reflection and will be dramaturg of the new production of ZONA K that will be staged in November.

Therefore, the necessary awareness has matured – this is political and social – not to give up the centrality of people, whether they are spectators, artists, non-professionals, workers, students. Participatory and urban shows, productions and co-productions that arise from the direct involvement of citizens, training of younger targets, storytelling of artistic processes, meetings with artists, networks with other theatres thanks to common visions and synergic work, are all elements of the same puzzle that will be built in future years.

In this outlined framework, enclosed in the POST hat, Gob Squad and their latest production find their place 1984: Back to No Future, a nostalgic and pop look at the past and the future; the shouted words of Pasolini brought to the stage by Anagoor, the old men in tights of Massimo Furlan‘s “Superman”, Mats Staub with the delicacy of his interviews; the urban shows of Elisabetta Consonni and Teatro dei Borgia; the new production Non siamo niente, saremo tutto by Jens Hillje and Alessandro Renda on the distortions of society that brings a chorus of workers on stage, to close with a participatory performance on contemporary activism by Dreams Come True, Hichmoul Pilon, anthropie, collettivo Siamo ovunque. Eight shows, eight complex projects to present and narrate.

To close POST is also – much more simply – “a communication tool, a textual message with the function of opinion, comment or intervention”.

 

Mariano Pensotti/Grupo Marea (AR)

– COLLABORATIONS SECTION–

El Público (Buenos Aires), The Audience (Athens) and The Public/Het Publiek (Brussels) are three films about a theatre audience and the city they live in. They are also three plays that we only know through the narration of the spectators. The starting point of the three films is the same: there is an audience going to see a performance in a theatre. The audience takes their seats before the performance starts, they read the programme, they chat.

The show starts but we do not see it.

There is an ellipsis. We see the audience leaving the theatre immediately after the end of the performance. Apparently the play they saw was incredible, an extremely complex performance about a real story hidden in the recent history of the city. All the spectators are moved by what they saw.

We follow some people leaving the theatre. We will see the stories of these 11 people during the 24 hours after they have seen the performance and to what extent what they have seen has influenced their lives. Each story is a short film.

The personal stories of the audience are very different and have a variety of conflicts, there are some stories with a strong plot and others that are more focused on everyday life. But at some point everyone talks to another person about the play they have seen and we have not. They all tell a different scene from the play. By following their stories and listening to their narration of the play, the real audience can reconstruct the play that the fictitious audience has seen.

What are the stories of the people who go together to see a play? How much are their lives transformed by that experience? To what extent is what they have seen modified by their memories? What is it like to become a character in your own city? What is the effect of transforming the audience into protagonists?

 

 

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projection:
12 May THE AUDIENCE – length 80 min
13 May EL PUBLICO – length 90 min
14 May HET PUBLIEK – length 80 min

in collaboration with Piccolo Teatro di Milano – Teatro d’Europa

film info ● in original language with subtitles

c/o ZONA K – free entrance with 2022 membership required 24 hours before the event, click here, do it now

booking recommended: biglietti@zonak.it – 393.8767162

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Written and Directed by Mariano Pensotti Art Director Mariana Tirantte Music Diego Vainer Cinematography/DOP María Soledad Rodríguez Artistic Production Florencia Wasser Assistant Director Agustín Gagliardi.
THE AUDIENCE was commissioned and produced by Onassis Stegi.
EL PUBLICO is a co-production between Festival Internacional de Buenos Aires and Grupo Marea.
HET PUBLIEK was commissioned by Kunstenfestivaldesarts in co-production with Wrong Men, Théâtre des Martyrs and Shelter prod.

 

Mariano Pensotti (Buenos Aires, 1973) studied cinema, visual arts and theatre. His performances have been presented in Argentina and in major international festivals around the world. He has received numerous prizes and awards including: the Rozenmacher, Clarin and F Prizes; and grants from Unesco-Aschberg, Rockefeller Foundation, Fundación Antorchas and Casa de América de Madrid. He founded Grupo Marea together with set designer Mariana Tirantte, musician Diego Vainer and producer Florencia Wasser.

 

Wundertruppe (IT)

ATTENTION: EVENING DEPARTURE TIME HAS BENNE BROUGHT FORWARD TO 19.00

– SECTION OUT OF MILAN –

It is a sound path with headphones that will take place in the town of Baranzate, a group walk, an experience at the same time personal and shared inhabited by voices, sounds, literary fragments and testimonies around the theme of loneliness. The performance crosses significant places in the city that are identified in the days leading up to it, thanks to the study of the topography and history of the city and (when possible) thanks to encounters with local people. Two figures accompany the public: the first is a point of reference, guiding the route; the other crosses the space, directs the gaze, gets lost, plays with the limit. The route follows the sun and its light.

 

 

 

The performance takes place at dawn and/or at dusk: at dawn the city wakes up, a few people inhabit it with their silent and solitary presence; at dusk, on the other hand, it can swarm with passers-by and within this collectivity a sense of solitude can arise, willingly or unwillingly. The reality of the landscape becomes part of the performance, resonates with the words in the headphones and allows the unexpected to manifest itself and become a story. One walks, at the same time, alone and in company to find oneself at the end in a temporary square and express a desire.

Baranzate was chosen by the collective because of the intense social activities born in the area over the years, and it is also a place of affection and growth for one of the members of the collective.

 

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in collaboration with Associazione Quarantasettezeroquattro in Gorizia

info urban headphone performance

c/o Municipality of Baranzate (Mi)

departure at 6.30 a.m. Meeting point piazza Giovanni Falcone – Baranzate
departure at 20.00 meeting point via Gorizia, 61 – Baranzate

BASIC INFORMATION TO PARTICIPATE:
A document will be requested as a deposit for the use of the navigator.
As this is a route with obligatory stages, the departure time cannot be postponed. The walk takes about 80 minutes and will be done on foot. The place of arrival is 10 min. walk from the place of departure. It is recommended to wear comfortable shoes and a waterproof jacket in case of light rain; in case of heavy rain the event will be cancelled.

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Conceived and directed by Collettivo Wundertruppe: Natalie Norma Fella, Marie-Hélène Massy Emond and Giulia Tollis with the voices of Natalie Norma Fella Marie-Hélène Massy Emond and Giulia Tollis, Sandro Pivotti and people met in Italy, Canada and online original music Marie-Hélène Massy Emond sound design Renato Rinaldi special thanks to Luca Oldani, Riccardo Tabilio and Jonathan Zenti for their help on stage and in the studio production Wundertruppe in co-production with Petit Théâtre du Vieux Noranda (Rouyn Noranda, QC -Canada) / Associazione Quarantasettezeroquattro – Gorizia with the support of MOVIN’UP Performing Arts of MiBACT and GAI – Giovani Artisti Italiani / ARTEFICI – Residenze Creative FVG 2019 di Artisti Associati – Gorizia / Conseil des Arts du Canada (Canada) / Associazione IFOTES | ARTESS – Udine. Project supported with funds from the Otto per Mille della Chiesa Valdese

 

Wundertruppe is a person and a collective at the same time. Wundertruppe is the name under which, since 2016, Natalie Norma Fella has presented her projects. Each work makes use of the collaboration of artists, technicians, consultants, thinkers; the principle of this collective is to combine skills and interests according to the nature and needs of the various projects. The works of Wundertruppe are: “40 A.D. | Etiquette for an Earthquake”, “WK -Wunderkammer,” and “Piazza della Solitudine”.

 

photo Alvise Crovato

Dreams Come True, Hichmoul Pilon, anthropie, collettivo Siamo ovunque

A participatory performance in which the audience reads aloud the testimonies from anti-fascists, feminists, anti-capitalists, anti-racists, anti-specialists, hackers, and people fighting for the rights of migrants, against all forms of social oppression, for the rights of LGBTQIA+ people, against ecocides, for the rights of sex workers, against police violence, for the rights of undocumented immigrants, for self-determination and empowerment of all workers, against job insecurity, against the current prison system and for Zone to Defend.

The project was conceived during a tour in Hong Kong in 2019, where where one of the promoters of the project mets some protesters of the pro-democracy movement: within 20 years Hong Kong will be entirely Chinese and their freedom of expression is rapidly diminishing. From their stories came the desire to share aspects of political engagement: the act of courage, which gives the strength to fight your way out of an oppressive or precarious situation, and the tools, tactics and practical advice useful to all activists, here or elsewhere.

Siamo Ovunque is a collection of emotional and inspirational resources: activists’ stories, tactics, tools and strategies, recorded as written texts or transcribed from oral histories to form an archive of contemporary activism.

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info participatory performance ● in Italian ● duration 120 min.

c/o ZONA K – admission with prior 2022 membership

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A project conceived and produced by: Dreams Come True, Hichmoul Pilon, anthropie; with the contributions of: Many anonymous persons; Collettivo Bida; Jupiter; Raffa; Rete appenninica femminista; Samba; Asia Usb – Associazione inquilini e abitanti – Unione sindacale di base; Una militante del collettivo R con documenti svizzeri; Craaazi – Centro di ricerca e archivio autonomo transfemministaqueer°; “Alessandro Zijno”; D(i)ritti alla Città – Rete per gli spazi pubblici dismessi ; Debs; Elena & Rina; Franco Sicilia; Flores Magón; Centro di documentazione dei movimenti “Francesco Lorusso – Carlo Giuliani”; Csi – Centro di salute internazionale e interculturale; Osa^* – Opposizione studentesca d’alternativa; Viola; Militant* di Extinction Rebellion in Svizzera; El.; Vincenza Perilli; Mars on Pluto; Mujeres libres Bologna; Vivaietto; Collettiva Elettronika; Mattia Robertiello (on going); Administrative Direction  Creative Production, Touring: Marine Magnin; Communication: Charlotte Terrapon; Tour Production: Colette Raess; Publishing house: Abrüpt; Coproduction: Le Grütli, Geneva ; République Ephémère, Geneva ; l’Abri, Geneva ; Aargauer Kunsthaus, Aarau ; Santarcangelo Festival; With the support of: Pro Helvetia – Swiss Art Council, Office fédéral de la culture and République et Canton de Genève; Ville de Genève ; Loterie Romande; Fondation Ernst Göhner ; Migros pour-cent culturel; Fondation Jan Michalski pour l’écriture et la littérature ; Fondation suisse des artistes interprètes SIS ; CORODIS.

AA.VV.

Since 2021 ZONA K is among the partners who joined the Call for Digital Residencies conceived and promoted by Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt), in partnership with Associazione Marchigiana Attività Teatrali AMAT, Cooperativa Anghiari Dance Hub, ATCL Lazio for Spazio Rossellini, the Emilia-Romagna Residency Centre (L’Arboreto Teatro Dimora di Mondaino – La Corte Ospitale), the Fondazione Luzzati Teatro della Tosse in Genoa, joined this year by Fondazione Piemonte dal Vivo – Lavanderia a Vapore and Fondazione Romaeuropa.

Now in its third edition, the call aims at stimulating performing arts artists to explore the digital space, as a further or different declination of their authorial research.

The selected artistic projects will be presented to the public during the Digital Residencies Week at the end of November.

Jens Hillje, Alessandro Renda (DE/IT)

A ZONA K project

A public call, dozens of workers responding. This is the beginning of the project that has taken shape over the past year with meetings, theatre workshops, research, video documentaries, protest songs, marches, a pretext (Kafka’s America), three actors, a director and a dramaturg.
Work’ as a fil rouge. Work as an aspiration, as a compulsory choice, as a source of livelihood, but above all as an engine that delineates trajectories, defines self-esteem and personal convictions, risks shaping our values and determines where and with whom we spend most of our time.
But does work really define who we are? How well does it meet our expectations? How much weight does it have in our lives and in the choices we make? Can it today represent a point of observation on the state of health of society, especially after the acute phase of the health emergency?

Non siamo niente, saremo tutto (We are nothing, we will be everything) is the literal translation of a line from L’Internationale written by poet and revolutionary Eugène Pottier 150 years ago. A text that may be dated, sometimes still sung as a workers’ hymn, but now has almost no relevance to today and the state of the world of work. We are nothing, we will be everything is also the theatrical project produced by ZONA K, in which Jens Hillje and Alessandro Renda involved workers from different sectors, to explore individual stories and approach the theme from different perspectives: can we mirror ourselves in the work stories of others to feel more interconnected? How much does the realisation of a will or vocation condition our lives? Does understanding individual happiness or dissatisfaction help us to assess collective well-being? Are we still able to see ourselves as a collection of people striving for a common good or are we a sum of individuals, monads in our own right? The concatenation of stories becomes an investigative tool to transform the collective experience into a shared narrative, a chorus conceived as a total work of art and social sculpture to re-embrace the desire for community and, through theatre, find new forms of representation of reality.

 

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show ● in Italian ● running time 90 min.

c/o and in collaboration with Olinda onlus, ex. Osp. Psic. Paolo Pini, via Ippocrate 45 Milano – M3 Affori FN

IMPORTANT
Show up at least 15 min. before the performance to collect tickets c/o Bar Jodok, via Ippocrate 47 Milano – M3 Affori FN (via Ciccotti exit)
Maximum punctuality is required. Access is not guaranteed once the show has started.

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direction: Alessandro Renda; dramaturg: Jens Hillje; with: Roberto Corradino, Milena Costanzo, Matteo Gatta and with the citizens of a public call from Milan and La Spezia and with the Micene chorus from Milan; lighting design: Mario Loprevite; scenographic elements Denise Carnini and Francesca Pedrocchi
editing and visual effect video: Francesco Tedde and Alessandro Tedde (Anthropotopia); photos: Luca Del Pia; production: ZONA K (MI); co-production: Pergine Festival (TN), Association 47|04 (GO); executive production: Valentina Picariello and Renata Viola; organisation: Federica Bruscaglioni; with the support and collaboration of Fuori Luogo La Spezia/Gli Scarti; in collaboration Project For People, Stratagemmi Prospettive Teatrali, Olinda onlus

The project is realized with the support of Fondazione Compagnia di San Paolo in the context of Art Waves Produzioni di cultura contemporanea and with the support of Fondazione Cariplo and the Municipality of Milan and presented within STOP project presented for Milano è Viva

 

Alessandro Renda is an actor, director and filmmaker. Since 1998 he has been a member of Teatro delle Albe in Ravenna. He has taken part in numerous shows of the company, from I Polacchi (1998) to L’isola di Alcina (2000), from Salmagundi (2004) to Stranieri (2008) from Inferno (2017) and Purgatorio (2019) among others. He has been staging the monologue written by Marco Martinelli Rumore di acque (2010) for over a decade, with several tours in Europe and the United States. Since 2001, he has been a ‘guide’ in the workshops of the non-school, an anti-academic theatrical-pedagogical practice of the Albe, with various experiences in Italy and abroad. Since 2003 he has been involved in video, making projections for the stage or video ‘translations’ of many of the company’s shows or documentaries around theatrical experiences.

Jens Hillje (Germany, 1968) has worked in the German independent theatre scene since 1990 as actor, author and director. In 1996 he founded the space ‘Barracke’ at the Deutsches Theater together with Thomas Ostermeier. From 1999 until 2009 he was chief dramaturg and member of the artistic direction of the Schaubühne in Berlin with Thomas Ostermeier and choreographer Sasha Waltz. As dramaturg, he works with the leading figures of European theatre. He created the F.I.N.D Festival in 2000 at the Schaubühne, one of the most renowned festivals in Germany. Since the 2013/14 season, Jens Hillje has been co-artistic director and Chief-dramaturg of the Gorki, together with Shermin Langhoff. Since 2021 he has been a free dramaturg. In summer 2019, he was awarded the Golden Lion for Lifetime Achievement at the Venice Biennale.

NON SIAMO NIENTE, SAREMO TUTTO is part of the schedule of

Anagoor (IT)

 

A poetic text by Pasolini, little known but with a disruptive expressive force, a non-finite in the author’s magmatic laboratory, a jumble of words and images, of sound and pain, an expression of power and the ways in which man succumbs to it, with the emblematic title: L’italiano è ladro (The Italian is a Thief). Here the voice and the poetic word, accompanied by the sound design of the staging, reach the public in their increasingly lacerating and at times disturbing symbolic significance.

 

 

In 1955, a fragment of Pier Paolo Pasolini’s L’Italiano è ladro (The Italian is a Thief) was published in a fascicle of the literary magazine “Nuova Corrente”, the only printed trace of a multi-lingual poem of long gestation composed between 1947 and the second half of the 1950s. Because of its openness to the representation of the popular classes and its tendency towards narrativity, this work, despite having passed almost unnoticed, is undoubtedly a representative witness to the poetic season of the 1950s and the cultural and literary political history in which it is embedded. Anagoor attempts to restore the fervour and complexity of a boiling writing, of a thought and a language that were then becoming a system and a vision, illuminating the theatrical virulence that seems to pulsate beneath the poetic verse. The company chooses to mediate this complexity by comparing the different versions of the text and illustrating the workshop of the Friulian poet, before leaving the language free to break the banks and overwhelm the ear like a torrent that drags along recent transformations and ancient pain.

 

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info duration 80 min.

c/o Teatro Out Off, via Mac Mahon 16

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Voices: Luca Altavilla, Marco Menegoni Mediation: Lisa Gasparotto Sound: Mauro Martinuz Direction: Simone Derai Production Anagoor 2016 Co-production Stanze 2016, Centrale Fies

 

The Anagoor company, which takes its name from Dino Buzzati’s short story Le mura di Anagoor (The Walls of Anagoor), was founded in 2000 in Castelfranco Veneto on the initiative of Simone Derai and Paola Dallan, who were later joined by Marco Menegoni, Moreno Callegari, Mauro Martinuz, Giulio Favotto, Silvia Bragagnolo and many others, making the experience a community project. Since 2008, Anagoor has been based in the Treviso countryside, at La Conigliera, a burrow farm converted by the company into its own atelier. With this choice, the desire to preserve the architecture of the place and the wish to keep a name that would reveal its history, Anagoor experiments with the possibility of stopping pieces of a changing civilization to graft them into a new vision. Anagoor’s theatre responds to an iconic aesthetic that precipitates into different final formats where the performing arts and the hypermedia scene enter into dialogue; it penetrates the territories of other artistic disciplines and yet forcefully claims, by virtue of the nature of this art, to remain theatre.

photo by Silvia Bragagnolo©

Massimo Furlan (CH)

Swiss-Italian multidisciplinary artist Massimo Furlan brings a new poetic and non-conformist performance to Milan. In Blue Tired Heroes, a group of “supermen seniors” roam the city to impose, in a series of tableaux as burlesque as they are delicate, the physical tests of ageing on this superhero figure trapped in his eternal youth… with “performer” inhabitants.

Superman was born in 1933. Since then, the character of Clark Kent has remained frozen in his eternal youth as a “superhero”, passing from one decade of glory to the next. But what if he finally assumed his true age? Wearing only pyjamas and blue trousers, red socks and a cape as accessories, Massimo Furlan answers the question by unleashing a strange commando of about fifteen elderly people from the city who take over the public space. Aged bodies and wrinkled faces shake our imagination to show, with humour, the evidence of the passage of time. Embodied by fifteen volunteer residents, these “tired blue heroes” play with humour and self-irony, their age and their image, which is far removed from the build of a bodybuilder.

 

 

In the continuum of a series of works experimented in the public space around the figure of Superman (Superman Cosmic Green, Love Story Superman), Blue Tired Heroes questions the notion of the heroic figure and the ghost of the superman accepted in the popular imagination, substituting a profoundly humanist incarnation of the passing of time. Funny, intense, tender, this extraordinary journey of ordinary men tells us a lot about the ability of the “superhero” to save the world, perhaps through a smile, a burst of laughter, a burlesque vision and a poetic and collective appropriation of public space?

 

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in collaboration with Casa degli Artisti di Milano

itinerant urban performance

starting pointCasa degli Artisti di Milano – Via Tommaso da Cazzaniga, angolo, Corso Garibaldi, 89/A

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Direction Massimo Furlan; Dramaturgy Claire de Ribaupierre; Costumes Severine Besson; Distribution and production Jérôme Pique; Administration Noémie Doutreleau; Production Numero23Prod.

 

After studying at the Ecole des Beaux-Arts in Lausanne, Swiss set designer and visual artist Massimo Furlan worked with various dance and theatre companies. In 2003, he founded his own company dedicated to the performing arts, Numéro23Prod., to question the act of representation outside the confines of genres. His multiple performances, essentially articulated around humour and contrast, question popular manifestations and the notion of the team, the themes of image, duration, childhood, memory and play.

 

photo ©Pierre Nydegger et Laure Cellier

Teatro Dei Borgia (IT)

The City of Myths is a metropolitan poetic dream. It is a trilogy composed of three stories, Eracle, l’invisibile Filottete dimenticato e Medea per strada, which can be seen individually or in succession.

In these stories Medea, Eracle and Filottete are three heroes of the contemporary world. However, they are not heroes from above, they are not descendants, they are not children of gods. On the contrary, they are heroes of the margins, of the periphery, who speak to us of their real tragedies: prostitution, the fall into poverty and abandonment. Elena Cotugno and Gianpiero Borgia have worked on this trilogy for a long time together with many people: social workers, doctors, health workers and psychologists. They have come a long way with them, until the road began to work on them. The result is a trilogy of performances in which the mythical figures of Eracle, Filottete and Medea are projected into the contemporary world and identified respectively with a separated parent, an incurably ill abandoned person and a foreign prostitute.

The trilogy is a political art action that crosses the city and accompanies spectators to places of marginalization, illuminating corners of the urban landscape through the cone of light of Myth.

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23 + 24 + 28 + 30 September + 1 + 2 October h. 16.45
ERACLE, L’INVISIBILE by Euripide

A disturbing parallelism between the classical hero, Heracles, divine in his proverbial strength, and a marginalised figure in contemporary society, the homeless. Christian Di Domenico plays the role of a separated parent and brings to the stage the economic, social and psychological hardships that have dragged him into the darkest despair. An immersive performance that, starting from myth and Euripides’ tragedy, comes straight to our days.

Duration 65 mins.
With Christian Di Domenico; Words by Fabrizio Sinisi; Project and direction Gianpiero Alighiero Borgia; Sociological advice Domenico Bizzarro; Production Teatro Dei Borgia; In co-production with Centro Teatrale Bresciano and Teatro Stabile del Friuli Venezia Giulia

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23 + 24 + 28 + 30 September + 1 + 2 October h. 18.15
FILOTTETE DIMENTICATO by Sofocle

In Sofocle’ tragedy, Ulisse returns after ten years to look for Filottete, left alone on the island of Lemnos after seriously injuring his leg. For the Teatro dei Borgia, the contemporary PhiloFilottetectetes we have to deal with is a sick person suffering from a neurodegenerative disease and left alone in a nursing home. Daniele Nuccetelli gives body and voice to the feelings of someone who, in a situation of great suffering, is left to his own devices, staging a delicate and complex theme that touches on the family realities of today.

Duration 60 mins.
With Daniele Nuccetelli; Words by Fabrizio Sinisi; Project and direction Gianpiero Alighiero Borgia; Clinical advice Laura Bonanni; Production Teatro Dei Borgia; In co-production with Centro Teatrale Bresciano and Teatro Stabile del Friuli Venezia Giulia

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This is the tragedy of the foreigner, reinterpreted through the strength of the myth of Medea interpreted by Elena Cotugno. The performance tells the story of a woman who escaped from her own country, arrived in Italy and ended up as a prostitute for the love of a man with whom she has two children. As with Medea, hope, love and faith in a better destiny are extinguished in an obsessive despair that culminates in a tragic epilogue.

Duration 70 mins.
With Elena Cotugno; Words by Fabrizio Sinisi and Elena Cotugno; Project and direction Gianpiero Alighiero Borgia; Production Teatro Dei Borgia; In co-production with Centro Teatrale Bresciano and Teatro Stabile del Friuli Venezia Giulia

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23 + 24 + 30 September + 1 + 2 October h. 15.15 and h. 16.45
TRILOGIA DEI MITI (Medea per strada + Eracle, l’invisibile + Filottete dimenticato)

On these dates the performances can be enjoyed in succession in the Trilogy formula.
The route, lasting a total of 3 hours and 30 minutes, is reserved for 7 spectators only.
To take part, reservations must be made at biglietti@zonak.it

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WHERE
c/o Olinda onlus, ex. Osp. Paolo Pini, via Ippocrate 47 Milano – M3 Affori FN

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ONLINE TICKET OFFICE
Single show: full price ticket € 10,00 + € 1,00 pre-sale
Eracle, l’invisibile + Filottete dimenticato: € 7.50 + € 0.50 pre-sale, for each performance on the same evening

COMPULSORY BOOKING ON biglietti@zonak.it
Trilogy: € 24.00 to be paid in advance by bank transfer

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Teatro dei Borgia is a theatre company founded by Gianpiero Alighiero Borgia and Elena Cotugno based in Barletta. Gianpiero Borgia is director, theatre actor and co-director of Teatro dei Borgia. Over the years, in addition to having signed numerous shows, he has worked as an acting coach and created and directed numerous workshops and cultural projects. Elena Cotugno is an actress, theatre author and co-director of the company. Her training is defined as nomadic and international: in 2007 she attended a course at the London Academy of Music and Dramatic Art (L.A.M.D.A.). Since then he has continued his training, researching with the masters Jurij Alschitz and Anatolij Vasil’ev and also beginning his first collaborations with Gianpiero Borgia. He is twice, in 2017 and 2019, a finalist for the Ubu Prize. In 2021 he received the Le Maschere del Teatro Award as best emerging actor/actress.

Mats Staub (CH)

A ZONA K/Mittelfest2022 production

Mats Staub’s artistic projects take us on a journey to the four corners of the world, inviting us to take time to listen and watch. Without resorting to facile spectacle, Mats Staub has over the years developed an exceptionally coherent poetry that gives us portraits of intense humanity. With refined delicacy and meticulous formal rigour, his works explore our most intimate and personal dimension, confronting us with the multilayered complexity of our time.

Death and Birth in My Life by Mats Staub is being made for the first time in Italy with the co-production of ZONA K and Mittelfest. The Italian version began with research work in Milan and Lombardia, and at the same time in Friuli Venezia Giulia: through the involvement of associations, specific categories of workers, and through more or less close contacts, about 30 people of different ages were identified who were willing to tell their personal stories. The aim of the research was to identify five possible pairs of interviewees who could discuss these issues by exchanging experiences, memories and considerations: people who did not know each other and who could meet for the first time on this occasion. This meeting gave rise to a free conversation, based on simple guidelines provided by the director: Gaia and Guido, Ambra and Fabrizio, Giovanna and Jana, Elisabetta and Elena, Massimo and Diego talked for a couple of hours, filmed by a video camera but in a situation made intimate by the lights and the two chairs placed opposite each other.

An immersive experience in which you will have the impression of being with them: a small group of strangers who meet to listen to stories, in a suspended time where you can allow yourself to reflect on death and birth.

From 23 to 31 July 2022, the video installation will be presented at Mittelfest2022.

 

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info video installation for 20 viewers
Sunday and Monday off ● in Italian and original language with subtitles ● duration 120 min. with a break

c/o ZONA K – entry with 2022 membership

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Idea, Concept, Direction: Mats Staub; With Sharon & Hlengiwe, Ahmed & Basso, Erika & Charlotte, Avril & Eric, Giovanna & Jana, Fabrizio & Ambra, Elena & Elisabetta, Massimo & Diego; Camera: Benno Seidel, Matthias Stickel; Scenography: Monika Schori; Dramaturgical Associate: Simone von Büren, Elisabeth Schack; Collaboration Milan: Cinzia Schincariol; Research: Tim Harrison (Manchester), Maia Marie (Magaliesburg), Patrick Mudekereza (Lubumbashi), Dada Kahindo (Kinshasa), Marcus Rehberger (Basel), Nele Beinborn (Frankfurt), Wolfram Sander (Hannover), Leo Saftic (Perg), Celya Larré (Paris), Justin Murphy (Dublin), Federica Di Rosa (Milan); Technical Direction: Hanno Sons, Stefan Göbel; Postproduction: Benno Seidel; Translation, Subtitles: Simona Weber, Cinzia Schincariol, Matthias Stickel, Benno Seidel; Interpreter for Milan: Laura Canonica; Production Management: Barbara Simsa, Elisabeth Schack; Production: zwischen_produktionen; Co-production: Kaserne Basel, SICK! Festival Manchester, Künstlerhaus Mousonturm Frankfurt, Festival Theaterformen Hannover, Festival der Regionen, Spielart Festival Munich, Centre culturel suisse Paris, Migros-Kulturprozent, Dublin Theatre Festival, zona_k Milan, Mittelfest2022; Funding: Fachausschuss Tanz und Theater BS/BL, Pro Helvetia Swiss Arts Council, Christoph Merian Stiftung, Ernst Göhner Stiftung, con il sostegno di Fondazione Cariplo

Azione performativa inserita in “IntercettAzioni” – Centro di Residenza Artistica della Lombardia: un progetto di Circuito CLAPS e ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire, con il contributo di Regione Lombardia, MiBACT e Fondazione Cariplo.

Mats Staub (1972) was born and educated in Switzerland but now lives and works in Berlin. He studied theatre, journalism and religious studies in Bern, Fribourg and Berlin. He worked as a journalist for various publications (1996-2001) and as a dramaturgical consultant at the Neumarkt Theater in Zurich (2002-2004). Since 2004 he has been developing his own artistic projects that combine the codes of theatre and art, literature and science. The ever-expanding audio installation My Grandparents | Memory Bureau (2008) was presented among others at the Wiener Festwochen in Vienna (2009) and the Historisches Museum in Frankfurt (2012). The video installation 21 – Memories of Growing Up also grows as it travels from city to city and is continuously presented in new forms, for example at the Künstlerhaus Mousonturm in Frankfurt (2012), the Museum of Communication in Bern (2013), the Wiener Festwochen in Vienna (2015), the Adelaide Festival (2018) and the Edinburgh Festival Fringe (2019). In 2020 he is honoured with the Swiss Theatre Award.

 

photo ©Tanja Dorendorf / T+T Fotografie

Elisabetta Consonni (IT)

“The first man who, having fenced in a piece of land, thought to say ‘this is mine’ and found people stupid enough to believe him, was the true founder of civil society. How many crimes, how many wars, how many murders, how much misery and error would mankind have been spared if, tearing out the pegs or filling in the ditch, he had shouted to his fellows: ‘Beware of listening to this impostor! If you forget that the fruits belong to everyone and the earth belongs to no one, you are lost!'” (J.J. Rousseau , Origin of Inequality, 1754)

Ti voglio un bene pubblico is an urban game that reflects on dividing infrastructures such as gates, walls, fences.  So much of what surrounds us is made up of walls and fences; understanding their meaning, from time to time, is a necessary civic practice. It is significant to note that the article of the civil code that regulates the construction of fences on land to define private property is called ‘ius escludendi alios’: to determine one’s own by excluding the other. When does a wall stop protecting and start dividing, segregating and excluding? And when a public space is fenced off and access to it is restricted, how much of that public space remains? When a wall is put up, how much of what is behind it can we not know?

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In collaboration with Farout_Festival

urban performance ● in Italian ● duration 120 min. ● in the event of heavy rain the event will be cancelled

c/o Barona district Polisportiva Le Lumache A.D.S. Via Bari, 20/1, 20143 Milano MI

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A project by Elisabetta Consonni for BASE Milano in collaboration with and ZONA K.
Concept and direction: Elisabetta Consonni, in collaboration with Sara Catellani, sociological consultancy: Adriano Cancellieri, artistic consultancy: Cristina Pancini, organisation: Chiara Panceri.
Co-production: BASE Milano, Fattoria Vittadini and ZONA K

Project winner OPEN /// CONTEMPORARY [URBAN] CREATION 2019.  It has been produced and realized by: Pergine Festival 2019 // Gorizia, In/visible Cities 2019// Terni, Indisciplinarte, 2019 // Milan, Zona K, 2019 // Padua, La Città che Verrà 2020 // 2020 PIA| Palazzina Indiano Arte-Florence: Exhibition. TVUBP- Esposizione Attraversabile di Materiali // Quartiere Celadina- Bergamo. Orlando Festival 2021 // Modena, Villaggio artigiano, Periferico Festival 2021.

Elisabetta Consonni received a writing grant from IN SITU, the European platform for artistic creation in public space, in the framework of the (UN)COMMON SPACES project, co-funded by the Creative Europe programme of the European Union.

   

Elisabetta Consonni choreographs everything, human and inhuman beings, mobile and immobile objects, maps, interstices and spatial holiday groups. She weaves networks of relationships, subtle and strong, like sugar glass.Graduated in Communication with a final thesis on the social construction of the body in dance and graduated from The Place-London, Elisabetta Consonni then deepened her research in performing art living in Holland (2004-2009) and Poland (2013-2015). Her works aim to expand the practice of choreography by looking for performative devices to incorporate social dynamics and issues. Her activism in the social and civic sphere, takes the artistic form of a research process (documented in ergonomicaproject.wordpress.com) that since 2013 investigates the use and social meaning of public space and the declination of choreographic skills in community practices.

Photo by Samantha Cinquini

Gob Squad (GB/DE)

“Who controls the past controls the future. Who controls the present controls the past.”
George Orwell: “Nineteen Eighty-Four”

Gob Squad travel back to 1984, back to the good old analogue days when life was simple and there were only three channels on TV. It’s a perilous journey: they might get lost in music, lost in nostalgia or both. But once they arrive, they discover their younger selves: caught up in the Cold War, fearful of nuclear catastrophe, trying to shape who they might become.

As they sift through the fragments of their teenage bedrooms, they reconstruct their own personal past, and the music drags them into a psychedelic virtual world of disembodied avatars. Under surveillance and under pressure, they fight, dance, build a nuclear shelter and try to dismantle what may have been written into their programming codes. Were these teenagers in control of their bodies, their fate and their ability to change things? Or were they following ready-made templates, part of a larger plan? Can they re-programme their own story, and influence the currents of history? Or at least see it through different eyes? As Gob Squad warp time and go back to a past which saw ‘No Future’, are they able to shed light on the present, and gain a perspective on what lies ahead?

 

 

The new production follows in the tradition of other works by Gob Squad, which reimagine and recast YouTube videos, Hollywood films and Andy Warhol art movies. The project brings to a head the company’s ongoing examination of the mechanisms of power inherent in our image-saturated world and the relationship of personal experience to political reality. In Gob Squad’s work, everyday life and magic, banality and utopia, reality and entertainment are all set on a collision course. The audience is invited into a world of light and shadow to bear witness to an experiment in performative science-fiction and imaginary time-travel. Nothing less than the future itself is at stake…

 

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info in English and Italian – duration 90 min.

c/o Teatro Out Off, via Mac Mahon 16

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Concept and Direction Gob Squad; Performance Johanna Freiburg, Sean Patten, Sharon Smith, Berit Stumpf, Sarah Thom, Bastian Trost, Simon Will, Damian Rebgetz and Tatiana Saphir; Sound Design
Sebastian Bark, Catalina Fernandez; Sound Mix Isabel Gonzalez Toro; Video Design Miles Chalcraft, Noam Gorbat; Costume Design Ingken Benesch; Set Design Amina Nouns; Lighting Design and Technical Management
Chris Umney, Max Wegner; Dramaturgy and Production Management Christina Runge; VR Consultancy, Development and Design Joris Weijdom; Artistic Collaboration Mat Hand; Directing Assistant Valeria Germain; Costume Assistant Simon Kernen; Set Design Assistant Stella Nikisch; VR Assistant Diede Tap; Directing Intern Rodrigo Zorzanelli Cavalcanti; Gob Squad Management Eva Hartmann; PR/Communications Alexandra Lauck; UK Producer Ayla Suveren.
A production by Gob Squad. In co-production with HAU Hebbel am Ufer Berlin, The Public Theater NY (USA), Schauspiel Leipzig, Anuja Ghosalkar / Drama Queen & Goethe-Institut/Max Mueller Bhavan Mumbai (India), HELLERAU – European Center for the Arts Dresden, Sort / Hvid Copenhagen and Teater Momentum Odense (Denmark).

 

GOB SQUAD is a bisexual, binational and bilingual (English/German) art collective. They have been devising, directing and performing together since 1994, working where theatre meets art, media and real life. Gob Squad have been looking for new ways to combine media and performance, producing theatre, video installations, radio plays, interactive live films and urban interventions.
Founded in Nottingham in 1994, while its members were still at Nottingham Trent and Giessen Universities, Berlin has been the group’s creative home since 1999. The main members are Johanna Freiburg, Sean Patten, Sharon Smith, Berit Stumpf, Sarah Thom, Bastian Trost and Simon Will. Other artists are invited to collaborate on particular projects. The group is managed by Eva Hartmann.

 

under the patronage of

Gob Squad (DE/GB)

This is a workshop aimed at anyone who wants to present themselves on stage:
performers, actors, dancers and also visual artists or writers
who have an interest to be on stage but have not yet tried

A few years before Gob Squad was founded, almost 30 years ago, one of the performers auditioned for a place at drama school. During an audition they said to her:
“Have you ever actually been in a theatre? Because what you are doing here has nothing to do with acting – you’re just playing yourself!”. She didn’t get the place, and went on to found the company with other like-minded non-actors. In Gob Squad’s work, everyone always plays themselves. Roles are sometimes tried on or tried out briefly, but like a child in an ill-fitting mask, the real person is always visible behind it, with their hopes, desires and insecurities.

In this workshop, two members of the collective will share some methods for putting themselves into their work, blending the personal, political and performative. The session will explore Gob Squad’s approach to text, improvisation and game-play.

 

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The workshop will take place
– at Teatro Out Off (via Mac Mahon 16 – Milan)
– in English language
– if reached the minimum number of participants

Cost € 60,00. Registration deadline 14 March 2022.

To apply fill in the form click HERE

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GOB SQUAD is a bisexual, binational and bilingual (English/German) art collective. They have been devising, directing and performing together since 1994, working where theatre meets art, media and real life. Gob Squad have been looking for new ways to combine media and performance, producing theatre, video installations, radio plays, interactive live films and urban interventions.
Founded in Nottingham in 1994, while its members were still at Nottingham Trent and Giessen Universities, Berlin has been the group’s creative home since 1999. The main members are Johanna Freiburg, Sean Patten, Sharon Smith, Berit Stumpf, Sarah Thom, Bastian Trost and Simon Will. Other artists are invited to collaborate on particular projects. The group is managed by Eva Hartmann.

 

pic. Garrett Davis / Capture Imaging

Bozkurt, Campara, Oglialoro, Tabilio, Venturi con Rimini Protokoll

Due to the Covid19 emergency, replays are suspended from 28 October 2020.

A project by ZONA K and Casa degli Artisti

The pandemic emergency led to a division of the social components into systemically relevant and not relevant. For many it was also a psychological polarization: between what is essential and what is superfluous. The artistic professions are not among those socially necessary.

Should we think of a world in which art will no longer play a role? Can we imagine a reality that cancels the existence of art and of those who work there? What relationship can art have with each of us in this state of crisis? Is something that has long since gotten stale about to end? Can such a profound crisis be an opportunity?

FASE NOVE || Assolo Urbano invites us to ask ourselves these questions in the context of the city. Nine important places for art in Milan – some iconic, others unusual – become the stage for nine audio installations which, through interviews with various experts, are confronted with a provocative question: why does art exist and not nothing?

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opening hours: Wednesday to Friday from h. 13.30 to 16.30 every 10 minutes, Saturday from h. 10.00 to 13.00 every 10 minutes

departure Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-.

Info: urban walk for 1 person – in Italian – closed on Monday
Tickets can be picked up on the day of the walk 15 minutes before the start at Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-.

BASIC INFORMATION FOR PARTICIPATING
A document will be requested as a deposit for the use of the navigator.
As this is a route with mandatory stops, the departure time cannot be postponed. The walk takes about 120 minutes and will be covered on foot. The place of arrival is close to the place of departure. It is recommended to wear comfortable and waterproof shoes in case of light rain; in case of heavy rain the event will be canceled.
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** Performative action included in “IntercettAzioni” – Artistic Residence Center of Lombardy: a project by Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire, with the contribution of the Lombardy Region, MiBACT and Fondazione Cariplo. **

Artists Ekin Bozkurt, Chiara Campara, Giulia Oglialoro, Riccardo Tabilio and Francesco Venturi Artistic supervision Aljoscha Begrich and Jörg Karrenbauer (Rimini Protokoll) Project management Valentina Kastlunger (ZONA K) Audio coordination and mixing William Geroli Multimedia implementation Stripes Digitus Lab In collaboration with Eataly Smeraldo, Goethe-Institut Milano, Fondazione Giangiacomo Feltrinelli, Giardini in Transito – Giardino Comunitario Lea Garofalo, Anteo Palazzo del Cinema, Piccolo Teatro di Milano Main partner Casa degli Artisti BNP Paribas Thanks to Feltrinelli bookshop in viale Pasubio, Il Barettino in via Solferino, Armonium Galvan Photo Luca Del Pia WithGiuliana Bonifati, Christian Gangitano, Laura Pugno, David Bidussa, Marta Alessandri, Mauro Ferraresi, Silvia Vizzardelli, Wu Ming 2, Palma Rivetti (Mina), Roberta Carpani

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BIO

Ekin Bozkurt (sound designer), Chiara Campara (filmmaker), Giulia Oglialoro (author, journalist), Riccardo Tabilio (author and dramaturg) and Francesco Venturi (composer) are the artists that the second open call of Casa degli Artisti on the theme “Work” Selected in March 2020 for the artistic project shared with the German collective Rimini Protokoll.

The work, coordinated and followed by Jörg Karrenbauer and Aljoscha Begrich of Rimini Protokoll in the role of mentors, was completely rethought during the months of lockdown. The theme of work remained central, but he decided to focus in particular on work in the world of culture and art, a theme made even more urgent by the crisis caused by the pandemic. It was decided to work precisely on contingency, considering it an opportunity, investigating the changing perception of spaces and cultural operators.

Rimini Protokoll was founded in 2000 by Stefan Kaegi, Helgard Haug and Daniel Wetzel and over the years has collaborated with various constellations of artists. The goal is to expand the means of the theater in order to create new perspectives on reality. Rimini Protokoll avails itself of the collaboration of experts, whose knowledge and skills go beyond the theater, to produce shows, radio productions and urban interventions that often translate urban spaces and social structures into theatrical formats.

Generazione gLocale al Municipio9

Sorry, this entry is only available in Italian.

Uno spazio pubblico, un gruppo di persone,
una voce in cuffia che pone domande, istruzioni, suggerimenti.
Chi sono oggi le tribù globali e locali delle città? Dove sono ora mentre tu sei qui?
Pubblico e Attori si muovono nello spazio.
Una squadra è il riflesso dell’altra. Uno specchio, uno scontro, una differenza.
Una battaglia d’identità. Una lotta di classe generazionale.
Azioni senza parole, gesti e movimenti. Una linea che divide.

Ora tocca a te, che fai?

Generazione gLocale è una performance urbana e partecipata, specchio della società globale di oggi.
In quale contesto viviamo? Siamo a Milano, a Toronto o a Manila? Ci riconosciamo e differenziamo per la provenienza o per come abitiamo le città? Come si difende la propria appartenenza locale in un mondo senza confini?

Pubblico e Attori si guardano, si muovono nello spazio, seguono le istruzioni di una voce in cuffia.
80 persone che avanzano e indietreggiano fino a mescolarsi o ad allontanarsi sempre più.
E’ una questione generazionale?

Produzione artistica di ZONA K, Generazione gLocale pone interrogativi sull’identità delle società di oggi nel tentativo di svelare falsificazioni, mistificazioni, paure, ideologie insite in ognuno di noi.

Una visione gLocale che si appropria del termine introdotto dal sociologo Bauman per indicare i fenomeni derivanti dall’impatto della globalizzazione sulle realtà locali e viceversa e che racconta il dialogo tra piccole comunità e sistemi via via sempre più complessi.

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progetto ZONA K regia Andrea Ciommiento workshop realizzato in collaborazione con Federica Di Rosa e Davide Stecconi creazione collettiva Anna, Angela, Kirollos, Marco, Martina, Nicole, Riccardo con Anna, Angela, Kirollos, Marco, Martina, Nicole, Riccardo coordinamento Coop. Diapason contributo Municipio 9 del Comune di Milano

Falk Richter

Sorry, this entry is only available in Italian.

patria – che cos’è per te?
dov’è che ti senti a casa?
cosa c’è di particolare nel posto dove sei cresciuto?
che cosa lo caratterizza?
cos’è lì che ti metteva a disagio?
puoi descrivermi questo posto?
[…] se torni oggi nel posto dove sei diventato grande, ti ci senti ancora al sicuro?
la tua relazione per te è una casa?
[….] la patria è davvero collegata a un posto, è un sentimento, un ricordo, un odore, un sapore, un rumore, un’immagine, una serie di avvenimenti, una vaga sensazione che tutto sia alla tua portata, che non ci sia niente che ti confonde, che stai tenendo ogni cosa sotto controllo, che hai tutto a vista, che NON HAI PAURA?
che cos’è personalmente per te: la patria? qualcosa che un tempo avevi e ora si è rotto? è qualcosa che vai cercando? è un concetto a cui possiamo rinunciare?
che cos’è: la tua patria? […]

[Dall’incipit sul concetto di “patria” del testo di Falk Richter]

Paura del diverso, paura dello straniero, paura di scomparire, paura di venire rimpiazzati. La paura dilaga in Germania già da qualche tempo, in particolare da quando i flussi migratori verso l’Europa si sono nettamente intensificati. Durante le manifestazioni dei partiti Pegida e AfD (Alternative für Deutschland) si urlano slogan razzisti. La paura dello straniero si mischia alla paura del diverso in toto, gli slogan xenofobi si alternano a slogan omofobi.

Con Fear Richter si propone di ritrarre una paura che fuori controllo si tramuta in odio, xenofobia e sciovinismo. Bersaglio delle critiche mosse da Richter sono innanzitutto due donne della scena politica tedesca attuale, Beatrix von Storch e Hedwig von Beverfoerde, rispettivamente vicepresidentessa di AfD e organizzatrice della manifestazione cattolica Demo für alle.

La messa in scena (2016) è valsa a Richter una serie denunce da parte delle due politiche in questione per lesione dei diritti personali, oltre a proteste e minacce nei confronti del teatro Schaubühne. Il tribunale ha tuttavia dato ragione a Richter, respingendo le denunce: Fear continuerà ad andare in scena nella versione originale.

Al termine della rappresentazione Falk Richter, in collegamento diretto da Berlino, converserà con il regista e con il pubblico. L’intero evento verrà trasmesso contemporaneamente anche in diretta streaming sulle pagine FB di Goethe Institut di Milano e Zona K.

 

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Falk Richter, nato ad Amburgo nel 1969, è uno dei più importanti autori e registi contemporanei. Dal 1994 lavora per molti famosi teatri nazionali e internazionali, tra cui il Deutsches Schauspielhaus di Amburgo, il Schauspielhaus di Zurigo, il Schauspiel di Francoforte, la Schaubühne e il teatro Maxim Gorki di Berlino, l’Opera di Amburgo, l’Opera Nazionale di Oslo, il Toneelgroep di Amsterdam, il Teatro Nazionale di Bruxelles, il festival musicale Ruhrtriennale, il festival di Salisburgo e il festival di Avignone.

Tra i suoi testi più noti, ricordiamo Dieu est un DJ, Electronic City, Sous la glace e Trust. Le sue opere teatrali, specchio di una scottante attualità, sono tradotte in più di trenta lingue e messe in scena in tutto il mondo. Negli ultimi anni ha sviluppato un numero sempre crescente di progetti indipendenti, basati sulle sue stesse opere, in collaborazione con una compagnia di attori, musicisti e ballerini. Con la coreografa Anouk van Dijk, ha dato vita a una serie di progetti che mescolano la danza al teatro e che fondano una nuova estetica, collegando in modo originale testo, musica e danza. Nel 2013 ha vinto il premio Friedrich-Luft per il suo spettacolo For the disconnected child. Complexity of Belonging con la compagnia ChunkyMove/Melbourne Theater Company al Melbourne Theatre Festival in Australia; Never forever in collaborazione con il coreografo Nir de Volff alla Schaubühne di Berlino e presentato nel 2015 alla Biennale di Venezia. Zwei uhr nachts è progettato nello Schauspiel di Francoforte. Falk Richter insegna regia in qualità di professore ospite nella scuola di arte drammatica Ernst Busch di Berlino. Falk Richter è anche uno dei fondatori del movimento civile contro le destre: Wir sind viele – jede*r einzelne von uns / We are many * every single one of us.

 

Salvino Raco, Regista-Drammaturgo

Dopo un periodo di formazione alla Scuola del Piccolo Teatro di Milano diventa assistente alla regia/stagista al Piccolo Teatro di Milano con Carlo Battistoni e Giorgio Strehler e al Teatro dell’Odéon di Parigi, Teatro d’Europa con Lluis Pasqual. Ha alternato la sua attività di regista e di attore con Bob Wilson, studiando all’Università Sorbonne di Parigi, dove ha conseguito una laurea in Studi teatrali, e una Laurea all’Università di Nanterre a Paris10 in Regia e drammaturgia. Inizia la sua ricerca di regista con la performance “Da Auschwitz a Sarajevo” presentata in varie città d’Italia e a Parigi. I suoi spettacoli sono stati presentati in Italia alla Biennale di Venezia, Fabbrica Europa (Firenze), Festival Contemporanea Teatro Metastasio (Prato), Festival Da vicino nessuno è normale di Olinda (Milano), Ansaldo Milano, Triennale di Milano, Festival di Asti, Festival di Radicondoli, XXII International Exhibition Triennale di Milano, Piccolo Teatro di Milano, (Festival Tramedautore). A Parigi ha collaborato a un workshop con Giulia Lazzarini all’Arta Cartoucherie di Parigi. Nel giugno del 2019 ha presentato al Teatro La MaMa ETC di New York la performance  “GG” per i cinquant’anni delle celebrazioni di Stonewall.

 

DI_segno nero: il Goethe-Institut Mailand in collaborazione con Fondazione Giangiacomo Feltrinelli, ha dato inizio a un confronto in tre tappe (da aprile 2021) con esperti, giornalisti, ricercatori, giuristi, attivisti e attori della società civile italiani e tedeschi, sull’estremismo di destra e il terrorismo neonazista. “Di_segno nero” è una delle iniziative del progetto internazionale del Goethe-Institut “Uncivil Society – Società incivile“. Sullo sfondo del manifestarsi in tutta Europa di populismi, discorsi di odio e razzismo, e in molti paesi anche di violenza e terrore di destra, i Goethe-Institut di Bruxelles, Budapest, Milano e Oslo hanno lanciato per il 2021 il progetto “Uncivil society”, per trovare risposte europee a un tema che spesso viene trattato solo in contesto nazionale.

 

 

Un evento di                              in collaborazione con

               

Muna Mussie (IT)

If I close my eyes and try to define my image, what do I see?
A blind mirror, a lack.
No one is master of their own image because it implies a co-relation.
What is immediate – my body, my image – is distant from me.

With Curva Cieca Muna Mussie represents this lack together with Filmon Yemane, a boy blind since the age of twelve. The fulcrum of the performance is the discovery of Muna’s mother tongue, in a dialogue between the word, sign, form and meaning. On stage, Filmon’s voice gives lessons in the Tigrigna language with the help of images from an alphabet book. The performer’s body will attempt to move within the sinuosity of this alphabet in a sort of dynamic mimesis, trying to cross the sign and incorporate it to extract another meaning.

 

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Info: performance – duration 40 min. – in Italian with English subtitles
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with Muna Mussie and words by Filmon Yemane video editing Lino Greco production Short Theatre, ZONA K, Santarcangelo Festival, Spazio Kor, City of Ebla with the support of Xing with the support of Fondazione Nuovi Mecenati and Teatro di Roma – Teatro Nazionale

**Performance included in “IntercettAzioni” – Centro di Residenza Artistica della Lombardia: a project by Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire, with the contribution of Regione Lombardia, MiBACT and Fondazione Cariplo.

 

BIO

Muna Mussie (Eritrea 1978) began her artistic career in 1998, training and working as an actress-performer with Teatrino Clandestino until 2001. In 2002 she attends the European Course of high formation for the actor, conducted by Cesare Ronconi of Teatro Valdoca and continues the collaboration as actress until 2010. From 2001 to 2005 she was a founding member of the research collective Open, where, following the performance “opentolikemunamussie” (2005), she began to develop a desire to investigate stage modes. Muna Mussie’s work, between gesture, vision and words, investigates the languages of the stage and the performing arts to give form to the tension that arises between different expressive poles. Her productions include: Più che piccola, media (2007), Con Permesso (2008), site-specific project Galata Perform Istanbul, Ti ho sognato, ma non eri il protagonista (2010). Together with Flavio Favelli she is the author of the FFMM clothing collection (2007-2009). Among her international projects: Monkey See, Monkey Do (Chapter I-II, 2011-2012); followed by the installation and performance Milite Ignoto (2015) and the performance Oasi (2018), which investigate ghostly apparitions and minor history. Among her object-based interventions, the project Punteggiatura (2018) based on the practice of sewing, which sees language as a political-affective space, is noteworthy. Curva (2019), Curva Cieca (2021), Bologna St.173 (2021), Bientôt l’été (2021), Oblio (2021).
Her work has been presented at Art Fall/PAC Ferrara, Xing Raum and Live Arts Week Bologna, Fondazione Sandretto Re Rebaudengo Torino, Museo Marino Marini Firenze, Workspace Brussels, MAMbo Bologna, Màntica Cesena, proprio dello stare in Santarcangelo Festival, Viafarini Milano, Ipercorpo Festival, Museion Bolzano, Festival Pergine Spettacolo, Sale Docks Venezia, ERT Bologna, Biennale Atlas of Transitions, Vie Festival Modena, Artcity Bologna, Manifesta 2020 Marsiglia, Archive Books Milano, SAVVY Contemporary, Short Theatre.

Filmon Yemane has been living in Bologna since 2008 and holds a degree in International and Diplomatic Sciences. He also took part in several cultural activities and artistic projects, such as a docu-film with the ZimmerFrei collective within the project Atlas of Transitions.

Corps Citoyen (IT/TN)

An audition.
An actor alone in a western scene.
Rehearsing, singing, training.
Rehearsing for the role of the hero.
But the role is not written for him.

The Others لخرین is an acid dialogue, a light and ironic work on the perception of the Other than us that moves in a hybrid territory: banal, vulgar and direct images and songs alternate with stories rooted deep in our western mentality and identity.

In a subtle balance between fiction and reality, it exposes the power device underlying the Orientalist representation of the Other, starting from the representation par excellence, stage fiction. An off-screen voice comments, gives instructions, reminds of limits and modalities. The audience is an integral part of the game. Crossing different genres, from cinema to docu-fiction, from classical theatre to advertising, Corps Citoyen reveals colonial paternalism hidden in disguise while reaffirming the right to its presence on stage of a different possible narration.

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Info: performance – duration 45 min. – in Italian and Tunisian language
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With Rabii Brahim, Marko Bukaqeja, Anja Dimitrijevic Voice-off Marko Bukaqeja, Carmelo Crusafulli, Anja Dimitrijevic, Giacomo Martini, Anna Serlenga, Chiara Stoppa, Ilaria Zanotti Performers on video Wassim Ghrioui, Alesa Herero, Nidhal S’hili, Nour Zrafi Scenic space Manuel D’Onofrio and Paola Villani Lights and video Manuel D’Onofrio Dramaturgy Bruna Bonanno Costumes Salah Barka Cultural advisor Viviana Gravano Organisation and promotion Vittoria Lombardi / cultureandprojects Set photos Luca Centola, Matteo Ceschi, Federico Garibaldi Direction Anna Serlenga With the support of IntercettAzioni – Centro di Residenza Artistica della Lombardia, mare culturale urbano/ Qui e Ora residenza teatrale / COX 18 Crowdfounders Roberta Bruzzechesse, Ferdinando Brunetti, Giada Cipollone, Aurora Diotti, Chiara Giubilaro, Erica Grossi, Virginia Martinez Ojosnegros, Anna Kasten, Marta Paoletti, Letizia Paoletti, Carla Tulipano

 

**Performance included in “IntercettAzioni” – Centro di Residenza Artistica della Lombardia: a project by Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire, with the contribution of Regione Lombardia, MiBACT and Fondazione Cariplo**.

 

BIO
Corps Citoyen is a multidisciplinary artistic collective based in Tunis and Milan. The collective’s practice is composed of different disciplinary tools (dance, theatre, poetry, video, animation, writing and anthropological research) to create new contemporary narratives. The aim of the group is to strengthen the values of citizenship through artistic practice, training, research and the active participation of civil society in order to promote political and social change. Corps Citoyen because the main objective of the group is to activate social reflection through the expressive potential of art and the body in particular, the territory of a biopolitical battle and space for creative resistance.

 

Marilyne Grimmer (FR)

Marilyne Grimmer is a French photographer and visual artist living in Brussels (Belgium).

Saluti da… (Greetings from…) is a participatory photographic project that investigates the relationship of each and every one of us with the here and the elsewhere.
Grimmer met with the inhabitants of Pergine Valsugana, Milan, Modena, Gradisca and Campsirago (Lecco), immortalising them in public space and teleporting them to memories of the past or places of dreams through photo montage.

The result is an exhibition of images that can be admired in the foyer of ZONA K and a series of surreal postcards to collect.

Tiziana Freti, Maria Luisa Galelli, Melitta Manca and the legendary Michele Giammello were photographed for the Milan stage.

 

***People-specific creation for OPEN CONTEMPORARY CREATION***

 

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Vernissage: Wednesday, 20 October, 19.00 hrs.
Exhibition opening times: from 10.00 to 13.00 and from 15.00 to 20.00 – closed on Mondays
Admission to the exhibition is limited and free of charge, reservation is mandatory on biglietti@zonak.it
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Photo Marilyne Grimmer

 

BIO
Marilyne Grimmer is a French visual artist living in Brussels, Belgium. She alternates between personal projects as a photographer, participatory projects with diverse audiences, collaboration as a scenographer for theatre companies, installations and performances with the Repondeur automatik collective. The construction of mental and physical space and the issues of participation, collaboration and accessibility to all audiences have an important place in her work.

 

 

La Settimana delle
Residenze Digitali

After a year of work carried out in close contact with the project tutors, Laura Gemini, Anna Maria Monteverdi and Federica Patti, experts in digital creation, the winning artists of the 2021 Digital Residencies call Chiara Taviani, Lilliú – ØNAR – Lapis Niger, Jan Voxel, Lorenzo Montanini with Simona Di Maio and Isabel Albertini, Margherita Landi and Agnese Lanza, fuse*, Mara Oscar Cassiani, open their creative process to the audience.

 

Buy tickets on the Digital Residencies website no later than 3 p.m. on the day of the event

 

From Monday 22 to Sunday 28 November, one episode per day, 4 p.m.
Lorenzo Montanini, Simona Di Maio, Isabel Albertini
Into The Woods – la finta nonna
duration: 10 min per episode
Project for the younger generation, aged 7 and over
With a single ticket you can access all the episodes which, once published, will remain available on the following days until 28 November.

From Monday 22 to Sunday 28 November, one episode a day, at 6 p.m.
Chiara Taviani
Whatever Happens in a Screen Stays in a Screen
duration: 8 min per episode
With a single ticket you can access all the episodes which, once published, will remain available on the following days until 28 November.

Monday 22 November, 7 pm
Margherita Landi and Agnese Lanza 
Dealing with Absence
duration: 20 min
The content will remain accessible until Sunday 28 November.

Wednesday 24 November, 21:00
Jan Voxel (Lorenzo Belardinelli, Cinzia Pietribiasi and Lidia Zanelli)
Olga legge i critters
extract from the project “The critters room
duration: 30 min
in collaboration with Mikroradio

Thursday 25th November, 8:30 pm
fuse*
Sàl / Rite studio 0.2
duration: 75 min

Friday 26 and Saturday 27 November, 6:30 pm
Giacomo Lilliù, Lapis Niger, ØNAR Collective, MALTE
WOE – Wastage of Events
duration: 40 min

Sunday 28 November, 18:00
Mara Oscar Cassiani
I Am Dancing in a Room _ La Fauna 2k21
duration: 45 min

 

Talk
Tuesday 23 November, 19:00 (free access)
“Dust and data: cosa sappiamo delle polveri sottili” 
on You Tube and social channels of Jan Voxel and AMAT

Wednesday 24 November, 18:00 (free access)
“La realtà come relazione: Sàl | Studio 0.2”
on the social channels of Armunia and La Corte Ospitale

Thursday 25th November, 19:00 (free access)
“Occuparsi dell’aria: l’attivismo ambientale nell’Antropocene”
on You Tube and social channels of Jan Voxel and AMAT

Friday 26 November, 21:00 (free access)
“I am dancing in a room, La Fauna 2k21; Wi-Fi performance, memestetica e Tik Tok liveness” 
on You Tube and social channels of Teatro della Tosse

 

 

The Digital Residencies project was born in 2020 from an idea of the Centro di Residenza della Toscana (Armunia, CapoTrave/Kilowatt), which since then has extended the partnership to Cooperativa Anghiari Dance Hub, Associazione Marchigiana Attività Teatrali AMAT, ATCL Associazione Teatrale dei Comuni del Lazio per Spazio Rossellini, Centro di Residenza dell’Emilia-Romagna (L’Arboreto – Teatro Dimora di Mondaino, La Corte Ospitale di Rubiera), Fondazione Luzzati Teatro della Tosse di Genova, Associazione ZONA K di Milano.
The aim is to stimulate performing arts artists to explore the digital space, as a further or different declination of their authorial research.

 

2021: I PROGETTI SELEZIONATI   

 

CHIARA TAVIANI: DIARIO DI BORDO

 

MARGHERITA LANDI E AGNESE LANZA: DIARIO DI BORDO

 

GIACOMO LILLIÙ, LAPIS NIGER, COLLETTIVO ØNAR, MALTE: DIARIO DI BORDO

 

FUSE*: DIARIO DI BORDO

               

 

JAN VOXEL (Lorenzo Belardinelli, Cinzia Pietribiasi e Lidia Zanelli): DIARI DI BORDO

         

                

 

 

 

Anna Rispoli / Martina Angelotti (IT)

Launched as a research project on sharing and mutualized practices, A Certain Value immerses itself in the radical, artistic and human experiences of four European collectives of different practices: a group of inmates in the women’s prison, families of migrants and unaccompanied minors living in an occupied building, art who share a single bank account, eco-activist children from public schools or home schooling projects, worried about the fate of the planet… All these new voices collected in Rennes, Marseille, Brussels or Budapest have given birth to a hybrid form, where real conversations are edited into a fictional dialogue between the different collectives, inviting the public to slip into the shoes of the protagonists in a interactive script.

By reading out loud the protagonists of A Certain Value, the audience will have the opportunity to hear the plurality of forms that mutual aid can take, to ask themselves key questions about sharing and possibly to borrow the point for an evening of view of this “unknown” who lives the urgency to build a radical alternative to individualistic solitude, or this other that reinvents the powerful meaning of sharing every day.

ACV was created by Anna Rispoli, an artist and activist, and Martina Angelotti, an art curator, then converted into a dramaturgical text with the help of Celine Estenne, an author and performer.

The performance lands in Milan thanks to the design relationship between ZONA K and BASE Milano.

 

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Info: participatory performance for a maximum of 30 people – duration 90 min.  – in Italian

A project by ZONE K and BASE Milan

In collaboration with and c/o BASE Milan, Via Bergognone, 34

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concept and research: Anna Rispoli and Martina Angelotti with the testimonies of the inhabitants of Squat 59 St-Just, of the Common Wallet group, of the inmates of the Centre Pénitentiaire pour Femmes de Rennes, of the Italian Community of Genk, of the children of the Pirmaria School °°° and of the Mars Program Private Learning Group of Budapest writing: Anna Rispoli and Céline Estenne dramaturgy: Céline Estenne scenography Canedicoda design: Luca Coppola/AUT Design Collective producer and tour manager: Marine Thévenet executive production: CIFAS residency partners: C-TAKT Dommelhof/Genk, Lieux Publics/Marseille, Les Tombées de la Nuit/ Rennes, CIFAS/Brussels, PLACC/Budapest co-producers: Atelier 231 (FR), Festival di Terni (IT), Freedom Festival (UK), La Strada Graz (AT), Lieux publics, pôle européen et centre national de créa- tion en espace public (FR), Norfolk & Norwich Fes- tival (UK), Østfold kulturutvikling (NO), Oerol Festival (NL), Theater op de Markt (BE), UZ Arts (UK).

A pilot project of the IN SITU platform, A certain value received support for creation within the ACT project, co-financed by the Creative Europe Programme of the European Union.

 

Anna Rispoli: Italian artist, lives in Brussels, works on the border between artistic practice and activism, exploring through performance the triangulation between human beings – city – identity.
Martina Angelotti: curator and art critic, she works on interdisciplinary art projects, between public and participatory art, moving image and performance, in Italy and all over Europe.
Céline Estenne: actress, playwright, co-author, assistant director and performer. She is conducting a research cycle on the issue of work entitled Travail Passion, the first part of which, “We had good teeth”, is a transgenerational participatory project.

 

COME IN UN VIDEOGIOCO
Campus multidisciplinare in lingua tedesca per bambini dai 6 agli 11 anni

Sorry, this entry is only available in Italian.

Andiamo alla ricerca della nostra isola!

Inventiamo insieme un gioco interattivo: guardiamo il mondo da un punto di vista diverso e creiamo l’isola dei nostri desideri!

Costruisci le ambientazioni con materiali e immagini, trasformati nel tuo avatar e scegli i tuoi superpoteri!
Il protagonista di questo gioco sei tu!
Libera l’immaginazione e decidi tu che strada percorrere: puoi utilizzare il video, l’arte, l’interpretazione, trovare ispirazione per realizzare le tue idee in teatro o al parco. Per raggiungere l’isola che desideri, sperimenta tutte le attività: costruzione, scrittura, regia, video, recitazione… ma attenzione: funziona solo se parli in tedesco!

In questo campus multidisciplinare puoi muoverti come in un videogioco ed esercitare il tedesco divertendoti! Ti aspettiamo!

Questo il programma della giornata tipo:

ore 9.00	Accoglienza
ore 9.30 – 10.30	Giochiamo con il Video o l’Arte
ore 10.30	Merenda all’aperto
ore 11.00 – 12.30	Giochiamo con l’Arte o il Video
ore 12.30 – 14.00	Pranzo al sacco all’aperto e giochi
ore 14.00 – 16.00	Giochiamo con il Teatro
ore 16.30	Uscita

Il campus:
– è a numero chiuso, si attiva al raggiungimento del numero minimo di iscritti richiesto
– le iscrizioni si chiudono il giorno 23 giugno o al raggiungimento del numero massimo di iscritti previsto
– è organizzato in modo da rendere felice e piacevole l’esperienza a tutte le bambine e tutti i bambini e da rispondere alle normative nazionali in relazione all’attuale emergenza sanitaria

____________________________________

Costo: € 190,00
Sconto del 10% a partire dal/la secondo/a iscritto/a

N.B. Merenda e pranzo sono al sacco

Il campus è a numero chiuso, si attiva al raggiungimento nel numero minimo di iscritti richiesto.
Le iscrizioni si chiudono il giorno 23 giugno o al raggiungimento del numero massimo di iscritti previsto.

CLICCA QUI E COMPILA SUBITO  IL MODULO D’ISCRIZIONE
IMPORTANTE: IL MODULO VA COMPILATO PER OGNI ISCRITTO/A E CORREDATO DI PRESA IN CARICO DEL BONIFICO

Per informazioni più generali, contattaci all’indirizzo organizzazione@zonak.it

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Videogame oder Realität? Auf der Suche nach unserer Insel 
Zusammen entwickeln wir ein interaktives Spiel: wir betrachten die Welt aus einem neuen Blickwinkel und entwerfen unsere Wunschinsel!

Baue die Räumlichkeiten aus verschiedenen Materialien und Bildern, verwandle dich in deinen Avatar und wähle deine Superkräfte. Du allein bist der Protagonist dieses Spiels!
Nutze deine Fantasie und entscheide dich für einen Weg: ob Video, Kunst oder Interpretation, sammle Inspirationen in unserem Theater oder draussen im Park.

Teste alle Aktivitäten bevor du auf deine Insel gelangst: Konstruktion, Schrift, Regie, Video, Theater… aber Achtung! Es funktioniert nur auf Deutsch!

Du kannst diese Ferienfreizeit wie ein Videospiel erleben und nebenbei spielend die deutsche Sprache trainieren. Wir erwarten dich!

Die Teilnehmerzahl
– ist begrenzt, die Ferienfreizeit findet statt, wenn die erforderliche Mindestanzahl erreicht ist
– anmeldeschluss ist der 23. Juni oder bei Erreichen der maximalen Teilnehmerzahl.
– die Freizeit ist so organisiert, dass sie zum spannenden Erlebnis für Mädchen und Jungen wird, zudem entspricht sie den nationalen Vorschriften in Bezug auf den aktuellen Gesundheitsnotfall

 

 

Foto di Francesco Ungaro da Pexels

CODICEFIONDA (IT) dram. cons. Agrupación Señor Serrano (ES)

One button. A player. A screen.

Here are the new barbarians. Incomprehensible to the eyes of the adult world. Teenagers, hyper-connected and fragile, terrified and attracted by the image of themselves on “social media”, experts in “sexting”, “video-games” and “binge drinking”, owners of Smartphones as an extension of their body. But what do we know about today’s teenagers?
A narrative short circuit from the origins of the video game to the origins of the iGeneration. An immersive experience in which to meet today’s teenagers through the use of new technologies. A path of creation that tells our identities – real and virtual – thanks to the comparison between generations.

In this performance the audience will find himself in relation to them. You can choose whether to confirm or question your expectations, fears and prejudices. The ultimate goal will be a “performative game” to generate an unprecedented and intimate encounter. PLAY ME (ORIGINS PROJECT) is the result of a work on the biographies of young people met in the stage of research and dramaturgical development between Turin and Milan.
What the sociologist Morin defines as “cinema of total authenticity”.

ZONA K presents a new production: PLAY ME (Origins Project). It continues the direction already taken with Generazione gLocale in 2017 with the involvement of children, the use of new stage devices and the creative and dramaturgical support of important names in the international scene, for this project the award-winning Catalan collective Agrupación Señor Serrano.

________________________
Info: single viewer multimedia performance with VR use – audience aged 15 and over – duration 30 min. – entrance every 15 min – in Italian

TURIN c/o POLO DEL ‘900
Palazzo San Celso – Corso Valdocco 4/A Torino

details: Wednesday, Thursday, Friday 3.00 p.m. – 6.00 p.m., Saturday 11.00 a.m. – 4.00 p.m.
Free admission with compulsory reservation
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Project direction and creation Andrea Ciommiento, creation and multimedia reference Simone Rosset, dramaturgical consultancy Álex Serrano and Pau Palacios, executive production Valentina Picariello and Valentina Kastlunger, organisation and communication Silvia Orlandi and Federica Bruscaglioni, VR application programming Luigi Sorbilli and Giuliano Poretti, creation assistent Kausar El Allam, Shady Mostafa, Imane Mouslim, Jaouher Brahim, Mattia Ghezzi, Anes Fettar, Matteo Coppola, Momo Moukett, Filippo Farina, Lorenzo Bregant, Federica Bruscaglioni, David Benvenuto. Production ZONA K (Milan), creation of Codicefionda (Turin), dramaturgical consultancy Agrupación Señor Serrano (Barcelona), in collaboration with Fuori Luogo Festival (La Spezia), Polo del ‘900 (Turin), Human Rights Festival (Milan), Instituto Professionale Albe Steiner (Turin), Yepp Italia (Turin) and Collettivo gLocale (Milan), With the support of  IntercettAzioni – Center of Artistic Residence of Lombardy and of the Municipality of Milan and Dialogues – Residences of the performing arts at Villa Manin “(CSS FVG stable innovation theatre). Thanks to ITAS Giulio Natta and Hotel San Guido in Milan and Digital Digital Storytelling Lab – Università degli studi di Udine.

The project was carried out with the support of the Compagnia di San Paolo within ORA! Contemporary culture productions.
Visit oracompagniadisanpaolo.it

 

L’ISOLA PER NOI
Campus video

Sorry, this entry is only available in Italian.

La prima video guida creativa del quartiere Isola realizzata dai bambini… per i bambini!

Piccoli reporter si aggirano per l’Isola di Milano pronti a scoprire gli angoli più segreti del quartiere, le storie più strampalate, i personaggi più incredibili. Con videocamera, microfono, mappa del quartiere e tante domande, durante il campus video perlustreranno la zona per realizzare la prima video guida dell’Isola creata dai bambini… per i bambini!
Un documentario per ritornare a vivere gli spazi all’aperto, esplorarne i cambiamenti e raccontarne le caratteristiche tra realtà e immaginazione.
Siete pronti a entrare a far parte della squadra? Vi aspettiamo!

 

Una giornata al campus “L’isola per noi”

ore 9.00 – 9.30	Benvenuti piccoli reporter! Giochi di accoglienza
ore 9.30 – 10.30	Inventiamo la nostra video guida: mappe, idee, spunti e appunti
ore 10.30 – 11.00	Merenda al sacco
ore 11.00 – 12.30	Si gira! Sopralluoghi in quartiere e riprese
ore 12.30 – 14.00	Pranzo al sacco e gioco libero
ore 14.00 – 15.00	Come si costruisce una video guida: visione film e analisi del linguaggio video
ore 15.00 – 16.00	Davanti alla videocamera: giochi teatrali e improvvisazioni
ore 16.00 – 16.30	Riunione di redazione: a che punto siamo e cosa faremo domani
ore 16.30	Uscita

Se il meteo lo consente, merenda e pranzo al sacco,  verranno consumati all’aperto, in uno dei parchi cittadini vicini a ZONA K (via Confalonieri, via De Castillia)

Il campus:
– è a numero chiuso, si attiva al raggiungimento del numero minimo di iscritti richiesto
– le iscrizioni si chiudono il giorno 17 giugno o al raggiungimento del numero massimo di iscritti previsto
– è organizzato in modo da rendere felice e piacevole l’esperienza a tutte le bambine e tutti i bambini e da rispondere alle normative nazionali in relazione all’attuale emergenza sanitaria
– prevede la realizzazione e il montaggio di un video che verrà inviato ai partecipanti nelle settimane successive

 

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Costo: € 180,00

CLICCA QUI PER COMPILARE  IL MODULO D’ISCRIZIONE

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Per informazioni più generali, contattaci all’indirizzo organizzazione@zonak.it

PROJECT AND DEVICE
traces of a multimedia theatre.

This year, for the Human Rights Festival, we have decided to propose a program entitled PROJECT AND DEVICE – traces of a multimedia theatre in which we present three different examples of how theatre questions the crisis of democracy, the role of the media in shaping reality, and the new digital roads. In this sense, theatre is once again an instrument of civil reflection, not only for its contents but also for the devices used.

Valentina Kastlunger and Valentina Picariello, artistic directors of ZONA K, will introduce the meetings.

21 April, 16:30 – 17:00
THEATRE | Art, Algorithm and Automation. The journey of _Phase Nine with the Rimini Protokolls
with Riccardo Tabilio and Chiara Campara, artists of the collective work FASE NOVE // Assolo Urbano

The pandemic emergency has led to a division of social components into relevant and non-relevant. Artistic professions have not been included among the socially necessary. Should we think of a world without art and those who work in it? Can such a deep crisis be an opportunity? FASE NOVE // Assolo Urbano is an urban walk through the most important places for art in Milan, which become the stage for audio installations that, through interviews with various experts, confront the provocative question: Why does art exist?

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22 April, 16:30 – 17:00
THEATRE | Play me: technological devices between gaming and live performance
with Andrea Ciommiento, creative director for Play Me (ZONE K)

Teenagers, hyper-connected and fragile, terrified and attracted by the image of themselves on social media, experts in sexting, video-gaming and binge drinking, owners of SmartPhones as an extension of their bodies. Do we really know them? In this performance the spectator will relate to them in an immersive experience. PLAY ME (ORIGINS PROJECT) is the result of work on the stories of young people encountered during the dramaturgical research phase in Turin and Milan. Production ZONA K, conceptual and dramaturgical support Agrupación Señor Serrano.

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23 April, 16:30 – 17:00
THEATRE | The Mountain. Does the truth exist?
with Pau Palacios of Agrupación Señor Serrano

Climbing a mountain means overcoming difficulties to reach the top and see the world “as it is”. But often, when you look down from above, you see clouds and fog covering everything and the landscape is constantly changing. What is the world like then? What is the truth like? Does it exist? In The Mountain, the latest show by the award-winning Catalan company, the first Everest expedition with an uncertain outcome, Orson Welles with the War of the Worlds, a fake news website, a drone scanning the audience, snow, fragmented images and Vladimir Putin speaking contentedly about trust and truth converge.

Incontri online di danza di comunità

Sorry, this entry is only available in Italian.

Trasforma un racconto e un’opera d’arte in un gesto.
Attraverso l’esplorazione personale e l’improvvisazione, creiamo insieme una sequenza di gesti che ci divengono cari e arriviamo alla composizione di una sequenza da restituire al gruppo.

Il movimento creativo diventa stimolo per l’immaginazione: mente e corpo, riflessione e azione, da soli ma in gruppo anche a distanza, per risvegliare la creatività, scoprire possibilità e recuperare un po’ di tempo per sé.

 

CHIUSO 24 aprile primo incontro – dalla Letteratura alla Danza
partendo da un paio di brani tratti dal “Colibrì” di Sandro Veronesi, ognuno darà movimento alle immagini ricevute; rifletteremo sulle azioni agite spontaneamente dal corpo, sulle pause, sulle forme assunte. Attraverso il tramite dello schermo, cercheremo la relazione con gli altri partecipanti e accoglieremo le idee che questa produrrà. Infine, selezionati i movimenti per noi più significativi, li collegheremo tra loro e sulla musica in una composizione da ripetere e perfezionare.
Ed ecco: una danza, un atto artistico che offriamo allo sguardo dell’altro, che racconterà qualcosa di noi.

 

15 maggio secondo incontro – dall’Arte alla Danza
l’osservazione di un paio di sculture (la “Nike di Samotracia” e “Forme uniche della continuità nello spazio” di Umberto Boccioni) ci offrirà spunti di riflessione sul movimento e la stasi: si può rendere il dinamismo attraverso una forma fissa? Cosa ci invita al movimento e cosa invece ci chiede la pausa, ci trattiene? Cosa succede al nostro corpo, alla pelle e all’interno, quando ci muoviamo? Cosa rappresenta il movimento per noi? Dove vorremmo andare? A quale velocità? Ognuno risponderà con la propria danza a queste e ad altre domande, cercherà una propria forma simbolica e la perfezionerà in funzione della sua resa estetica ed espressiva.
Ogni schermo collegato al laboratorio diverrà così una vetrina espositiva all’interno di un moderno Museo di sculture viventi.

___________________
Costo € 30,00 per 1 incontro
Costo € 60,00 per 2 incontri

Per informazioni e iscrizioni:
organizzazione@zonak.it
02.97378443 – 393.8767162
___________________

Se invece vuoi procedere direttamente all’iscrizione clicca QUI 

Il percorso si svolgerà su piattaforma Zoom. Prevede la partecipazione esclusivamente ai due incontri e si attiverà al raggiungimento del numero minimo di partecipanti.

Per l’incontro del 15 maggio l’iscrizione deve pervenire entro e non oltre mercoledì 12 maggio. 

Monica Galassi – Danzeducatore®: dopo uno scorcio di vita da ballerina presso diversi teatri italiani e una decina d’anni da giornalista e comunicatrice in ambito culturale, sto vivendo la mia “terza giovinezza” professionale nell’educazione: non insegno a futuri danzatori, ma a persone che attraverso la danza imparano a sentirsi creative, belle, apprezzabili, capaci e integrate. Dal settembre 2013 tengo laboratori di danza educativa e di comunità rivolti a bambini e ragazzi, sia nelle scuole di Milano e provincia (dal nido alla secondaria di secondo grado), sia in strutture pubbliche e private in orario pomeridiano. Ho collaborato con l’Accademia del Teatro alla Scala, Lilopera, Le voci della città, Reggio Children; attualmente lavoro per ZonaK, Civita, Gallerie d’Italia.

 

Photo by Olivia Bauso on Unsplash

Corso online di sceneggiatura cinematografica

Sorry, this entry is only available in Italian.

Qual è il metodo migliore per scrivere la sceneggiatura di un film?
Come dare vita ai personaggi?

Dalla creazione dell’idea di base alla costruzione della struttura e allo sviluppo del paradigma della narrazione, il corso propone un viaggio teorico e pratico sul cinema contemporaneo, attraverso nozioni tecniche sulla scrittura di una sceneggiatura e sulla fotografia.

FADE IN prevede un breve excursus sui manuali di sceneggiatura di Syd Field e di Linda Seger, sulle suggestioni critiche sul cinema di André Bazin, padre della Nouvelle Vague ed elementi di teoria dei film di Thomas Elsaesser e Malte Hagener integrati con le idee innovative di Marco Bertozzi sul documentario come riuso, performance, autobiografia.

 

I temi affrontati durante gli incontri:
1. come scrivere una grande sceneggiatura
2. la crescita del personaggio è il lievito del film
3. il soggetto del film in tre frasi. Il soggetto del film in 4 pagine
4. lo sviluppo dell’idea
5. la struttura della storia: la struttura in tre atti
6. cosa sono i subplot?
7. lo sviluppo del personaggio

___________________

Costo € 120,00 per 7 lezioni.

Per informazioni e iscrizioni:
organizzazione@zonak.it
02.97378443 – 393.8767162
___________________

Se invece vuoi procedere l’iscrizione clicca QUI 

Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.

 

NINA DI MAJO

Regista, sceneggiatrice, attrice, videoartista, produttrice.

Lungometraggi
2020 – Regista sceneggiatrice del documentario collettivo Instant Corona, prodotto da Mir Cinematografica.
2016/17 – Regista , produttrice, autrice e direttore della fotografia del documentario Hans Werner Henze: la musica, l’amicizia, il gioco”, distribuito dall’Istituto Luce.
2010 – Regista e sceneggiatrice del film Matrimoni e altri disastri con Margherita Buy, Fabio Volo, Luciana Littizzetto, Marisa Berenson, Massimo De Francovich, Francesca Inaudi. Distribuito dalla 01.
2002 – Regista, soggettista e sceneggiatrice del film L’Inverno, con Valeria Bruni Tedeschi, Valeria Golino, Fabrizio Gifuni e Yorgo Voyagis. Presentato nella sezione “Panorama” alla Berlinale. Candidatura italiana all’European Howard all’Hollywood film festival. Vincitore del Globo d’oro per il miglior attore protagonista Fabrizio Gifuni e vincitore del Premio Internazionale della Fotografia. In competizione al Chicago Film Festival nella categoria New Directors.
1998 – Regista, attrice protagonista, autrice del soggetto e della sceneggiatura del film “Autunno”(1998). Con Elisabetta Piccolomini , Marco Mario De Notaris e Moni Ovadia, presentato al Festival di Venezia nella sezione Cinema del presente. Selezionato ufficialmente al Festival Venezia-Hollywood (LA), al Nice Film Festival (NY, San Francisco, Marocco, Mosca), al Festival di Amburgo.
1997 – Regista e autrice del soggetto e della sceneggiatura del cortometraggio ”Spalle al muro” (1997). Vincitore del Sacher d’oro e d’argento. Vincitore del David di Donatello come miglior cortometraggio Italiano .

Mediometraggi-Documentari /Performance video
2006 – Regista del documentario Marsyas, installazione di Anish Kapoor per la Turbine Hall, Tate Modern, London.
2005 – Regista del documentario U92 sull’installazione di Peter Greenaway “Children of Uranium”
2004 – Regista e direttore della fotografia della performance audiovisiva AFO 4, presentata al Roma Europa Festival.
2002 – Regista del documentario Merci, opere di Natalie Silva, presentato al Festival Artecinema, teatro Mercadante, Napoli.

Libri
L’inverno. L’Ancora del Mediterraneo.
Saggi e dialoghi sul cinema. Meltemi Edizioni.
Beniamino o le cose dell’altro mondo. Aracne Edizioni.

 

Percorso online per lavorare con la performance

Sorry, this entry is only available in Italian.

In quest’anno di clausura The Momentary Now, School of performance a cura di Marcella Vanzo triplica, in attesa di passare dal mondo virtuale a quello reale.

Vi proponiamo tre mini moduli di 6 incontri ciascuno: una introduzione virtuosa alla performance, un approfondimento “tosto” e poi, con l’ultimo modulo, ci auguriamo di incontrare i nostri studenti dal vivo. Potete seguire il vostro modulo preferito 1 o 2 o 3, o tutti e 3, a voi la scelta.

 

#1. FARE L’IMPOSSIBILE
6 Lezioni online di Resistenza

Gruppo A (chiuso) 20 gennaio – 24 febbraio 2021
ogni mercoledì dalle 19.00 alle 20.45 (con pausa di 15’)

Gruppo B (chiuso) 16 febbraio – 23 marzo 2021
ogni martedì dalle 20.00 alle 21.45 (con pausa di 15’)

Un corso per chi vuole fare e per chi vuole capire la performance, aperto a tutti.

PROGRAMMA
Mercoledì 20 gennaio/Martedì 16 febbraio: il corpo e lo spazio
Mercoledì 27 gennaio/Martedì 23 febbraio: quello che non si può non sapere
Mercoledì 3 febbraio/Martedì 2 marzo: io e l’altro
Mercoledì 10 febbraio/Martedì 9 marzo: performance e foto-performance e video
Mercoledì 17 febbraio/Martedì 16 marzo: e adesso esci
Mercoledì  24 febbraio/Martedì 23 marzo: il tuo gesto

Le lezioni si svolgeranno su piattaforma Zoom, facile da installare su computer

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Costo € 100,00 per 6 lezioni.

Per informazioni e iscrizioni:
organizzazione@zonak.it
02.97378443 – 393.8767162
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Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“Fare l’impossibile” può essere considerato come il modulo nr.1 di un percorso in 3 tappe ma può essere anche frequentato autonomamente.

 

#2. VENTIMILA LEGHE SOTTO I MARI:
6 Lezioni online in Profondità
3 marzo – 7 aprile 2021
ogni mercoledì dalle 19.00 alle 20.45 (con pausa di 15’)

Lavorare con la performance, corso per studenti d’arte, artisti e chi la performance la conosce già, o ha frequentato il primo modulo.
I partecipanti sperimentano la performance in modo autonomo, accanto a nozioni dettagliate di storia e produzione a cura di Matteo Bergamini [Exibart] e Paola Clerico [Case Chiuse] e a una incursione nello studio di Fabio Mauri.Le lezioni si svolgeranno su piattaforma Zoom, facile da installare su computer

___________________
Costo € 100,00 per 6 lezioni.

Per informazioni e iscrizioni:
organizzazione@zonak.it
02.97378443 – 393.8767162
___________________

Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“Ventimila leghe sotto i mari” può essere considerato come il modulo nr.2 di un percorso in 3 tappe ma può essere anche frequentato autonomamente.

 

 

#3. DAL VIVO!
SOSPESO, date da definirsi
ogni mercoledì dalle 19.00 alle 22.00 (con pausa di 15’)

Ci proviamo? 6 tuffi del corpo nello spazio per chi ha voglia di sperimentare di persona che cos’è una performance. Aperto a tutti.Le lezioni si svolgeranno presso lo sala principale di ZONA K

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Costo € 150,00 per 6 lezioni in presenza.

Per informazioni e iscrizioni:
organizzazione@zonak.it
02.97378443 – 393.8767162
___________________

Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“Dal Vivo!” può essere considerato come il modulo nr.3 di un percorso in 3 tappe ma può essere anche frequentato autonomamente.

 

MARCELLA VANZO

Formatasi sia come antropologa che come artista, Marcella Vanzo vive e lavora a Milano. Tramite video, performance, foto e installazioni indaga le diverse dimensioni dell’essere umano, da quella sociale a quella mitica, da quella emotiva a quella politica. Nel suo lavoro realtà e finzione si fondono in una trama fitta che mette in discussione la rappresentazione della realtà.
Nell’ottobre 19 ha fondato The Momentary Now Performance School da ZONA K a Milano e da quest’anno insegna Performance all’Accademia Carrara di Bergamo. Ha ideato un progetto di arte partecipata per i bambini in quarantena durante il Covid19: #squola_pubblica, fatto di laboratori d’arte online interattivi e gratuiti, ospitato anche da Hangar Bicocca con cui continua la collaborazione: #fareinsiemesquola_pubblica è il corso di formazione per insegnanti della scuola primaria che sta avendo luogo ora.
Scrive per Exibart e Artedossier.
Vanzo partecipa regolarmente a mostre collettive e personali in Italia e all’estero, ultimamente: Radical, Fondazione Berengo, Venezia 2019; Festival del paesaggio di Anacapri, 2018; Biennale di Jakarta, 2017; Manifesta11, Zürich, 2016; Nel Mezzo del Mezzo, Palazzo Riso, 2015; Perspectif cinema, Centre Pompidou, 2015. Ha vinto il Premio New York e il premio Acacia Artisti Emergenti.

www.marcellavanzo.com

Un corso di ZONA K con la media partnership di

Percorso di teatro e movimento

Sorry, this entry is only available in Italian.

60+ LABIRINTI
Corsi e percorsi per non perdere il filo
Tre percorsi indipendenti dedicati agli Over60 tra scrittura, video, teatro e movimento.

 

3. Percorso di teatro e movimento
   PER FILO E PER SEGNO
   data da definirsi
   tutti i lunedì dalle 14.15 alle 15.30

Costruiamo una performance teatrale fatti di segni, una drammaturgia di movimenti e parole che possa trasformare il nostro labirinto in un’azione teatrale collettiva.
Ci incontreremo finalmente dal vivo nella bellissima, e sicura, sala di ZONA K per lavorare sulle azioni fisiche, la voce, il movimento ritmico e i gesti simbolici.

10 incontri in presenza di 75 minuti cad.

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Costo € 140,00
Compila subito il modulo d’iscrizione cliccando QUI
Agevolazioni: sconto del 10% se hai frequentato almeno uno dei percorsi precedenti
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Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“Per filo e per segno” può essere considerato come il modulo nr.3 di un percorso in 3 tappe ma può essere anche frequentato autonomamente.

 

GIA’ FATTO:

1. Percorso online di scrittura ad alta voce
   IL FILO DEL DISCORSO
   28 dicembre 2020 – 1 febbraio 2021
   tutti i lunedì dalle 14.15 alle 15.30

Vuoi imparare a scrivere una storia che possa vivere non solo sulla carta ma soprattutto attraverso azione e interpretazione? Partendo dal mito del labirinto, costruiamo un percorso di parole, dialoghi, immagini per inventare storie straordinarie da raccontare ad alta voce.

6 incontri online di 75 minuti cad. su piattaforma Zoom, facile da installare su computer

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Per informazioni e iscrizioni:
segreteria aperta lu-ven ore 15.00 – 19.00
organizzazione@zonak.it
02.97378443 – 393.8767162

oppure compila direttamente il modulo d’iscrizione cliccando QUI
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Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“Il filo del discorso” può essere considerato come il modulo nr.1 di un percorso in 3 tappe ma può essere anche frequentato autonomamente.

Il percorso è tenuto da Federica Di Rosa, diplomata in Drammaturgia alla Scuola d’Arte Drammatica “Paolo Grassi” di Milano, lavora con diverse realtà teatrali alla scrittura di testi per spettacoli ed eventi. Ha coordinato e realizzato progetti di formazione con: Teatro della Tosse, Teatro Coccia, Eniscuola, Formattart, Alice in Città, Teatro Franco Parenti. E’ autrice e regista di spettacoli di teatro ragazzi.
Dal 2015 è responsabile della didattica per ZONA K.

Leggi l’esito del percorso: ENTRA, TI STAVO ASPETTANDO
Le partecipanti hanno scritto ognuna un testo, pensato per essere detto “ad alta voce” e hanno poi lavorato insieme alla scrittura della cornice narrativa che lega come un filo le diverse storie.

 

2. Percorso online per raccontare con il video
   A DOPPIO FILO
   posticipato! 15  febbraio – 22 marzo 2021
   tutti i lunedì dalle 14.15 alle 15.30

Vuoi creare una video storia utilizzando uno smartphone o un tablet? Impara con noi a scegliere il punto di vista, l’inquadratura, la luce, la musica e le parole.
Sei incontri online teorici e pratici per scoprire come strutturare e produrre un racconto per immagini sul tema del labirinto.

6 incontri online di 75 minuti cad. su piattaforma Zoom, facile da installare su computer

_____________________

Per informazioni e iscrizioni:
segreteria aperta lu-ven ore 15.00 – 19.00
organizzazione@zonak.it
02.97378443 – 393.8767162
Compila subito il modulo d’iscrizione cliccando QUI
Agevolazioni: sconto del 10% se hai frequentato il percorso precedente
_____________________

Il percorso si attiverà al raggiungimento del numero minimo di partecipanti.
“A doppio filo” può essere considerato come il modulo nr.2 di un percorso in 3 tappe ma può essere anche frequentato autonomamente. 

Il percorso è tenuto da Davide Stecconi, diplomato alla Civica Scuola d’Arte Drammatica Paolo Grassi 1999 (corso Drammaturgia). Dal 2000, alternandosi come sceneggiatore e regista, ha scritto e diretto cortometraggi e lungometraggi e alcune fiction per la TV fra cui la serie Piloti – Rai2 -.
Più recentemente collabora alla realizzazione di spot per il web e documentari come filmaker.

 

 

Fratini, Gabrielli, Barile: author writings with ENA

3 playwrights were called to interact with ENA Nomen Nescio, a bot imitating human conversation.

Introduced by the Catalan director Roger Bernat, creator of the online performance, and Valentina Kastlunger, artistic director of ZONA K, Roberto Fratini, Renato Gabrielli and Magdalena Barile, they will take part in the writing of an oceanic play directly on the homepage of this site.

– 20 November at 9.00 p.m. – 9.30 p.m.
– 21 November at 9.00 p.m. – 9.30 p.m.
– 22 November at 9.00 p.m. – 9.30 p.m.

The interventions can be followed live on FACEBOOK of ZONA K

 

BIO

Magdalena Barile lives and works in Milan. Author, playwright and screenwriter, she teaches Theatre Writing at the Civica Scuola di Teatro Paolo Grassi and at the Scuola Belleville and Screenplay at the IED – Istituto Europeo di Design. Her theatre texts, many of which have been translated into several languages, are the most recent: Raffiche (2016); Il divorzio, adaptation of the film Divorzio all’italiana by Pietro Germi (2016); Rosa Conchiglia. Anaïs Nin e i giorni del porno ( (2017); Cosa beveva Janis Joplin (2018); Api Regine. Commedia fantascientifica sull’eliminazione del maschio (2018). She collaborates permanently as author and screenwriter with Swiss Radiotelevision (RSI) and has participated in the writing of several drama and comedy programmes for Italian television (Albero Azzurro, Camera Cafè, Bye Bye Cindarella).

Roberto Fratini Serafide (Milan, 1972), playwright and dance theorist, is a lecturer at the Conservatori Superior de Danza (Istituto del Teatro) in Barcelona, and has held courses and lectures at other European universities. He collaborates with several international contemporary dance and theatre companies (among them Caterina Sagna Company, La Veronal, Roger Bernat FFF, Taiat Dansa, Germana Civera, Aerites Dance Company, Alexandra Waierstall, Sol Picó, Philippe Saire) and has given dramaturgy workshops at different masters and theatre institutions. His book A Contracuento. La danza y las derivas del narrar was published in 2012. In 2013 he received the FAD Sebastià Gasch Prize for his artistic and intellectual trajectory.

Renato Gabrielli, playwright and screenwriter, teaches at the “Paolo Grassi” and the “Luchino Visconti” School of Cinema in Milan. He is the author of the guide Scrivere per il teatro (Carocci, 2015). Among his most recent theatre works: Combattenti (“Hystrio” XXIX-3, 2014), La donna che legge (Cue Press, 2015), Redenzione (2017), Spin (2018), Fammi un’ altra domanda and Nessun miracolo a Milano (2020). In 2008 he won the Hystrio Prize for Dramaturgy. In 2020, with Procedura, he won the Premio InediTo Colline di Torino – Sezione Teatro.

Meetings by Sara Chiappori & Renata Viola

The relationship with reality presses the performing arts, interrogates them and inhabits them, both object and habitat of an investigation that mixes grammar and semantics of the languages of the scene, re-discussing the concept of author and interpreter, reformulating the criteria of fruition and appropriation of space, definitively clearing the new technologies, opening explicit connections with sociology, urban planning, statistics, political discourse, economics.

ZONA K has given account of all this in the last few seasons, pointing out the critical points of reflection, ethics before aesthetics, around and within the contemporary. Hence, the need to open a theoretical window to try a further investigation that leaves room for doubts rather than certainties.

Designed for a diverse audience, spectators, operators, university students, curious and restless citizens, REALITY? has the ambition to make the languages of the scene react like in a chemical experiment with the alphabets of other disciplines, comparing artists who have worked with ZONA K and theorists who have deepened the same themes, but from the point of view of their skills.

The meetings will be published simultaneously on   e   di  ZONA K

• Monday 23 November, 6.00 p.m.
  PROLOGUE: POLITIK DER BLICKE/THE POLITICS OF LOOKS
  meeting with JENS HILLJE (artistic co-director and chief dramturg at the Maxim Gorki Theater in Berlin, Golden Lion for Lifetime Achievement Biennale Teatro 2019)

 

Then, four keywords for four dialogues

• Tuesday 24th November, 6.00 p.m.
  LANDSCAPE: dialogue between VITTORIO LINGIARDI and DOM- (IT): because it feeds new dramaturgies of the space that cross the places, putting in crisis the very notion of look. Because our relationship with the landscape involves the whole body and is always a question of relationships, with others, with the world, with rules, with time, with borders.

 

• Wednesday 25th November, 6.00 p.m.
  CRISIS dialogue between SALVATORE NATOLI and AGRUPACION SEÑOR SERRANO (ES): because “the crisis” in which we live has become a permanent and structural condition. Today, more than ever, we live in a state of emergency that forces us to reformulate new future scenarios. We are called to radically rethink everything we gave for certain and for acquired. Can all this really be considered an opportunity like the media storytelling suggests or are we on the threshold of a sort of “human revolution”?

 

• Thursday 26 November, 6.00 p.m.
  POLITICS dialogue between JUSEPPE GENNA and VALTERS SĪLIS (LV): because we have all decreed its death, or at least embarrassment and impoverishment, but we cannot do without it. So let’s go and find it where it manifests itself in its worst forms, the fascist sovereignist populist drifts, the last temptation of a West orphaned of an alternative thought to 20th century ideologies.

 

• Friday 27 November, 6.00 p.m.
  GAME/PARTICIPATION dialogue between STEFANO BARTEZZAGHI and ROGER BERNAT (ES): because the playful approach can be the key, but also the trap. If contemporary performance has accustomed us to enjoy the theatrical fact as a game, are we willing to give up in terms of attention, concentration, intellectual effort? The game, however, is not only a deresponsible escape, it can also be a very serious business.

Roger Bernat (ES)

with the collaboration of Mar Canet and Varvara Guljajeva

and the live Facebook participation of
– Roberto Fratini 20 November at 9.00 p.m. – 9.30 p.m.
– Renato Gabrielli 21st November at 9.00 – 9.30 p.m.
– Magdalena Barile 22 November at 9.00 – 9.30 p.m.

Special guest ROGER BERNAT
______________________________________

 

From 18 to 28 November, 24 hours a day, the Catalan director Roger Bernat, who generally creates performances without performers, offers us the opportunity to write an oceanic play directly from the ZONA K website.

Luis Buñuel and Jean-Claude Carrière locked themselves in a room and, embodying their characters, wrote the scripts for their future films. On the theater website, instead of conversing with Buñuel, Carrière or Shakespeare, the internet user converses with ENA, a bot that mimics human conversation. According to the Wikipedia definition, a bot is a sequence of computers that performs repetitive tasks that would be impossible or very burdensome for a human being. To learn how to write, ENA was shown 8 million documents.

The bots that answer the phone when we call big companies, those that affect social networks when elections are approaching or the bots we face in electronic games are brothers and sisters of ENA. But ENA doesn’t want to sell us anything, doesn’t want to inform us of any news (fake or real) and doesn’t even want to comfort us. ENA was conceived with the only purpose of pretending to be a human being, therefore to make theatre. ENA does not understand what she says or is told. For ENA, language is just a sequence of signs to which it responds with another sequence. Any dialogue with ENA will only make sense to the person participating in the conversation and to the audience reading the conversation on the theater’s website at the time. Having a dialogue with ENA is like playing squash with a wall that returns the ball to you. Keep in mind that, as a human being, you may be surprised or angry, or tired. ZONA K cannot be held responsible for messages sent by ENA which may be unpredictable.

CAUTION:
ENA learned to write with GPT-2 (OpenAI) and dialogues thanks to DialoGPT (Microsoft) of the Transformer (Google) database. For this reason, although he understands Italian, he answers only in English. Nobody’s perfect.

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Info: online collective writing • duration as desired • in Italian and English translated simultaneously
Participation: free, non-stop 24 hours a day on the zonak.it website

If you have spoken to ENA and want a copy of your dialogue, send an email to biglietti@zonak.it clearly indicating the nickname and day of your interview
________________________

A project by Roger Bernat with the collaboration of Mar Canet and Varvara Guljajeva web design and programming Mar Canet and Varvara Guldjajeva graphics Marie-Klara González coordination Helena Febrés co-production  FFF and Teatre Lliure thanks to Fabiano Cocozza

BIO

Magdalena Barile lives and works in Milan. Author, playwright and screenwriter, she teaches Theatre Writing at the Civica Scuola di Teatro Paolo Grassi and at the Scuola Belleville and Screenplay at the IED – Istituto Europeo di Design. Her theatre texts, many of which have been translated into several languages, are the most recent: Raffiche (2016); Il divorzio, adaptation of the film Divorzio all’italiana by Pietro Germi (2016); Rosa Conchiglia. Anaïs Nin e i giorni del porno ( (2017); Cosa beveva Janis Joplin (2018); Api Regine. Commedia fantascientifica sull’eliminazione del maschio (2018). She collaborates permanently as author and screenwriter with Swiss Radiotelevision (RSI) and has participated in the writing of several drama and comedy programmes for Italian television (Albero Azzurro, Camera Cafè, Bye Bye Cindarella).

Roberto Fratini Serafide (Milan, 1972), playwright and dance theorist, is a lecturer at the Conservatori Superior de Danza (Istituto del Teatro) in Barcelona, and has held courses and lectures at other European universities. He collaborates with several international contemporary dance and theatre companies (among them Caterina Sagna Company, La Veronal, Roger Bernat FFF, Taiat Dansa, Germana Civera, Aerites Dance Company, Alexandra Waierstall, Sol Picó, Philippe Saire) and has given dramaturgy workshops at different masters and theatre institutions. His book A Contracuento. La danza y las derivas del narrar was published in 2012. In 2013 he received the FAD Sebastià Gasch Prize for his artistic and intellectual trajectory.

Renato Gabrielli, playwright and screenwriter, teaches at the “Paolo Grassi” and the “Luchino Visconti” School of Cinema in Milan. He is the author of the guide Scrivere per il teatro (Carocci, 2015). Among his most recent theatre works: Combattenti (“Hystrio” XXIX-3, 2014), La donna che legge (Cue Press, 2015), Redenzione (2017), Spin (2018), Fammi un’ altra domanda and Nessun miracolo a Milano (2020). In 2008 he won the Hystrio Prize for Dramaturgy. In 2020, with Procedura, he won the Premio InediTo Colline di Torino – Sezione Teatro.

 

Michele Losi / Pleiadi (IT)

R 500 – Safari in the urban labyrinth. #Studio II is an urban walk that leads the public to explore nature, sometimes hidden from our eyes, and its complex relationship with urban architecture and inhabitants, within a narrow radius of 500 meters between ZONA K and Biblioteca degli Alberi.

This second stage of the research work, which began in October 2019, arises from two artistic residences of the Pleiadi collective in ZONA K and from the European format “Radius” of the Dutch artist Sjoerd Wagenaar: a method of artistic and scientific investigation of a narrow range of territory.
The Radius format invites people to look at the surrounding landscape with a new look, based on knowledge of the environment. The artists collect stories from the residents, consult scientists, architects, biologists, ‘digging’ and mapping the radius of the territory, returning the outcome of the investigation to the public through an urban walk.
Also this year there will be the contribution of the collective of architects Studio Pasta Madre.

Bozkurt, Campara, Oglialoro, Tabilio, Venturi
with Rimini Protokoll

A project by ZONA K and Casa degli Artisti

The pandemic emergency led to a division of the social components into systemically relevant and not relevant. For many it was also a psychological polarization: between what is essential and what is superfluous. The artistic professions are not among those socially necessary.

Should we think of a world in which art will no longer play a role? Can we imagine a reality that cancels the existence of art and of those who work there? What relationship can art have with each of us in this state of crisis? Is something that has long since gotten stale about to end? Can such a profound crisis be an opportunity?

PHASE NINE || Urban Solo invites us to ask ourselves these questions in the context of the city. Nine important places for art in Milan – some iconic, others unusual – become the stage for nine audio installations which, through interviews with various experts, are confronted with a provocative question: why does art exist and not nothing?

 

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departure Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-.

Info: urban walk for 1 person – in Italian – closed on Monday
Tickets can be picked up on the day of the walk 15 minutes before the start at Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-.

BASIC INFORMATION FOR PARTICIPATING
A document will be requested as a deposit for the use of the navigator.
As this is a route with mandatory stops, the departure time cannot be postponed. The walk takes about 120 minutes and will be covered on foot. The place of arrival is close to the place of departure. It is recommended to wear comfortable and waterproof shoes in case of light rain; in case of heavy rain the event will be canceled.
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** Performative action included in “IntercettAzioni” – Artistic Residence Center of Lombardy: a project by Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire, with the contribution of the Lombardy Region, MiBACT and Fondazione Cariplo. **

Artists Ekin Bozkurt, Chiara Campara, Giulia Oglialoro, Riccardo Tabilio and Francesco Venturi Artistic supervision Aljoscha Begrich and Jörg Karrenbauer (Rimini Protokoll) Project management Valentina Kastlunger (ZONA K) Audio coordination and mixing William Geroli Multimedia implementation Stripes Digitus Lab In collaboration with Eataly Smeraldo, Goethe-Institut Milano, Fondazione Giangiacomo Feltrinelli, Giardini in Transito – Giardino Comunitario Lea Garofalo, Anteo Palazzo del Cinema, Piccolo Teatro di Milano Main partner Casa degli Artisti BNP Paribas Thanks to Feltrinelli bookshop in viale Pasubio, Il Barettino in via Solferino, Armonium Galvan Photo Luca Del Pia WithGiuliana Bonifati, Christian Gangitano, Laura Pugno, David Bidussa, Marta Alessandri, Mauro Ferraresi, Silvia Vizzardelli, Wu Ming 2, Palma Rivetti (Mina), Roberta Carpani

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BIO

Ekin Bozkurt (sound designer), Chiara Campara (filmmaker), Giulia Oglialoro (author, journalist), Riccardo Tabilio (author and dramaturg) and Francesco Venturi (composer) are the artists that the second open call of Casa degli Artisti on the theme “Work” Selected in March 2020 for the artistic project shared with the German collective Rimini Protokoll.

The work, coordinated and followed by Jörg Karrenbauer and Aljoscha Begrich of Rimini Protokoll in the role of mentors, was completely rethought during the months of lockdown. The theme of work remained central, but he decided to focus in particular on work in the world of culture and art, a theme made even more urgent by the crisis caused by the pandemic. It was decided to work precisely on contingency, considering it an opportunity, investigating the changing perception of spaces and cultural operators.

Rimini Protokoll was founded in 2000 by Stefan Kaegi, Helgard Haug and Daniel Wetzel and over the years has collaborated with various constellations of artists. The goal is to expand the means of the theater in order to create new perspectives on reality. Rimini Protokoll avails itself of the collaboration of experts, whose knowledge and skills go beyond the theater, to produce shows, radio productions and urban interventions that often translate urban spaces and social structures into theatrical formats.

Collettivo MMM (IT)

Radio Olimpia, Bomba libera tutt!, a playing field and mobile radio station hosted by a California camper, is coming to Milan.

On the playing field, set up in the new square in Via Toce in the Isola district, a series of competitions will take place in which the public, divided into teams, will challenge each other in an unprecedented form of contemporary performing Olympics.
All the games are inspired by performances by well-known and lesser-known artists.

The disciplines will be introduced live from the playing field, and the competitions will be accompanied and refereed. Each action will be commented on in the radio commentary and winners and losers will be presented.
There will be in-depth content on the performances of the artists mentioned and on the themes referred to in the games: public space, the moment of celebration, the game, non-productive time, in a succession of challenges, interviews with “special guests” and the participants who bring the frequencies in the squares of Radio Olimpia, Bomba Libera tutti, to life!

 

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Team game|Performance – duration 100 min. – in Italian
c/o Piazza Aperta di via Toce, Milan [Tram 2, 4].

In case of rain the event will be cancelled.
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Created, realized and performed by Collettivo MMM: Martino Ferro, Maria Caterina Frani, Maria Pecchioli Production Pergine Festival, in co-production with ZONA K Il Giardino delle Esperidi Festival, In\Visible Cities / Contaminazioni digitali and with the support of Indisciplinarte and Periferico Festival
Winner of Open_Contemporary Urban Creation. Ph. Giulia Lenzi

 

BIO
The MMM Collective (Maria Pecchioli, Martino Ferro and Maria Caterina Frani) has collaborated in the past in the activation of performative-radiophonic formats (Forever, Maria di Sant’Elena, MMFight), has co-directed with the Fosca association the Frau Frisör Fosca space dedicated to languages and artistic contaminations, proposing an interdisciplinary programme aimed at citizens.
The relationship with the context, the ability to involve and promote the individual and the group, the sharing of practices and visions are the basis of the common path. Maria Pecchioli is an artist and producer of cross-media platforms, performer and film maker. Martino Ferro is a writer and screenwriter for film and television. Maria Caterina Frani is an actress, performer, speaker and assistant director.

Gianmarco Maraviglia

ZONA K has always been attentive to the language of photography and how it represents reality. So we have decided to reopen our premises with a photographic exhibition that tells with clarity and modesty what has happened and that has upset our daily lives to better understand that question mark on our near future.

… … … … … … … … … … … … … … … … … … … … … … … … … … … … … …

It’s as if something jammed and then broke. Broken time, reality, habits. The sense of freedom, the lightness, a certain arrogance in taking life for granted, even. That life.
Then the day came when everything changed. The light-heartedness was wiped out, a typically Italian gesture was cancelled, the ‘normal’ flow of habits and days was swept away. We have discovered ourselves vulnerable, the universe to be conquered has shrunk to the point of entering our homes. Once the certainties had been pulverised, the scaffolding stripped away, we clung to the only certainties that were still solid.

We have waited, as if we were locked in a bunker, for another entity to give us the green light once again. Our existence has been entrusted first to a bulletin, then to technologies. The word ‘control’ took on the reassuring hues of a cloak of protection.
And finally the reopening. Hurrah. So here we all are in the streets, in a hurry and with the urgency to regain possession of the time that once was, the almost physical need to convince ourselves that it was all over, past, ready to be forgotten.

And yet. We pretended nothing had happened, we wanted nothing to happen. But something still doesn’t work. And it is only now, probably, now that the emotions are settling and sedimenting, that we have the courage and lucidity to understand how much that fracture of the normal has really fixed itself inside us irreversibly. Gianmarco Maraviglia wanted to tell ‘his’ covid, in a narrative somewhere between an intimate account and a photojournalistic investigation, while avoiding the more detailed dimension of the disease. But he too was faced with the dilemma of “misalignment”. How, then, to visually represent and synthesise the change in the sequence of reality that our lives have undergone? Thus was born the glitch, the system error. Images of “matrixian” suggestion that leave open a question about our near future.

Opening – 15 September 2020, 7 pm
On display – 15 to 24 September 2020

Tuesday – Sunday 17.00 – 21.00 Monday 17.00 – 19.00

Free entrance limited to max 20 people at the same time

DER MOND – LA LUNA

Sorry, this entry is only available in Italian.

Un progetto di ZONA K, in collaborazione con BAM Biblioteca degli Alberi di Milano, inserito nel programma Milano Summer School – Comune di Milano

Prima di tornare finalmente a scuola, sei pront_ a partire per un viaggio sulla LUNA?
Cosa vuoi portare con te? Cosa scoprirai lassù?

Tra passeggiate lunari, creature immaginarie, parole, suoni e immagini, i bambini lavoreranno con un’artista/videomaker e con un esperto di arti circensi e teatrali. Con loro inventeranno un incredibile viaggio sulla LUNA utilizzando corpo, voce e immaginazione, supportati da strumenti audio e video.
Tutte le attività proposte sono volte a stimolare bambine e bambini a utilizzare la lingua tedesca in modo giocoso e creativo.

Il campus si svolgerà lungo l’arco della giornata e le attività saranno condotte sia all’interno di ZONA K sia all’aperto, nella bellissima BAM Biblioteca degli Alberi di Milano,  in uno spazio riservato tutto per noi.

 

Si prevede la possibilità di organizzare un massimo di due gruppi di 7 bambini ciascuno, così come indicato dalle linee guida del Comune di Milano.

Questo il programma della giornata tipo:

ore 9.00	accoglienza Gruppo 1
ore 9.15	accoglienza Gruppo 2
ore 9.30 – 10.30	Gruppo 1: Audio – Gruppo 2: Movimento
ore 10.30	Merenda all’aperto
ore 11.00 – 12.30	Gruppo 1: Video – Gruppo 2: Teatro
ore 12.30 – 14.00	Pranzo al sacco all’aperto e giochi
ore 14.00 – 15.00	Gruppo 1: Movimento – Gruppo 2: Audio
ore 15.00 – 16.00	Gruppo 1: Teatro – Gruppo 2: Video
ore 16.00	Uscita Gruppo 1
ore 16.15	Uscita Gruppo 2

Il campus è organizzato in modo da rendere felice e piacevole l’esperienza a tutte le bambine e tutti i bambini e di rispondere alle normative nazionali in relazione all’attuale emergenza sanitaria (DPCM del 17/05/2020 e del 11/06/2020 e Ordinanze della Regione Lombardia n. 547 del 17/05/2020 e n. 566 del 12/06/2020)
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Costo: € 190,00
Sconto del 10% a partire dal/la secondo/a iscritto/a e per n. 1 BAM FRIENDS*.
I due sconti non sono cumulabili.
*Al primo incontro verrà chiesta visione della tessera relativa.

N.B. E’ richiesto il pranzo al sacco

Il campus è a numero chiuso, si attiva al raggiungimento nel numero minimo di iscritti richiesto.
Le iscrizioni si chiudono il giorno 21 agosto o al raggiungimento del numero massimo di iscritti previsto.

CLICCA QUI E COMPILA SUBITO  IL MODULO D’ISCRIZIONE
IMPORTANTE: IL MODULO VA COMPILATO PER OGNI ISCRITTO/A E CORREDATO DI PRESA IN CARICO DEL BONIFICO

Per informazioni più generali, contattaci all’indirizzo organizzazione@zonak.it

 

DER MOND – LA LUNA
MULTIDISZIPLINARISCHER FERIENCAMPUS IN DEUTSCHER SPRACHE
FÜR KINDER VON 6 BIS 11 JAHREN
Vom 31. August bis 4. September

Seid ihr bereit, mit uns zum Mond zu fliegen? Was möchtet ihr mitnehmen?
Und was meint ihr könnt ihr dort oben entdecken?

Zwischen Mondspaziergängen, imaginären Kreaturen, Worten, Klängen und Bildern werden die Kinder mit einer Künstlerin und Videokünstlerin und einem Experten für Zirkus- und Theaterkunst arbeiten und ihre Reise zum Mond mit Körper, Stimme und Vorstellungskraft erfinden, unterstützt durch Audio- und Videoequipment.

Die vorgeschlagenen Aktivitäten zielen darauf ab, Kinder zum spielerischen und kreativen Gebrauch der deutschen Sprache anzuregen.

Der Campus findet von 9.00 bis 16.00 Uhr statt.

Die Aktivitäten werden sowohl drinnen in den Räumlichkeiten von ZONE K, als auch draußen in einem in der BAM für uns reservierten Bereich durchgeführt.

Gemäß den Richtlinien der Stadt Mailand können maximal zwei Gruppen von je 7 Kindern teilnehmen.

Beiden Gruppen werden voneinander getrennt das folgende Programm machen:

9.00 Empfang	Gruppe 1 (Büros)
9.15 Empfang	Gruppe 2 (Haupteingang)
9.30 – 10.30	Gruppe 1: Audio – Gruppe 2: Bewegung
10.30	Imbiss im Freien
11.00 – 12.30	Gruppe 1: Video – Gruppe 2: Theater
12.30 – 14.00	Mittagessen und Spiele im Freien
14.00 – 15.00	Gruppe 1: Bewegung – Gruppe 2: Audio
15.00 – 16.00	Gruppe 1: Theater – Gruppe 2: Video
16.00 Ausgang	Gruppe 1: Büros
16.15 Ausgang	Gruppe 2: Haupteingang

 

Wir möchten Sie darauf hinweisen, dass jedes Kind sein eigenes Lunchpaket mitbringen muss.

DIE UNTERWASSERWELT – IL MONDO SOTTOMARINO

Sorry, this entry is only available in Italian.

Un progetto di ZONA K, in collaborazione con BAM Biblioteca degli Alberi di Milano, inserito nel programma Milano Summer School – Comune di Milano

Cosa c’è nel mondo sottomarino?
Andiamo a scoprirlo!
Pesci colorati e piante stranissime, sirene e tesori abbandonati dai pirati… e tanto altro ancora!

Giochiamo col corpo e con la musica, costruiamo oggetti e immagini, creiamo insieme il nostro mondo acquatico!

Tutte le attività proposte sono volte a stimolare bambine e bambini a utilizzare la lingua tedesca in modo giocoso e creativo.

Le attività saranno condotte sia all’interno di ZONA K sia all’aperto, nella bellissima BAM Biblioteca degli Alberi di Milano,  in uno spazio riservato tutto per noi.

Il campus si svolgerà per mezza giornata con i seguenti orari:
I GRUPPO 8.30 – 12.00
II GRUPPO 14.00 – 17.30
Ogni gruppo sarà composto da un massimo di 5 bambini, così come indicato dalle linee guida del Comune di Milano.

Questo il programma della giornata tipo:

 

ore 8.30	Accoglienza Gruppo 1
ore 9.00 – 10.30	Movimento Gruppo 1
ore 10.30 – 11.00	Merenda all’aperto Gruppo 1
ore 11.00 – 12.00	Arte Gruppo 1
ore 12.00	Uscita Gruppo 1
ore 14.00	Accoglienza Gruppo 2
ore 14.30 – 16.00	Movimento Gruppo 2
ore 16.00 – 16.30	Merenda all’aperto Gruppo 2
ore 16.30 – 17.30	Arte Gruppo 2
ore 17.30	Uscita Gruppo 2

Il campus è organizzato in modo da rendere felice e piacevole l’esperienza a tutte le bambine e tutti i bambini e di rispondere alle normative nazionali in relazione all’attuale emergenza sanitaria (DPCM del 17/05/2020 e del 11/06/2020 e Ordinanze della Regione Lombardia n. 547 del 17/05/2020 e n. 566 del 12/06/2020)
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Costo: € 150,00
Sconto del 10% a partire dal/la secondo/a iscritto/a e per  n.1 BAM FRIENDS*.
I due sconti non sono cumulabili.
*Al primo incontro verrà chiesta visione della tessera relativa.

Il campus è a numero chiuso, si attiva al raggiungimento nel numero minimo di iscritti richiesto.
Le iscrizioni si chiudono il giorno 21 agosto o al raggiungimento del numero massimo di iscritti previsto.

CLICCA QUI E COMPILA SUBITO  IL MODULO D’ISCRIZIONE PER IL GRUPPO MATTINA

CLICCA QUI E COMPILA SUBITO  IL MODULO D’ISCRIZIONE PER IL GRUPPO POMERIGGIO

IMPORTANTE: IL MODULO VA COMPILATO PER OGNI ISCRITTO/A E CORREDATO DI PRESA IN CARICO DEL BONIFICO

Per informazioni più generali, contattaci all’indirizzo organizzazione@zonak.it

 

 

Die Unterwasserwelt – Il mondo sottomarino
Ein kreativer Campus mit Bewegung in deutscher Sprache für Kindergartenkinder
Vom 31. August bis zum 4. September 2020.

Was gibt es alles unter Wasser? Finden wir es gemeinsam heraus !
Bunte Fische, die seltsamsten Pflanzen, Meerjungfrauen, vergessene Piratenschätze….

Wir spielen mit “Leib und Seele”, mit viel Musik, konstruieren Objekte und Bilder und erschaffen unsere eigene Unterwasserwelt.

Unsere vorgeschlagenen Aktivitäten sind darauf abgestimmt, alle Kinder auf spielerische und kreative Weise anzuregen, die deutsche Sprache zu benutzen.

Der Campus wird halbtags angeboten und alle Aktivitäten werden sowohl in unseren Räumlichkeiten von ZONA K als auch in einem für uns reservierten Gelände im Freien ( auf dem BAM: Biblioteca degli Alberi di Milano) stattfinden.

Unsere Aktivitäten werden zu folgenden Uhrzeiten stattfinden:
Gruppe  1 : 8.30 – 12.00
Gruppe 2 : 14.00 – 17.30

Jede Gruppe besteht aus höchstens 5 Kindern, so wie es die Richtlinien der Stadt Mailand vorsehen.

CIAK & RAP!

Sorry, this entry is only available in Italian.

Un progetto di ZONA K, in collaborazione con BAM Biblioteca degli Alberi di Milano, inserito nel programma Milano Summer School – Comune di Milano

Inventiamo una canzone rap e giriamo insieme il videoclip musicale: azione, parole, musica e divertimento! Ciak… si rappa!

Guidati da un rapper scriveremo e canteremo insieme una canzone a tempo di beat!
Con un videomaker, realizzeremo il videoclip musicale, partecipando alle riprese e al montaggio!

 

Il campus si svolgerà lungo l’arco della giornata e le attività saranno condotte sia all’interno di ZONA K sia all’aperto, nella bellissima BAM Biblioteca degli Alberi di Milano,  in uno spazio riservato tutto per noi.

Si prevede la possibilità di organizzare un massimo di due gruppi di 7 bambini ciascuno, così come indicato dalle linee guida del Comune di Milano.

Questo il programma della giornata tipo:

ore 9.00	accoglienza Gruppo 1
ore 9.15	accoglienza Gruppo 2
ore 9.30 – 10.30	Gruppo 1: RAP scriviamo la canzone Gruppo 2: VIDEO inventiamo il videoclip
ore 10.30	Merenda all’aperto
ore 11.00 – 12.30	Gruppo 1: SING cantiamo la canzone Gruppo 2: ACTING recitiamo nel videoclip
ore 12.30 – 14.00	Pranzo al sacco all’aperto e giochi
ore 14.00 – 15.00	Gruppo 1: VIDEO inventiamo il videoclip Gruppo 2: RAP scriviamo la canzone
ore 15.00 – 16.00	Gruppo 1: ACTING recitiamo nel videoclip Gruppo 2: SING cantiamo la canzone
ore 16.00	Uscita Gruppo 1
ore 16.15	Uscita Gruppo 2

Il campus è organizzato in modo da rendere felice e piacevole l’esperienza a tutte le bambine e tutti i bambini e di rispondere alle normative nazionali in relazione all’attuale emergenza sanitaria (DPCM del 17/05/2020 e del 11/06/2020 e Ordinanze della Regione Lombardia n. 547 del 17/05/2020 e n. 566 del 12/06/2020)
____________________________________

Costo: € 180,00
Sconto del 10% a partire dal/la secondo/a iscritto/a e per n. 1 BAM FRIENDS*.
I due sconti non sono cumulabili.
*Al primo incontro verrà chiesta visione della tessera relativa.

N.B. E’ richiesto il pranzo al sacco

Il campus è a numero chiuso, si attiva al raggiungimento nel numero minimo di iscritti richiesto.
Le iscrizioni si chiudono il giorno 28 agosto o al raggiungimento del numero massimo di iscritti previsto.

CLICCA QUI E COMPILA SUBITO  IL MODULO D’ISCRIZIONE
IMPORTANTE: IL MODULO VA COMPILATO PER OGNI ISCRITTO/A E CORREDATO DI PRESA IN CARICO DEL BONIFICO

Per informazioni più generali, contattaci all’indirizzo organizzazione@zonak.it

PLAY DEUTSCH CAMPUS

Sorry, this entry is only available in Italian.

Play Deutsch Campus si svolge dal lunedì al venerdì ed è organizzato per diverse fasce d’età:
4 – 5 anni dalle ore 9.30 alle ore 11.00
6 – 10 anni dalle ore 10.30 alle ore 13.00
11 – 14 anni dalle ore 14.30 alle ore 17.00

In città c’è un grande mistero da risolvere: abbiamo bisogno di detective, abbiamo bisogno di voi!
Indizi, prove da superare, ogni giorno scopriremo un elemento in più per arrivare alla soluzione del giallo dell’estate!

Un campus tutto in lingua tedesca per giocare con le parole, la musica e il video.

Riceverete un messaggio con i primi intricati indizi e con tutti gli strumenti necessari all’indagine. Incontrerete personaggi reali che vivono in stanze virtuali, che metteranno alla prova le vostre abilità di detective:  vi chiederanno di cantare una canzone rap, inventare una coreografia, girare un video o scattare delle foto…  Solo allora vi sveleranno importanti indizi sul caso!

Allora, siete pronti a svelare il giallo dell’estate?
Ogni settimana vi aspetta un’avventura diversa!

 

Play Campus è un’esperienza virtuale che prevede incontri online sulla piattaforma Zoom di 2h30 al giorno con insegnanti di madrelingua tedesca che guideranno bambin_ e ragazz_ attraverso giochi con musica, movimento, teatro. Il campus sarà condotto da un insegnante di teatro e video, affiancato da un rapper e da una danzatrice.

A bambin_ e ragazz_ potrà essere richiesto di scattare delle foto o raccogliere indizi anche all’esterno, mentre sono al parco o in città, per proseguire l’avventura.

Verranno realizzate dagli insegnanti delle video riprese con smartphone o tablet al fine di consegnare un video racconto dell’ esperienza da detective a tutti i partecipanti al campus.

 

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Costo: € 120,00 una settimana
Sconto del 15% a partire dal/la secondo/a iscritto/a e dalla seconda settimana di campus.
I due sconti non sono cumulabili.

 

COMPILA DA QUI IL MODULO D’ISCRIZIONE
IMPORTANTE! IL MODULO VA COMPILATO PER OGNI ISCRITTO/A

Per rendere effettiva l’iscrizione la ricevuta di pagamento dovrà pervenire all’indirizzo organizzazione@zonak.it entro e non oltre 5gg dall’invio del modulo d’iscrizione.

Le iscrizioni verranno registrate in base all’ordine di arrivo delle ricevute di pagamento.
Il campus è a numero chiuso e si attiva con almeno 5 iscritti.

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PLAY CAMPUS

Sorry, this entry is only available in Italian.

In città c’è un grande mistero da risolvere: abbiamo bisogno di detective, abbiamo bisogno di voi!
Indizi, prove da superare, ogni giorno scopriremo un elemento in più per arrivare alla soluzione del giallo dell’estate!

Riceverete un messaggio con i primi intricati indizi e con tutti gli strumenti necessari all’indagine. Incontrerete personaggi reali che vivono in stanze virtuali, che metteranno alla prova le vostre abilità di detective:  vi chiederanno di cantare una canzone rap, inventare una coreografia, girare un video o scattare delle foto…  Solo allora vi sveleranno importanti indizi sul caso!

Allora, siete pronti a svelare il giallo dell’estate?

 

Play Campus è un’esperienza virtuale che prevede incontri online sulla piattaforma Zoom di 2h30 al giorno con insegnanti di diverse discipline artistiche che guideranno i bambini e le bambine attraverso giochi con musica, movimento e teatro. Il campus sarà condotto da un insegnante di teatro e video, affiancato da un rapper e una danzatrice.

Ai bambini potrà essere richiesto di scattare delle foto o raccogliere indizi anche all’esterno, mentre sono al parco o in città, per proseguire l’avventura.

Verranno realizzate dagli insegnanti delle video riprese con smartphone o tablet al fine di consegnare un video racconto dell’ esperienza da detective a tutti i partecipanti al campus.

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Costo: € 100,00
Sconto del 15% dal/la secondogenito/a
Le iscrizioni si chiudono il giorno 26 giugno 2020

Per rendere effettiva l’iscrizione la ricevuta di pagamento dovrà pervenire all’indirizzo organizzazione@zonak.it entro e non oltre 5gg dall’invio del modulo d’iscrizione.

Le iscrizioni verranno registrate in base all’ordine di arrivo delle ricevute di pagamento.
Il campus è a numero chiuso e si attiva con almeno 6 iscritti.

Agrupación Señor Serrano (ES)

There is a widely diffused image that traces the history of ideas: climbing a mountain, overcoming all difficulties to reach its top and, once there, being able to see the world “as it is”. Reaching the truth and not just shadows and reflections. It is a beautiful image in all respects.

But is it really so? Often looking from above you can see nothing but clouds and fog covering everything or a landscape that changes according to the time of day or the weather. What is the world like then? How is the truth? Is there the truth? Is the truth the top of a mountain to be crowned and that’s all, or rather a cold and inhospitable path that must be continually walked?

In The Mountain, the latest show by the award-winning Catalan company, the first expedition to Everest converges, the outcome of which is still uncertain today, Orson Welles sowing panic with his radio program The War of the Worlds, badminton players who they play baseball, a fake news website, a drone scanning the audience, lots of snow, mobile screens, fragmented images, and Vladimir Putin speaking content with trust and truth.

A white and diaphanous stage. Miniatures to scale on practicables, a radio studio, a reproduction of Everest, portable projection screens and film tripods form a space halfway between a TV set, a museum and a badminton court. A network of ideas, stories, images, actions and concepts is the basis of The Mountain’s dramaturgical framework. With these materials, unfolded in layers that mix, creating unexpected connections, the show presents itself as an unmapped exploration of the myth of truth.

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A ZONA K co-production presented in collaboration with Olinda/Da vicino nessuno è normale

c/o Olinda/Da vicino nessuno è normale, Ex O.P. Paolo Pini – via Ippocrate, 45

Info: multimedia show – duration 70 min. – in English with Italian subtitles
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creation Agrupación Señor Serrano dramaturgy and direction Àlex Serrano, Pau Palacios, Ferran Dordal performance Anna Pérez Moya, Àlex Serrano, Pau Palacios, David Muñiz management Art Republic A GREC production Festival de Barcelona, ​​Teatre Lliure, Conde Duque Centro de Cultura Contemporánea, CSS Stable Theater of Innovation of Friuli – Venezia Giulia, Teatro Stabile del Veneto – National Theater, ZONA K, Monty Kultuurfaktorij, Grand Theater, Feikes Huis With the support of Departament de Cultura de la Generalitat, Graner – Mercat de les Flors. Photo: © Jordi Soler

CODICEFIONDA (IT)
dram. cons. Agrupación Señor Serrano (ES)

In the Theatrical Season 2021 RAZIONE K, ZONA K presents a new production: PLAY ME (Origins Project). It continues the direction already taken with Generazione gLocale in 2017 with the involvement of children, the use of new stage devices and the creative and dramaturgical support of important names in the international scene, for this project the award-winning Catalan collective Agrupación Señor Serrano.

One button. A player. A screen.

Here are the new barbarians. Incomprehensible to the eyes of the adult world. Teenagers, hyper-connected and fragile, terrified and attracted by the image of themselves on “social media”, experts in “sexting”, “video-games” and “binge drinking”, owners of Smartphones as an extension of their body. But what do we know about today’s teenagers?
A narrative short circuit from the origins of the video game to the origins of the iGeneration. An immersive experience in which to meet today’s teenagers through the use of new technologies. A path of creation that tells our identities – real and virtual – thanks to the comparison between generations.

In this performance the audience will find himself in relation to them. You can choose whether to confirm or question your expectations, fears and prejudices. The ultimate goal will be a “performative game” to generate an unprecedented and intimate encounter. PLAY ME (ORIGINS PROJECT) is the result of a work on the biographies of young people met in the stage of research and dramaturgical development between Turin and Milan.
What the sociologist Morin defines as “cinema of total authenticity”.

 

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Info: multimedia performance for single spectators with VR • audience aged 16 and over • duration 30 min. • entrance every 15 min • in Italian
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Project direction and creation Andrea Ciommiento, creation and multimedia reference Simone Rosset, dramaturgical consultancy Álex Serrano and Pau Palacios, executive production Valentina Picariello and Valentina Kastlunger, organisation and communication Silvia Orlandi and Federica Bruscaglioni, VR application programming Luigi Sorbilli and Giuliano Poretti, creation assistent Kausar El Allam, Shady Mostafa, Imane Mouslim, Jaouher Brahim, Mattia Ghezzi, Anes Fettar, Matteo Coppola, Momo Moukett, Filippo Farina, Lorenzo Bregant, Federica Bruscaglioni, David Benvenuto. Production ZONA K (Milan), creation of Codicefionda (Turin), dramaturgical consultancy Agrupación Señor Serrano (Barcelona), in collaboration with Fuori Luogo Festival (La Spezia), Polo del ‘900 (Turin), Human Rights Festival (Milan), Instituto Professionale Albe Steiner (Turin), Yepp Italia (Turin) and Collettivo gLocale (Milan), With the support of  IntercettAzioni – Center of Artistic Residence of Lombardy and of the Municipality of Milan and Dialogues – Residences of the performing arts at Villa Manin “(CSS FVG stable innovation theatre). Thanks to ITAS Giulio Natta and Hotel San Guido in Milan and Digital Storytelling Lab – Università degli studi di Udine..

The project was carried out with the support of the Compagnia di San Paolo within ORA! Contemporary culture productions. Visit oracompagniadisanpaolo.it

 

 

Guinea Pigs (IT)

The #nuovipoveri show by the young Milanese company Guinea Pigs is a multi-disciplinary research path that investigates the relation between economy and society, self-perception, representation and self-narration of wealth and poverty. Istat speaks of 5 million poor people out of a population that exceeds 42 million inhabitants: the poor exceed 11% of the total population. There are the absolute poor who cannot face a minimum expenditure necessary to purchase basic necessities and services and the relative poor who live with an average monthly expenditure equal to or less than € 667.05. So Istat says that a poor person is someone who can’t meet the minimum consumption standards, who can’t spend money because he doesn’t have enough.

The Treccani dictionary defines a poor person as “the one who has scarce economic means, who lacks the necessary money and all that money can procure”, etymologically “the one who produces little”. #nuovipoveri is a project about money and its contradictions, about the power it has to change the balance and relationship dynamics, about how days are spent, the happiness of families and the construction of the identity of an entire society. Poverty of means and resources, of relationships, of ideas and knowledge, of concrete possibilities in imagining one’s own present and a possible future. Who are the new poor nowadays? How do they describe themselves? To society? And again how do they describe their society? And how much is true in this self-narration?

 

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Info: show • duration 80 min. • in Italian
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by and with: Letizia Bravi and Marco De Francesca, playwriting: Giulia Tollis, video: Julian Soardi sound design: Gianluca Agostini, set design: Stefano Zullo, light design: Martino Minzoni, direction: Riccardo Mallus, production: Ecate, in collaboration with Guinea Pigs, with support of ZONA K and Next – Laboratorio delle idee per la produzione e distribuzione dello Spettacolo dal Vivo Lombardo – Edition 2019/2020 and the support of Teatro delle Moire. Thanks to Il Magazzino of Antonio Mingarelli. A performative action included in “IntercettAzioni” Centro di Residenza Artistica della Lombardia: a project of Circuito CLAPS and Industria Scenica, Milano Musica, Teatro delle Moire, ZONA K, with support of the Regione Lombardia, MIC and Fondazione Cariplo

 

BIO
Guinea Pigs was created in 2014 in Milan. The first artistic project was the show Acts of War (2016). In 2017, in collaboration with the Out Off Theatre in Milan, they produced the show Casca la terra by Fabio Chiriatti, with whom they won the Siae Sillumina 2016 call for proposals. Also in 2017, they start the research path and creation of site specific projects between installation and performance In struggle with reality. The first stage, Sovra/Esposizioni, will be presented during the IT Festival. The second stage, Is the future a trap?, is co-produced by the Castel dei Mondi Festival and sees the collaboration of Guinea Pigs with the Equilibrio Dinamico Dance Company and Anelo1997 lab of architecture and roman sculpture. In 2019, in collaboration with Museocity, they carried out theatrical and performative activities within various museums in Milan as part of the AMUSE project of the Cariplo Foundation.

WIM VANDEKEYBUS
ULTIMA VEZ (BE)

The space of the Casa Degli Artisti, which is recently returned to the city, has been chosen for the opening of the Theatre season 2020 REALITY of ZONA K.

In Go Figure Out Yourself, an encounter with the audience in an unprepared space, five characters take you far beyond the protective walls of the theatre and they show you a place where you can give shape to your own thoughts, simply by looking and listening to others. At the rhythm of a soundtrack that mixes words, music and dance, you are invited to participate in an unpredictable and exciting trail.

Go Figure Out Yourself explores the boundaries between audience and performers.

Simply moving freely in the space, you will become part of a group happening, which will leave you in the end with many questions and few answers. The slowness of everything contrasts with the speed of the individual. The whole is greater than the sum of its parts. Everything is what it is.

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presented in collaboration with and c/o Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-

Info: dance performance • duration 75 min. • in English
Nb: audience and performers share the same stage space. There are no chairs.

Standard tickets: 15,00 € – Students/under 26/over 65/groups: 10,00€
You can pick up tickets at Casa degli Artisti, Corso Garibaldi, 89/A – via Tommaso da Cazzaniga -M2 Moscova-

Part of the subscription shows
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direction, choreography, scenography Wim Vandekeybus, created and interpreted by Sadé Alleyne, Maria Kolegova, Hugh Stanier, Kit King, Tim Bogaerts, dramaturgy Aïda Gabriëls, lighting design Davy Deschepper, Wim Vandekeybus, costume design Isabelle Lhoas assisted by Isabelle De Cannière, technical coordination Davy Deschepper, sound engineer Bram Moriau, stage manager Tom de With, producer Ultima Vez, co-producer Les Brigittines (Bruxelles), with the support of the Tax Shelter measure of the Belgian Federal Government, Casa Kafka Pictures Tax Shelter empowered by Belfius, Ultima Vez is supported by the Flemish Authorisations and the Flemish community commission of the Brussels-Capital region.

 

Physicality, passion and intuition are the main elements of Wim Vandekeybus’ work, one of the greatest exponents of the international performance scene. A multifaceted artist, choreographer, director, performer who attended the University of Leuven where he studied psychology. Fascinated by the relationship between mind and body, this interest influenced all his choreographic work.
In 1987 he founded the Ultima Vez company with which he made almost 30 productions as well as numerous films and videos. The use of different media and languages ​​translates into a constantly evolving cast that includes dancers, circus performers, actors, musicians and collaborations with artists from different disciplines.

Industry 4.0, the fast revolution

Technology, work, education, future: there is no mystery or prophecy, because research is now proceeding apace, but a big question as to what the vision will be. Technology has plans and innovations that are constantly being updated.How will it change our lives? Technology has given us speed, but without saving us time. On the contrary, it often saturates it in a new contemporaneity that will face a quantum leap in the next few years that we may never have seen before.
When the industry revolution is complete, how will our lives be redesigned?

With the participation of Matteo Scanni (journalist, director, playwright and professor of Human Innovation Culture at H-Farm)

Moderator: Angelo Miotto

Live streaming on Facebook pages @zonakmilano and @qcodemagazine

 

Image: freepik.com

PRESENTAZIONE
PRIMO NUMERO

Sorry, this entry is only available in Italian.

Q Code Magazine e Prospero Editore vi invitano alla serata di presentazione di “Muri, il primo numero cartaceo del semestrale di geopoetica.

Gianni Mura terrà a battesimo il nuovo giornale.

Saranno presenti molti dei contributors della rivista in formato libro.

Segue brindisi.

Per saperne di più: comunicazione@prosperoeditore.com

EVE #1

Sorry, this entry is only available in Italian.

 

Torna a Danae Filippo Michelangelo Ceredi con la sua seconda creazione.
EVE #1 esplora il nostro rapporto con la memoria degli avvenimenti del nuovo millennio attraverso le immagini. Dal 2001 ad oggi la comunicazione visuale ha assunto un ruolo predominante e la nostra capacità di ricevere le informazioni è stata fortemente modificata. Il ricordo dei fatti di rilevanza globale verte sempre più spesso su immagini di grandi traumi o di disastri, disegnando un panorama tragico del mondo. La sovrabbondanza di stimoli visivi ha mortificato l’immaginazione e ha generato assuefazione all’orrore. EVE #1 è una rievocazione delle immagini che costruiscono l’immaginario contemporaneo e un tentativo di riprendere uno sguardo più lucido sul presente.

PRIMA ASSOLUTA
di e con Filippo Michelangelo Ceredi assistenti al progetto Clara Federica Crescini, Sara Gambini Rossano
disegno luci Adriana Renna accompagnamento alla realizzazione Alessandra De Santis e Attilio Nicoli Cristiani – Teatro delle Moire una produzione di Filippo Michelangelo Ceredi, Teatro delle Moire/Danae Festival, Lenz Fondazione/Natura Dèi Teatri Festival con il sostegno di IntercettAzioni – Centro di Residenza Artistica della Lombardia (un progetto di Circuito CLAPS e Teatro delle Moire, Industria Scenica, Milano Musica, ZONA K)

durata 50′

 

INFO E PRENOTAZIONI
+39 02 39820636 | +39 338 8139995 | info@teatrodellemoire.it
Prenotazione consigliata

 

 

Filippo Michelangelo Ceredi, dopo la laurea in filosofia a Milano, lavora come assistente alla regia di Marco Bechis nel film Il sorriso del capo (2011), in collaborazione con Istituto Luce, e nella serie web Il rumore della memoria (2014). Assiste Iacopo Patierno nella realizzazione della serie web per il progetto italo-mozambicano Il teatro fa bene (2016) e dirige lavori da videomaker. Dal 2012 inizia una formazione teatrale seguendo i laboratori del Teatro delle Moire e lavorando come tecnico per progetti teatrali. Nel 2016 debutta a Danae Festival con Between Me and P., presentato successivamente a Santarcangelo Festival 2017.

CONCERTO

Sorry, this entry is only available in Italian.

Francesco Michele Laterza, regista e performer, ritorna a Danae, dopo aver presentato nel 2017 la performance dissacrante tutta al maschile Acquafuocofuochissimo. Questa volta si cimenta in un duetto insieme alla poliedrica artista Floor Robert, performer, disegnatrice e autrice, premiata nel 2008 con la menzione speciale del Premio Hystrio. Concerto è un concerto dell’immaginazione. Uno spettacolo teatrale che sogna di essere una performance musicale. Il lavoro muove da una raccolta di sogni trascritti e trasformati in canzoni originali o materiali performativi con l’idea di costruire un coro di forze, voci e immagini al limite del paradosso che dialogano all’ interno di un assurdo concerto in perpetuo mutamento.

PRIMA ASSOLUTA
di Francesco Michele Laterza con Francesco Michele Laterza e Floor Robert foto di Fabio Artese coproduzione Teatro delle Moire/Danae Festival con il sostegno di IntercettAzioni – Centro di Residenza Artistica della Lombardia (un progetto di Circuito CLAPS e Teatro delle Moire, Industria Scenica, Milano Musica, ZONA K)

durata 50′

 

INFO E PRENOTAZIONI
+39 02 39820636 | +39 338 8139995 | info@teatrodellemoire.it
Prenotazione consigliata

 

 

 

Francesco Michele Laterza, performer, regista e coreografo, dopo aver lavorato come interprete per diverse compagnie italiane (DOM-,Teatro Valdoca, Strasse, Famiglia Fuché, Inquanto teatro), intraprende un percorso autoriale mettendo al centro della sua ricerca la relazione tra corpo e processi di costruzione dell’identità attraverso la sperimentazione di diverse modalità performative. Nel 2015 con il progetto Acquafuocofuochissimo è coreografo residente presso Anghiari Dance Hub e vincitore del bando Assemblaggi Provvisori indetto dalla Tenuta dello Scompiglio di Vorno (Lucca). Dal 2017 è artista associato del progetto Officina Lachesi Lab curato dal Teatro delle Moire, Danae Festival di Milano. Nel 2018 è tra gli artisti selezionati nel workshop È il corpo che decide a cura di Marcello Maloberti con la performance Esercizi sullo spazio, al Museo del Novecento di Milano. È ideatore e conduttore di progetti di formazione e ricerca teatrale e di laboratori incentrati sullo studio del gesto.

LIVE SESSION

Sorry, this entry is only available in Italian.

Matita è un concerto da guardare, colorare, disegnare. Un ensemble di disegnatori ritmici attorno a un tavolo microfonato, che amplifica il suono di matite, penne, pennarelli. Un pianoforte li accompagna, li guida, li insegue in un dialogo musicale.
L’atto del disegnare si trasforma in un gesto ritmico, visivo e sonoro, che accompagna e dà forma e struttura alla musica. Il concerto è la presentazione ufficiale del nuovo live da palco, si avvale di nuovi visuals curati dal gruppo stesso, con la collaborazione dell’artista visivo Daniele Spanò.

Antonello Raggi piano elettrico ed elettronica
Fabio Bonelli matite, penne, pennarelli
Francesco Campanozzi pennarelli, penne, matite
Antonello Raggi, Daniele Spanò, Matita visuals

durata 50 minuti

 

INFO E PRENOTAZIONI
+39 02 39820636 | +39 338 8139995 | info@teatrodellemoire.it
Prenotazione consigliata

 

 

 

 

Fabio Bonelli è un musicista e creativo cresciuto musicalmente come chitarrista dei milaus.
Dal 2007 ha sviluppato numerosi progetti, alla continua ricerca di un’unione tra quotidianità e incanto: Musica da cucina (concrete folk per chitarra e tavolo apparecchiato), Matita (collettivo di disegnatori ritmici), dBEETH (DJ set di musica classica su vinile), Sit In Music (indie pop per essere umano e band di pupazzetti), Kosmophon (concerto per chitarra e vecchi vinili di musica etnica), Sii Bih Dii (improvvisazioni aperte su vinili per birdwatchers). Ha creato colonne sonore per documentari (INSOLITO CINEMA, DON’T MOVIE) e per teatro (Gruppo Teatro Campestre), creato installazioni sonore/sound design per rassegne collaborando con artisti visivi (Audiovisiva, Container Art, Tamara Ferioli, Dome Bulfaro, Leonardo Nava).
Ha suonato, tra gli altri, alla Triennale e al Museo della Scienza e della Tecnica (Milano), MITO
Fringe (Milano), Milano Piano City (Milano), Frison (Freiburg, Svizzera), MONA FOMA 2011
(Hobart, Tasmania), Linz 09(Linz, Austria), Città dell’arte/Fondazione Pistoletto (Biella),Teatro Eliseo (Roma), Silencio (Parigi, Francia), RomaEuropa (Roma), Castello di Rivoli(Rivoli, TO), MAXXI Museo Nazionale delle Arti del XXI secolo (Roma).
Di lui hanno parlato La Repubblica, LeMonde Magazine, ARTE TV, RTSI Radio Televisione
della Svizzera Italiana, Rai Due “TG2 Costume e società”, Radio Tre “Piazza Verdi”, Radio Tre
“Alza il Volume”, France Culture “L’atelier interieur” e numerose testate giornalistichemusicali sia cartacee (Insound) che online (Rockit, Onda Rock)

WORKSHOP DI INTERPRETAZIONE
PER ATTORI PROFESSIONISTI

Sorry, this entry is only available in Italian.

 

 

Studio Azzurro (IT)

 

Projection of the film L’uomo che cammina (The walking man), an artistic project realised by DOM- in its Milanese edition.
A video work realised by Studio Azzurro, a historical group of artistic research that explores video language and media environments, combining the application of technologies with the idea of an art with a social vocation.

During the course of the evening speakers will include: Antonio Moresco, Leonardo Delogu, Valerio Sirna, Studio Azzurro and Repubblica Nomade.

 

c/o Cinema Beltrade Via Nino Oxilia 10 – M1 Pasteur

 

video project by Studio Azzurro curated by Alberto Danelli, Laura Marcolini, Martina Rosa, based on the live-perfomance of the same name by DOM-, concept, dramaturgy and direction by Leonardo Delogu, Valerio Sirna with Antonio Moresco and with Francesca Agabiti, Isabella Macchi, Paola Galassi, with the participation of the students of ITAS Giulio Natta, with the contribution of Teatro Stabile dell’Umbria collaboration Museo Del Novecento, Milano Sport, Abbazia di Chiaravalle, Hotel Corvetto

Černobyl’: a catastrophe,
a point of departure and awareness. 

The new meeting organised in collaboration with Q Code Mag will focus on the Soviet nuclear disaster, now a real case of tourism after the success of the TV series in recent months.

This third chapter of the discussion will therefore alternate between the memories of those who have studied and travelled the roads of the contaminated areas, an analysis and stories of awareness that have managed to take off thanks to the horror of that disaster, including in clean energy, and a hint at the dramaturgical techniques of the TV series, because that success is an important lever for a healthy ecology.

Speakers will include:
Gianluca Ruggieri: environmental engineer from Insubria University and vice-president of ènostra
Gigi Donelli: Radio 24 journalist
Yarina Grusha: teacher of Ukrainian language and literature at UNIMI, translator.
At the time of the disaster, her mother was six months pregnant.

 

Moderator of the meeting: Angelo Miotto of Q Code Magazine

Free entrance

Claudio Tolcachir (AR)

For the first time in Italy, Próximo, the latest creation by Claudio Tolcachir, founder of the Timbre4 Company of Buenos Aires, considered the most interesting director and playwright in contemporary theatre.

Próximo tells the story of a long-distance love affair experienced by two young people who in reality never meet, but only talk to each other and see each other through PCs and smartphones. One is Spanish, from Madrid; the other Argentinean, from Australia. The audience becomes witnesses of the birth and construction of this love, made of words, silences and emotions filtered through a technological device. The show therefore recounts the experience of being far from everything but, at the same time, that of living the most intense emotions of a life without a physical presence, births, deaths, love, sex. And it investigates all the possibilities and limits of a relationship built on skype connection in times of hyper-communication where talking about love seems to be an act of resistance.

On Friday 22nd November, after the performance, Claudio Tolcachir and the company meet the audience in a chat moderated by Sara Chiappori (La Repubblica).

A ZONA K and Teatro Franco Parenti project

 

Theatrical performance in Spanish with Italian subtitles
c/o Franco Parenti Theatre, via Pierlombardo 14 Milan

 

text and direction Claudio Tolcachir with Santi Marín, Lautaro Perotti lights Ricardo Sica scenes Sofia Vicini costumes Cinthia Guerra organisation Teatro TIMBRe 4 production Jonathan Zak, Maxime Seuge

 

Go to INTERPRETATION WORKSHOP FOR PROFESSIONAL ACTORS with Claudio Tolcachir

Andy Field (GB)

“One-to-one performance is like knocking on a stranger’s door (…) unsure of what I will find on the other side, what world I will stumble into and what worlds will stumble into me”.

Andy Field’s works are unusually formal and interactive, inviting us to consider our relationships with the spaces we inhabit and the people around us.  Over the years he has created art projects in theatres, galleries, warehouses, multi-storey car parks and city streets.

His interactive performances are designed to involve different audiences: whole families, as in the case of the successful Curious Creatures presented at the Natural History Museum in London, which saw, in 5 days, over 6,000 participants, or involving the individual spectator, as in the case of Lookout, a one-to-one and site-specific performance made in collaboration with a local primary school.

Co-director of the arts organisation Forest Fringe, he is also a guest lecturer at Royal Holloway University and the author of publications for The Guardian, The Stage and Contemporary Theatre Review.

Young and eclectic Andy Field devotes a significant part of his work to the active involvement of young and very young people.

 

Meeting organised with the support of the British Council.
In English with translation

 

GO TO PERFORMANCE Lookout

A LEZIONE DI VIDEOGAME DESIGN
CON SUPER MARIO

Sorry, this entry is only available in Italian.

I più piccoli potranno imparare a creare il proprio livello di gioco personalizzato come dei veri e propri videogame designer, grazie al nuovo Super Mario Maker 2.
Non si studierà su libri e quaderni, ma sulla console Nintendo Switch in compagnia dell’idraulico baffuto in persona! A introdurre la speciale lezione, il Prof. Massimiliano Andreoletti della Facoltà di Psicologia dell’Università Cattolica del Sacro Cuore.

Quando nel 1985 Shigeru Miyamoto, il papà di Super Mario, creò il primissimo Super Mario Bros., non esistevano strumenti per realizzare in digitale i livelli prima che venissero codificati e inseriti nel videogioco dai programmatori. L’intera avventura venne quindi disegnata su dei fogli di carta millimetrata e tutte le modifiche successive vennero fatte su della carta trasparente, che veniva poggiata sopra alle tavole originali: erano gli albori di quello che viene comunemente definito level design, ovvero la disciplina che riguarda la progettazione delle strutture dei livelli nei videogiochi. Una disciplina a tutti gli effetti formativa, in grado di sviluppare la creatività e le proprie abilità di problem solving, soprattutto se esplorata fin da piccoli. Nintendo, da sempre molto attenta ai risvolti educativi dei propri prodotti, ha deciso di dare la possibilità ai più piccini di partecipare a un’esclusiva lezione per apprendere tutti i trucchi del mestiere di videogame designer, in cui non verranno utilizzati libri e quaderni, ma uno strumento didattico davvero particolare. Si tratta del nuovissimo Super Mario Maker 2, l’ultimo videogioco dell’idraulico baffuto che permette di costruire da zero i propri livelli di Super Mario, condividerli con tutti e giocare con quelli creati dai giocatori di tutto il mondo.

A partire dalle h 17:30 e fino alle h 19:30, i bambini potranno andare a lezione di videogame design muniti di console Nintendo Switch per imparare tutti i principi base per la costruzione di un buon livello di gioco. Ad attenderli ci sarà non solo uno speciale gadget a tema, ma anche Super Mario in carne e ossa!

Per partecipare all’evento è necessario prenotare il proprio posto scrivendo a info@gdgpr.it o chiamando il numero 0283523510.

La lezione sarà introdotta dal Professore Massimiliano Andreoletti, Docente della Facoltà di Psicologia dell’Università Cattolica del Sacro Cuore e Game Scientist al Future Education Modena (FEM), che presenterà a tutti, adulti e bambini, le potenzialità educative del videogioco, un mezzo in grado di stimolare le creatività e l’attitudine al pensiero logico soprattutto sui più piccoli, proprio come in Super Mario Maker 2: ”la sperimentazione di soluzioni diverse e potenzialmente infinite, pone il giocatore di fronte alla sfida di creare un’occasione di gioco che deve essere al contempo interessante e complessa, divertente e alla portata di chi gioca – conferma il Prof. Andreoletti.

 

Per ulteriori dettagli:

Sito Nintendo http://www.nintendo.it

 

Nintendo

Nintendo Co.,Ltd di Kyoto, è un leader mondiale indiscusso nella creazione e nello sviluppo di intrattenimento interattivo. Ad oggi, Nintendo produce e commercializza hardware e software per i suoi sistemi Wii U™ e Wii™, nonché per le famiglie di console portatili Nintendo 3DS™ e Nintendo DS™. Dal 1983, Nintendo ha venduto più di 4,4 miliardi di videogiochi e più di 696 milioni di unità hardware in tutto il mondo, tra cui Wii U, Wii, la famiglia di console portatili Nintendo 3DS (che include New Nintendo 3DS™, New Nintendo 3DS XL™ e Nintendo 2DS™), Nintendo DS™, Nintendo DSi™, Nintendo DSi XL™, Game Boy™, Game Boy Advance™, Super NES™, Nintendo 64™ e Nintendo GameCube™. Nintendo ha inoltre creato icone indiscusse come Mario™, Donkey Kong™ e Metroid™ e lanciato serie del calibro di Zelda™ e Pokémon™. La filiale italiana, con sede a Vimercate (Milano), è attiva dall’inizio del 2002. La filiale europea, Nintendo of Europe, con sede in Germania, è attiva dal 1990 e funge da quartier generale per le operazioni Nintendo in Europa.

MAGIE IN AKTION!

Sorry, this entry is only available in Italian.

Per la 6^ edizione, i campus estivi di ZONA K in lingua tedesca saranno dedicati alla magia e al video.

Giochi di parole, giochi di magia, travestimenti, clownerie, danza e improvvisazioni teatrali: questi gli ingredienti del campus “Magia in azione!”, tutto in lingua tedesca!

I bambini lavoreranno sullo spazio, il corpo e la parola, le storie e i personaggi, sceglieranno i movimenti, i costumi, le maschere, andranno in giro per il quartiere a cercare le location e poi… ciak, si gira!

Maghi, acrobati, clown, danzatori si aggireranno per il quartiere per realizzare brevi sketch… e come per magia trasformeranno alcuni luoghi in set cinematografici.

Corpo e parola saranno al centro del lavoro delle due settimane e il gioco ovviamente sarà veicolo di comunicazione e di apprendimento della lingua. Ogni attività, salvo eventuali visite di esperti e ospiti esterni, sarà svolta in tedesco, con momenti dedicati al lavoro in piccoli gruppi per stimolare l’uso attivo della lingua anche tra i bambini.

Il programma svolto in ciascuna settimana sarà leggermente diverso per permettere, a chi dovesse frequentarle entrambe, di approfondire alcuni aspetti ludici e impararne altri nuovi.

Si alternerneranno momenti di attività e momenti di riposo e libertà.

Il risultato finale del lavoro sarà un video realizzato insieme ai bambini, che verrà proiettato nel mese di settembre presso ZONA K.

Le iscrizioni verranno registrate in base all’ordine di arrivo delle ricevute di pagamento.
Il numero dei posti è limitato, le iscrizioni sono aperte fino al raggiungimento del numero max di iscritti.

 

Scrivici subito per ricevere tutte le informazioni dettagliate!

(Af)founded on the economy?

Ten years of crisis, 40 years of neoliberal policies: our societies are divided, fractured, without a clear vision of the future.
Is it then possible to build an economic thought that will make us re-emerge from the apnea of social injustice and environmental degradation?

 

Speakers:
Clara Capelli – Development economist and expert on the Middle East and North Africa. She has work and research experience in Tunisia, Lebanon and Palestine. She currently works in Jerusalem.

Valeria Verdolini – Researcher at the University of Milan, sociologist of law and activist, she is president of Antigone Lombardia. Inside and outside the University, she has dealt with processes of: democratization, social movements, Arab Springs, prison, security policies, migration, criminal justice, feminism. Among the founders of cheFare, project manager and creator of Rosetta, she collaborates with us in the conception and cultural planning of many initiatives.

Moderator: Christian Elia – co-director of Q Code Mag

MIMU’ – Musica per bambini

Sorry, this entry is only available in Italian.

 

Biglietto:  l’acquisto deve essere effettuato per ogni adulto e per ogni bambin* che accede al concerto
– € 8,00 il singolo concerto
Pre acquisto obbligatorio

I giorni di concerto la biglietteria è chiusa, non emetterà biglietti e non sarà possibile tesserarsi.

PER TUTTI GLI ADULTI: E’ OBBLIGATORIO TESSERARSI A ZONA K (gratuitamente) PRIMA DEL CONCERTO
CLICCA QUI!!!!! 

BIGLIETTERIA ONLINE 

info su biglietti@zonak.it —– 393.8767162

Il concerto dura 45 min.
E’ consentito l’ingresso in sala solo entro i primi 10 minuti di concerto.

DESIGNER ANCH’IO!

Sorry, this entry is only available in Italian.

Arriva il fuorisalone in città! Ecco per te un laboratorio di arte, architettura e teatro.
Diventa designer per un giorno:  trasforma lo spazio e gli oggetti come piace a te!

 

ore 14.00 – 15.00 dai 4 ai 6 anni

Chi sono questi personaggi di plastica? Come parlano? Come si vestono? Che abitudini hanno?
Porta con te una bottiglia di plastica: crea il tuo personaggio e dagli una voce!

ore 16.00 – 17.30 dai 7 gli 11 anni
In collaborazione con The Playroom
Progetta il tuo spazio e costruiscilo: con un po’ materiale di riciclo e molta fantasia costruirai un luogo da abitare e da visitare!

Ingresso laboratori: 10 euro (materna) – 12 euro (elementari)
Prenotazioni: biglietti@zonak.it fino al raggiungimento del numero massimo di partecipanti

REPORTER ANCH’IO!

Sorry, this entry is only available in Italian.

Il laboratorio è annullato : ( e non è uno scherzo di carnevale.

Diventa video-giornalista per un giorno:  andiamo insieme a caccia di storie e di… oggetti di valore!

 

ore 10.30 – 12.00 dai 4 ai 6 anni
Porta con te il tuo giocattolo preferito: racconteremo una storia in stop motion… e i protagonisti sarete voi!

 

ore 14.30 – 17.00 dai 7 agli 11 anni
Porta un oggetto a cui sei affezionato: racconteremo la sua storia con il teatro e il video… e poi via!
In giro per il quartiere a scovare tante altre storie!

Ingresso laboratori: 10 euro (materna) – 12 euro (elementari)
Prenotazioni: biglietti@zonak.it fino al raggiungimento del numero massimo di partecipanti

Money makes you happy

Overturning the old adage, which denies this power of money, means going to see how a new, ethical finance has grown and spread, and what tools are suitable and necessary to educate and educate us in the economic and financial field.

Among the tools that have been experimented on a global scale with particular success, from the farmers of poor lands to the supporters of some Western political forces, there is microcredit.

An evening of dialogue on these themes.

Speakers: Ugo Biggeri, president of Banca Etica and Matteo Zagaria, director of CreSud, an Italian company that has been financing microcredit in the southern hemisphere for 20 years.

The evening will be moderated by Angelo Miotto.
Edited by Q Code Mag.

 

pic. by Freepick

FOCUS MONEY

The cost of money, rating, interest taxes, inflation, deflation, investments, stock market trading, bitcoin …

Financial inclusion passes also from literacy. In Nepal – where approximately 18% of the population is completely excluded from the banking system – Prakash Koirala provides financial education services to inform, involve, motivate and promote responsibility among consumers towards financial independence and discipline.

Would it be necessary to do this elsewhere too?

Today the most recent statistics state that 62% of the wealthiest individuals in the world possess the same wealth as the poorest half of the planet and the global economy gurus imagine a “globalization” 4.0 in favor of a more human-centric growth, more sustainable, more inclusive.

With what means and instruments?

A focus MONEY and four shows that discuss money are our answer. Four different ways to tackle a complex theme from different perspectives.

 

22 – 23 February 2019
KALEIDER (UK)
The Money
[performance]

5 March 2019
Money makes happiness
curated by Q Code Mag
[meeting]

15 – 16 March 2019
MAURO PESCIO (IT)
Mio cugino (limited edition)
[show]

22 – 23 March 2019
ONTROEREND GOED (BE)
£¥€$ (Lies)
[performance]

31 March 2019
CHRISTOPHE MEIERHANS (CH/BE)
Trials of Money (preliminary hearing)
[performance]

 

 

 

Kaleider (UK)

The Money is a cross between a game and a play.
You can choose to be a Silent Witness and watch or a Player and take part in deciding how to spend a real amount of money.

As a Player you can express yourself as you wish. But you must reach an agreement with your teammates before time runs out and by following the rules you will be given. If these conditions are not met, the money goes to the next group of players.
Silent Witnesses can join the Player group at any time and this can change everything.

The playful premise of this celebrated work sets the stage for one of the most memorable conversations you’ll ever witness, as altruism actually soon turns to self-interest, everyone’s personalities clash, and hierarchies are turned upside down.

The results can lead to tensions as in a thriller, or they can be ridiculed as in a farce, but in the end what is asked is: are there really any values we can agree on? Is the most valuable thing of all the common understanding? Finally, what is the most interesting thing we can do together that we can’t escape?

 

Game|Show – in Italian

 

Production: Kaleider Concept and Direction: Seth Honnor Artistic Collaboration: Alice Tatton-Brown Production Manager: Jay Kerry Performers: Gemma Paintin, Hanora Kamen, Gilda Deianira Ciao Photos: Prudence Upton

Mauro Pescio (IT)

In a focus where the shows tell about financial/mathematical mechanisms, related to money, we thought of a show that touches more the human aspect and tells about lived lives. And it is in this perspective that we host My cousin (Limited edition) by Mauro Pescio who, in his own way, has conducted a sort of sociological survey that tells about our daily lives.

In this show Mauro Pescio will introduce us to real life stories of people he met. He chose narratives that were capable of challenging our expectations of the world. A boy who experienced video poker addiction, a former porn star, a high school girl who survived the 2018 Valentine’s Day massacre on a Florida campus, a son of a policeman killed by the Br, a couple in crisis for futile reasons. In other words, he sought out true stories that seemed fictional.

He put no limits on the topics: the stories can be about big events or small things, tragic or comic situations, in short, any life experience that can give us an original and meaningful point of view of reality. Letting himself be guided by the conviction that the more we try to understand the world, the more elusive and deceptive the world becomes, and that only in the experiences of human beings we can go looking for some kind of answer capable of containing a kernel of truth.

 

 

Show  – in Italian

By Mauro Pescio With Mauro Pescio, Giulia Valli and Stefano Malatesta and with the friendly participation of some friends, colleagues and various humanity in the process of definition

 

Mauro Pescio, radio and theater author, lives in Rome. After graduating from the Civica Scuola di Teatro Paolo Grassi in Milan, he moved to Rome where he founded a theater company with which he worked for ten years. Since 2012 he is the author of “Voi siete qui” for Radio24 and since 2015 of “Pascal” for Radio2. Since 2017 he has been collaborating with Radio3 for the audio-documentary show “Tre soldi”. For Audible he wrote “La piena”, Amazon’s first Italian production of a theatrical podcast.

 

Ontroerend Goed (BE)

“The best way to rob a bank is to own one.” (William K. Black, American lawyer and lecturer specializing in financial crimes)

A casino, an illegal poker backroom to experience the thrill of being part of the elite 1% of the population that makes the world economy go round. There is no more time for ethics, you are in it to win it. In this den of intrigue and trading, it’s the adrenaline and investment decisions – not the roll of the dice – that count. What does your credit rating look like?
Who gets bailed out, who gets junk status, who implodes? Are you really in control or are you taking a gamble? Award-winning Belgian collective Ontroerend Goed provides insight into the complexities of the monetary system and its impact on our lives, immersing audiences in the financial world and allowing them to become players in the “game” of high-absorption capitalism.

 

 

Play|Show for 42 viewers – in English

“Play produced as part of the Teen Time project.”

 

Direction: Alexander Devriendt Script: Joeri Smet, Angelo Tijssens, Karolien De Bleser, Alexander Devriendt & cast Lyrics: Joeri Smet Cast: Max Wind, Britt Bakker Costumes: Astrid Peeters Music: Johannes Genard Set design: vormen & Nick Mattan Dramaturgy: Koba Ryckewaert, Julie Behaegel (intern/stagiaire) Production: David Bauwens Production assistant: Charlotte Nyota Bischop Co-production: Vooruit Kunstencentrum, Ghent (BE), Theatre Royal, Plymouth (UK), Richard Jordan Productions (UK) Thanks to: Toneelacademie Maastricht (NL), Khalid Koujili, Maria Dafneros, Miriam Matthys, Tamara Searle, Jeffrey Caen, Ruud Vanderheyden, Bram Billiet, Thomas Dhanens, Bo Marlijnen, Louiza Vande Woestyne With the support of the Flemish Community, the Province of East-Flanders and the City of Ghent

 

The Belgian collective Ontroerend Goed, under the artistic direction of Alexander Devriendt, creates projects and scenic devices based on the here and now, inviting the audience to participate and have an intense experience. The group has won numerous awards in Europe and their works are represented in major festivals around the world. Ontroerend Goed creates and realizes scenic devices that lead the viewer to question how we, as individuals, position ourselves in today’s world. Either way, whether it’s tracing the history of the universe in one evening, turning viewers into voters, guiding strangers through a labyrinth of mirrors and avatars to meet each other, the collective has made it their trademark to be unpredictable in content and form every time. Ontroerend Goed are: Alexander Devriendt, Joeri Smet, Charlotte De Bruyne, Karolien De Bleser, Angelo Tijssens, David Bauwens, Wim Smet, Babette Poncelet and Karen Van Ginderachter.

Christophe Meierhans (CH/BE)

Can the money we use on a daily basis be held responsible for the bleak state of the world today? What would it mean to hold it accountable for its actions? Trials of Money challenges the idea that money is just a tool or a means, and treats it as a complex being, a “semi-human” entity that has acquired an autonomous operation and escapes the control of the men who use it.

This new version of the performance is based on the collected testimonies of nine witnesses: an ex-banker, a Suisse National Bank employee, a homeless man, a wealthy philanthropist, a Native American, an economics professor, a kibbutz resident, and a criminologist. It invites the public to take part in the actions of a fictitious court, conducted as a collective exercise where all present freely assume the position of prosecution or defense, based on their beliefs and influenced by the proceedings.

Can money actually be tried before a human tribunal? And if the defendant is ultimately found guilty, what should be the appropriate sentence?

WORLD PREMIERE
Conference Show – in Italian

A project ZONA K and Stanze
“Show realized within the project Teen Time.”

 

Concept and direction: Christophe Meierhans Performer: Christophe Meierhans, Luca Mattei Dramaturgy: Bart Capelle With the participation of: Shila Anaraki, Jochen Dehn, Adva Zakai Set design: Decoratelier Jozef Wouters Decor: Giammarco Falcone Light saber microphones: Alexis Pawlak, Gaia Carabillo Costumes: Sofie Durnez, Valerie Le Roy Lighting design: Luc Schaltin Monetary consultant: Olivier Auber Production: HIROS, Elisa Demarré Co-production: AUAwirleben (Bern), BIT Teatergarasjen (Bergen), BUDA (Kortrijk), FAR° (Nyon), Kaaitheater (Brussels), Nouveau Théâtre de Montreuil (Paris), Teatro Maria Matos (Lisbon), Vooruit (Gent), ZONA K (Milan) With the support of: Vlaamse Gemeenschap, ProHelvetia

 

Christophe Meierhans (Geneva; Brussels) works with and through performance, public space, installation, sound, music and video. His work consists mainly in developing strategies of intervention in everyday life, through the manipulation of accepted conventions, social habits or simple customs. Fragments of reality become the frame for artistic operations that can redirect banality in order to make it reappear under unexpected angles. His work raises questions about norms and conventions, confusing a random context with different ones, and confronting the viewer with something else, with the strangeness of being in the “wrong” place, or the possibility that the place may become something else.

Special IETM Milan
Festival del Silenzio

On the occasion of the IETM Satellite Meeting in Milan – organized by Fattoria Vittadini and in parallel with the Festival del Silenzio, ZONA K gladly accepts the invitation to introduce itself to the IETM’s international audience by presenting and transcribing in English Generazione gLocale, its first production, realized for Migrarti 2017, in collaboration with Andrea Ciommiento and Roger Bernat.

At the same time, he welcomes to the venue the English version of My Place by QUI E ORA, ZONA K’s partner in the early days and a regular attendee of IETM’s appointments.

2 May 2019
ZONA K
gLocal Generation
– Site specific –

2 May 2019
QUI E ORA
My Place
– c/o ZONA K –

ZONA K

A public space, a group of people, a voice in the headphones that asks questions, gives instructions and suggestions. The audience moving within the space. Who are the global and local tribes of today’s cities? Where are they now while you’re here? How many kilometres away should they be from your private space?

gLocal Generation is an artistic production by ZONA K, aiming to give voice to the new generations of multi-ethnic societies. The path stems from organising theatrical workshops and ends with the creation of an urban interactive performance in headphones, directed by Andrea Ciommiento, under the supervision of the Catalan artist Roger Bernat.

Discover the whole project >> Generazione gLocale

 

Performance with headphones use –  in English and International Sign.

 

Project ZONA K  Direction Andrea Ciommiento  Supervision Roger Bernat  Collective Creation Anes Fettar, Deborah Yebout, George Vasquez Colonia, Imane Mouslim, Issaka Abdou, Jaouher Brahim, Kausar El Allam, Leandro Perez, Mariam Lahmpur, Milagros De Los Santos, Momo Moukett, Sabina Ali, Silvio Bruscaglia, Sumaya Jabril With Anes Fettar, Kausar El Allam, Imane Mouslim, Momo Moukett, Jaouher Brahim, Mattia Ghezzi, Matteo Coppola, Shady Mostafa Coordination Coop. Diapason e A.P.S. Asnada Collaboration C.L.A.P.Spettacolo dal vivo   Logistic support Coop. Olinda Support MigrArti 2017 – MiBact, Assessorato alla Cultura – Comune di Milano

 

Qui e Ora (IT)

There are three half-naked bodies exposed on stage on purpose: alive and uncensored body masses, true and far different from those usually exposed. Three women. Not young anymore, not yet old, definitely not perfect. Yet they are beautiful, for they are authentic. In a surreal show, they offer themselves to the public as they are, bodies without home or space, evicted from their own self. Off to follow, devour and multiply their own shadows. An ironic and tragicomic look at femininity.

In My Place, the quest for a movement that emerges from the nonconventional bodies of actresses-authoresses of Qui e Ora and the experimentation of self-produced dramaturgy meet Silvia Gribaudi’s ironic approach to and research on the contemporary.

 

in English

 

Progetto/Project Qui e Ora Residenza Teatrale Ricerca materiali/Material research Francesca Albanese, Silvia Baldini, Silvia Gribaudi, Laura Valli Regia/Direction Silvia Gribaudi  Assistente alla regia/Direction Assistent Roberto Riseri  Con/With Francesca Albanese, Silvia Baldini, Laura Valli  Immagini visive/Visual images Silvia Gribaudi  Disegno luci/Light design Silvia Gribaudi, Domenico Cicchetti  Technical care Paolo Tizianel Photo Michela Di Savino Residenze/Residence La Piccionaia (Vicenza) | L’arboreto – Teatro Dimora (Mondaino RN) | Olinda –Teatro La Cucina (Milano)  Finalista/Finalist In-Box 2017 

 

Qui e Ora Residenza Teatrale was founded in 2007. It is a production company and a theatrical residence, it works on autographed dramaturgies, with a strong attention to the contemporary. It works in close contact with the territory and promotes cultural projects related to theatre in unusual places. For years it has been experimenting with the home through theatrical investigations that have led to encounters with houses and people and through the programming of a theatre review in private homes. Qui e Ora works on the theme of the feminine through workshops, investigations and the production of shows (2012 MADRI concerto di sbagli e di intimità, 2013 A corto di bugie, 2014 Saga Salsa). The meeting of Qui e Ora Residenza Teatrale with the choreographer and performer.
Silvia Gribaudi is based on a common thematic interest and on similar experiences developed in the field of training, around different aspects of the feminine.

FOCUS SOCIETY

Already in the 1930s, Keyens sustained that the true challenge that needs to be overcome is the reconnection of economy and society in an intelligent and non regressive manner.

After a century and another devastating economic crisis, it is understandable to wonder if a mediation between the modernizing push of progress and the needs of society is still possible.

The populist movements of today – whether guided from above or born spontaneously from the bottom – embody a diffused indisposition that contests blocked social hierarchies, as well as stationary social elevators, concentration of richness that is increasingly evident and that no longer allows for the possibility of the acquisition of well being and security in the same way it was assured in the past.

Nonetheless in a panorama so desolating and confused, the voices of those reclaiming the humanistic side of the economy, a social science that needs to occupy itself with the wellbeing of man in the “interest of stability and social justice”, are not missing.

The focus crosses various visions – ironic, disillusioned, worried – of today’s society, that is founded on economy and in which you’ll drown.

 

5 May 2019
KTO THEATRE (PL)
Peregrinus
[itinerant performance]

21 – 22 May 2019
BABILONIA TEATRI (IT)
Calcinculo
[show]

24 – 25 May2019
ANNIE DORSEN (USA)
Spokaoke
[performance]

28 – 29 May 2019
LA BALLATA DEI LENNA (IT)
Human animal. Liberamente tratto da “il re e pallido” di D.F. Wallace
[show]

 

 

 

KTO Theatre (PL)

A wandering theatre show without words

A theatre production inspired by poetic works of T.S. Eliot.

The show depicts a single day in the life of an individual of the 21st century. The contemporary “Everyman”, whose life is “suspended” between Home and Work for a corporation, identifies his or her “pathway through life” as a “pathway to work”.
The peregrination in search of the meaning of life comes into view through everyday toil, deprived of spirituality, love and beauty.
The world of the “Pererginus” is a “digital” civilization – sad, terrifying and grotesque, where consumerism turns into a dominant religion. A shop window is the home of the Peregrinus of the 21st century.
A mobile character of the show exposes the adventures of the protagonist in various contexts of urban space. Homo Peregrinus is a formatted human being stripped of emotionality, predictable and bereft of individual characteristics.

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper
T.S. Eliot

The show has been presented in many cities in Poland as well as in Canada, China, Croatia, England, France, Georgia, Germany, Iran, Italy, Korea, Lithuania, Romania (Tony Bulandra Award for the best street performance in Targoviste), Russia, Spain and USA.

 

 

Itinerant Performance  – no words
A ZONA K project in collaboration with Fattoria Vittadini and FESTIVAL DEL SILENZIO

 

Script, music selection and stage direction: Jerzy Zon Mask concept: Spitfire Company Masks design: Joanna Jaśko-Sroka Stage movement and choreography:  Eryk Makohon Performers: Karolina Bondaronek, Paulina Lasyk, Grażyna Srebrny-Rosa, Justyna Wójcik, Marta Zoń, Sławek Bendykowski, Bartek Cieniawa, Paweł Monsiel/Krzysztof Tyszko, Michał Orzyłowski

 

The KTO is a theatre that creates shows for the street. Its performances have been attended by over 1.5 million people. Since 1 January 2005 the KTO has the status of a municipal theatre of Krakow. The director of the KTO Theatre is Jerzy Zon. The KTO Theatre has staged numerous open-air performances of the most important historical events in Polish and European history: “De la Revolution” on the occasion of the 200th anniversary of the French Revolution, “The Refugees”, an installation about the fall of the Berlin Wall, “The Polish Chronicle” on the occasion of Poland’s entry into Europe, to name a few. In addition, KTO Theatre has organised 31 editions of the International Street Theatre Festival in Krakow as well as other cultural projects.

Babilonia Teatri (IT)

A point of excellence in the Italian scene of theatrical research, Babilonia Teatri arrive in Milan with a new creation, a sort of concert through which they manage to pass dense content and full of rebellion. The repeated word that tells the disenchantment for an (im)perfect world, unmistakable feature of the company, is shaped mainly in songs, specially written on the notes of Lorenzo Scuda (Oblivion), building a show where music and theater contaminate and dialogue in an uninterrupted and whirling.

Calcinculo is a show where words take the shape of music. Where music takes the shape of words. We live in an obsessive time that words and images are no longer able to tell by themselves, music comes to the rescue like a medicine or an explosive fuse.

Calcinculo is a show that wants to photograph our today. His perversions and his escapes from himself. His inability to imagine a future, to dream it, to strive towards an ideal, to believe. With this show the Babilonia tell the world around us with their sharp, painful and ironic look.

 

Show –  in Italian

 

By and with: Enrico Castellani and Valeria Raimondi Music: Lorenzo Scuda Stage direction: Luca Scotton Sound engineer: Luca Scapellato Production: Babilonia Teatri, La Piccionaia centro di produzione teatrale Co-production: Operaestate Festival Veneto Scenes Babilonia Teatri Production 2018. Thanks to Ana Valli Grandi Choir and Cuore Husky rescue

 

Babilonia Teatri is one of the most innovative companies in the contemporary theater scene, distinguishing itself for a language that is variously defined as pop, rock, punk. It has imposed itself on the Italian scene for its irreverent and divergent look at today’s world. Babilonia Teatri has won numerous awards over the years In addition to the main Italian cities, the company’s shows have been hosted numerous times abroad, from France to Germany, from Austria to Hungary, from Bosnia-Herzegovina to Croatia, from Colombia to Russia. Enrico Castellani and Valeria Raimondi, founders of the company in 2006, are the Artistic Directors of Babilonia Teatri. Playwrights, authors, directors and actors, Castellani and Raimondi are based in Verona. Lorenzo Scuda from 1999 to 2003 studies Musical at the BSMT of Bologna and from there he participates first as musician/orchestral and then as actor and singer in several productions, the most important is Jesus Christ Superstar with the Compagnia della Rancia in the role of Pilate. In 2002 he founded Oblivion. He is author and co-author of the lyrics, arranger and composer of all their productions. They debuted in November 2018 with their first original musical: La Bibbia riveduta e scorretta, directed by Giorgio Gallione. Since 2009 he has been working mainly for Oblivion, also dedicating himself to the activity of teacher for musical courses and seminars for theatrical improvisers throughout Italy.

Annie Dorsen (USA)

A microphone, a screen, the text running in overlay, two minutes to perform in front of the audience. Singers? No, in their place are other great artists who have gone down in history for their passion, their eloquence, their words.

Spokaoke is a participatory event that invites the audience to declaim speeches just as they would sing songs in a karaoke bar. Fifty speech-videos loaded into a karaoke device and available in a catalog that viewers can browse through: political speeches, public speeches, theatrical monologues, eulogies, trial testimony, etc. Some are familiar to the point of being considered icons (“I have a dream,” “Mr. Gorbachev, tear down this wall”); others are less well known; some are part of our history, others part of the collective imagination.

Reciting these old speeches means recognizing them for what they are: fragments of history and folk art. Here is an opportunity to pay homage to some of the greatest hit makers of all time and thus resurrect triumphs and traumas from our distant and near past.

If karaoke offers us the opportunity to recognize a shared ownership of pop music heritage, Spokaoke allows us to play with a legacy of spoken artifacts by constructing a Top10 of collective discourse.

 

 

Participatory performance – in Italian
A project by ZONA K with Stanze

 

Conception: Annie Dorsen Sound design: Vladimir Kudryatsev and Uli Ertl Assistance: Lola Harney Management: Natasha Katerinopoulos Co-production steirischer herbst (Graz) Black Box Teater (Oslo)

 

Annie Dorsen is a New York-based filmmaker and writer whose works explore the intersection of algorithms and live performance. Her most recent project, The Slow Room, premiered at Performance Space in New York City in Fall 2018. Previous projects, including The great outdoors (2017), Yesterday Tomorrow (2015), A piece of work (2013), and Hello hi there (2010), have been widely performed in the United States and other countries. She contributes to and writes for The Drama Review, Theatre Magazine, Etcetera, Frakcija, and Performing Arts Journal (PAJ).

La ballata dei Lenna (IT)

The show comes to life from the reading of The Pale King, the last novel published posthumously by the American David Foster Wallace, dedicated to the heroic everyday life of a group of officials of the Internal Revenue Service of a provincial town in the USA, with the intention of investigating boredom, and the ability / inability of the human being to survive the bureaucracy. Of The Pale King, a novel left unfinished, following DFW’s suicide, only shreds of unfinished stories remain in which we can glimpse the fragmented existences of the protagonists, and breathe DFW’s torment in trying at all costs to find a meaning to human existence.

Starting from here, La Ballata dei Lenna through a path of identification with the author, has conducted over several months, a search within several offices of the Internal Revenue Service in our country, with the intent to investigate a world that in the common imagination of heroic has very little. The material has produced an original dramaturgy that plays with the fragmentary nature of the novel to give life to a docuteatro that gives, together with the viewers’ eyes, a new sense to the work.

 

 

Performance – in Italian

 

By Paola Di Mitri Directed by Nicola Di Chio, Paola Di Mitri, Miriam Fieno With Nicola Di Chio, Paola Di Mitri, Miriam Fieno Narrator Alex Cendron Lights and visual concept Gennaro Maria Cedrangolo and Eleonora Diana Video and filming Vieri Brini and Irene Dionisio Costumes Valentina Menegatti Production La Ballata dei Lenna Executive production ACTI Teatri Indipendenti Production support Hangar Creatività, ZONA K Milano, Factory Compagnia Transadriatica, Principio Attivo Teatro In collaboration with Scuola Holden

 

La Ballata dei Lenna is a theatrical research collective founded by Nicola Di Chio, Paola Di Mitri and Miriam Fieno that was founded in 2012 at the Civica Accademia d’Arte Drammatica “Nico Pepe” in Udine, where the three actors trained and graduated. The company’s work focuses on the study of the relationships between the community and its daily life, in an attempt to highlight the points of friction of the contemporary imagination. The idea of theater as a collective representation leads the company to research and use a variety of languages, ranging from the centrality of the actor to its decomposition, from the word to the movement, from sound to image. The three artists ground their work in a perspective that encompasses the art of authorship, the craft of performance, and the role of stage manager.

Deflorian/Tagliarini (IT)

Scavi is a collateral project to Quasi niente, a performance freely inspired by the film Deserto rosso by Michelangelo Antonioni, a work around the figure of the film’s protagonist, Giuliana, a “wild woman dressed elegantly” who takes on the marginality that has always attracted the two artists.

Scavi is a collateral project to Quasi niente, a performance freely inspired by the film Deserto rosso by Michelangelo Antonioni, a work around the figure of the film’s protagonist, Giuliana, a “wild woman dressed elegantly” who takes on the marginality that has always attracted the two artists.

Scavi is a performance that wants to be the public restitution of the “discoveries” in the investigation phase of the work on the new creation.

Digging patiently, as archaeologists do, to find a note in the margin, an unexpressed thought, a barely sketched idea, the photograph of an unedited scene. It is the encounter with the creative process, a vast, dense, raw material, of which the work is only the tip of the iceberg. This is how Daria Deflorian and Antonio Tagliarini, together with Francesco Alberici, approached Michelangelo Antonioni’s first color film, Il deserto rosso. At ZONA K they will return the discoveries of their excavations.

 

A project ZONA K and Triennale Teatro dell’Arte
Included in the program of FOG Triennale Milano Performing Arts.

Show –  in Italian

 

A project by Daria Deflorian and Antonio Tagliarini Written and performed by Francesco Alberici, Daria Deflorian and Antonio Tagliarini Literary advice Morena Campani Accompaniment and international distribution Francesca Corona Organization Anna Damiani Photos Elizabeth Carecchio Coproduction A.D. and Festival di Santarcangelo In collaboration with Istituto Italiano di Cultura di Parigi Production residence Carrozzerie | n.o.t Roma

 

Daria Deflorian and Antonio Tagliarini are authors, directors and performers. Their first work dates back to 2008, Rewind, homage to Cafè Müller by Pina Bausch. In 2009 they staged From A to D and Back Again. Between 2010 and 2011 they worked on the “Reality Project” which, starting from the diaries of a Cracow housewife, gave life to two works: the installation/performance czeczy/cose (2011) and the show Reality (2012), a work for which Daria Deflorian won the 2012 Ubu Award as best leading actress. Ce ne andiamo per non darvi altre preoccupazioni debuted in 2013 (2014 Ubu Award as best Italian new play while in 2016 it received the Critics’ Award as best foreign play in Quebec, Canada). They created two site specific: Il posto (2014) created and presented in Milan at Casa Museo Boschi/Di Stefano for the project “Stanze” and Quando non so cosa fare cosa faccio (2015). The sky is not a backdrop premiered in 2016 in Lausanne. The show Almost Nothing premiered in October 2018.

Francesco Alberici (1988), completed his classical studies and graduated in Economics and Business at Bocconi University in Milan. He graduates as an actor at the school Quelli di Grock and works in several shows of the same company. With the collective FRIGOPRODUZIONI, of which he is founder together with Claudia Marsicano and Daniele Turconi, he realizes Socialmente and Tropicana, works thanks to which the group obtains several awards. In 2015 he participates in the theatrical specialization course “Il corpo nelle parole” of the Centro Teatrale Santa Cristina. In 2016 he begins a collaboration with Daria Deflorian and Antonio Tagliarini, which leads him to take part in the projects Il cielo non è un fondale, Quasi niente and Scavi.

Elisabetta Consonni (IT)

Winner Project OPEN call /// CONTEMPORARY [URBAN] CREATION 2019 – new production

“The first man who, having fenced a piece of land, thought to say ‘this is mine’ and found people stupid enough to believe him, was the true founder of civil society. How many crimes, how many wars, how many murders, how many miseries and errors he would have spared mankind” (J.J. Russeau, Origin of Inequality, 1754).

Ti voglio un bene pubblico is an urban game that reflects on dividing infrastructures such as gates, walls, fences. So much of what surrounds us is made of walls and fences; understanding their meaning, from time to time, is a necessary civic practice. It is significant to note that the article of the civil code that regulates the construction of fences to secure private property is called ‘ius escludendi alios’: to determine one’s own by excluding the other.
When does a wall stop protecting and start dividing, segregating and excluding? And when a public space is fenced off and access to it is restricted, how much of that public space remains? When a wall is put up, how much of what is behind it can we not know?

 

Itinerant urban game – in Italian

 

A project by Elisabetta Consonni In collaboration with Cristina Pancini, Sara Catellani and Barbara Stimoli With the support of IntercettAzioni – Centro di Residenza Artistica della Lombardia (a project of Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire) With the consultancy of Adriano Cancelleri A production: Pergine Festival Co-production ZONA K, In\Visible Cities/Contaminazioni digitali, Terni Festival

 

Elisabetta Consonni has been active in the reflection and practice of how art can be a detonator of social change since 2014 with Ergonomica, a research container for the relationship of the body with urban space. As part of this research, she accompanies the theoretical study to the realization of actions such as: “We want to become architecture” and “Go with the flow” (Poland, 2014), the choreographed construction of “Pompenpurg Park” (Rotterdam, Architecture Biennale 2014), “Zeno’s second Paradox” (Milan, 2016), “Enough Space for the Tenderest of Attentions” (project for the Dance Biennale 2016). He curated the symposium Spazio Ergonomico at the Biennale Danza 2016.

Michele Losi/ Pleiadi Art Productions (IT)

R 500 – Safari in the urban labyrinth #studio I. Neverland is an itinerant and participatory performance that leads the public to explore nature, sometimes hidden from our eyes, and its complex relationship with urban architecture and inhabitants, in a narrow 500-metre radius between ZONA K and the Biblioteca degli Alberi.

The performance is the result of a collective work of artistic research and scientific analysis of this specific 500-metre radius: performers, ecologists, architects and musicians give life to an engaging and unique urban safari, composed of sound fragments, stories, visions and encounters.

 

Urban game for 66 spectators – in Italian

 

A project by Pleiadi, Campsirago Residenza, in collaboration with ZONA K (I), The Intrnational Accademy for Natural Arts (NL), BAM – Biblioteca degli Alberi Milano (I), With the support of IntercettAzioni – Centro di Residenza Artistica della Lombardia (a project of Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire) artistic and scientific team Michele Losi, Sjoerd Wagenaar, Sofia Bolognini, Liliana Benini, Luca Maria Baldini, Emilio Padoa Schioppa, Studio Pasta Madre collective.

 

Pleiadi Art Productions was founded in 2015 as part of Campsirago Residenza. It is an open and multidisciplinary production project that stems from the theatrical and performance experience of Michele Losi and the artistic experience of actress Mariasofia Alleva, together with Riccardo Calabrò, playwright, Marialuisa Bafunno, set designer, Stefania Coretti, costume designer and visual artist, Alberto Sansone, videomaker, Diego Dioguardi, sound designer, musician and DJ. It focuses on experimentation in the field of performing art, theatre in the landscape and site-specific productions. Pleiadi is a place open to artists from different disciplines and backgrounds who share the aim of creating art also for those who are not used to it: for those who, for example, have never been to the theatre or have stopped coming.

DOM- with Antonio Moresco (IT)

Art is about making everything false and seeming true.
Art is to make everything true and seem false.
“Realism is the impossible” – W. Siti

After the great success of the last season, the extraordinary operation of DOM- returns, which, starting from the graphic novel by Jiro Taniguchi, builds a dramaturgy of spaces in which to let explode the border between centre and suburbs, between urban and third landscape, between human and non-human.

A man, the writer and playwright Antonio Moresco, walks through the city. Through his journey, the landscape opens up and hides from the eyes of the public, who follow him at a distance, as if to spy on him, poised between identification and detachment.

The spaces follow one another as in an uninterrupted sequence – a square, a station, a cathedral, an uncultivated field, a swamp, a public swimming pool, a motel. The living experience of walking becomes the pretext for a hand-to-hand encounter with reality.

 

A ZONA K and Danae Festival project
Urban, itinerant performance for 15 spectators only.

 

Conceived, dramaturgy and direction by DOM- / Leonardo Delogu, Valerio Sirna Production Teatro Stabile dell’Umbria, ZONA K, Danae Festival, Terzo paesaggio With Antonio Moresco and with Paola Galassi and Isabella Macchi With the participation of the students of ITAS Giulio Natta of Milan Organisation and guidance Francesca Agabiti Freely inspired by the comic strip by Jiro Taniguchi – L’uomo che cammina Unpublished texts by Antonio Moresco Video project Studio Azzurro Edited by Alberto Danelli, Laura Marcolini, Martina Rosa Original music Fabio Zuffanti Sound processing Lorenzo Danesin Collaboration Museo Del Novecento, Milano Sport, Abbazia di Chiaravalle, Hotel Corvetto With the support of IntercettAzioni – Centro di Residenza Artistica della Lombardia (a project of Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire)

 

 

DOM- is a project born in 2013 from the collaboration between the artists Leonardo Delogu, Valerio Sirna and Hélène Gautier. It investigates the language of the performing arts, with particular attention to the relationship between body and landscape, and is committed to the transmission of peculiar practices of dwelling, linked to the space and time of artistic creation. DOM- builds performance events, seminars, walks, writings, gardens, installations, videos, photographic reportages.

Antonio Moresco, Italian writer [Mantua, born 1947]. After completing a difficult apprenticeship, which he recounts in Letters to No One (1997), critically documenting the difficulty of emerging from the condition of being a writer.
After completing a difficult apprenticeship, which he describes in Lettere a nessuno (1997), critically documenting the difficulty of emerging from the condition of being an underground writer rejected by the Italian publishing world, in 1993 he published the collection of short stories Clandestinità (Clandestinity), in which the themes that underpin his work are already present, rendered in a dry and hyper-realistic style that increases its dramatic impact: loneliness, first and foremost, crossed by a dimension of dreaming as estrangement from the self, which is accompanied by the recurring motif of a frantic search for meaning that unravels through oblique and unstable paths. The fulcrum of Moresco’s work revolves around the vast work Giochi dell’eternità (Games of Eternity), written over a period of 35 years, consisting of Gli esordi (1998), Canti del caos (published in two volumes in 2001 and 2003) and Gli increati (2015). His other works include: La cipolla (1995), Lo sbrego (2005), Scritti di viaggio, di combattimento e di sogno (2005), Merda e luce (2007), La lucina (2013), Fiaba d’amore (2014), I randagi (2014), Piccola fiaba un po’ da ridere e un po’ da piangere (2015), L’addio (2016), Fiabe da Antonio Moresco (2017) and, both in 2018, L’adorazione e la lotta and Il grido.
Founder in 2003 of the blog Nazione indiana, in 2005 he created the online and print magazine Il primo amore.

Andy Field (GB)

“A one-to-one meeting with a view of the city”.

Created in collaboration with a local school, Lookout is a one-to-one meeting between an adult, from the audience, and a child. An exchange between two people, who might not normally meet, that takes place on top of a building in Milan where together they look down on the city and imagine the future.
The conversation they share is a quiet journey through the past, present and future guided by the streets and landmarks laid out in front of them.
Through dreams of utopian architecture and possible catastrophes, hopes and fears, fashions of the future, proposed demolitions and real and imagined advances, they explore two very different versions of the city they both live in.

Lookout is an attempt to consider the big questions in a small way, to rediscover with a different gaze our Milan that we normally call home.
This version was developed through a workshop with the pupils of the third grade class of the I.C. Vittorio Locchi in Milan, who take part in the performance.

So far Lookout has been presented in: England, New Zealand, Egypt, Lithuania, Estonia, China, Shanghai, Vancouver. This version has been developed through a workshop with the fourth grade students of I.C. Vittorio Locchi in Milan who take part in the performance.

 

A project ZONA K and STANZE

c/o covered terrace Best Western Hotel Blaise & Francis, Via Enrico Annibale Butti, 9 (Dergano district).

 

Concept Andy Field Production Beckie Darlington Music and sound Tom Parkinson Dramaturgy Sybille Peters With the extraordinary participation of Class IVB I.C. Vittorio Locchi via Passerini: FRANCESCO, YAMAL, CRISTIAN, OLIVIA, DAVIDE C., DAVIDE D., ARAME, ADAM, RAHUL, KSENIA, MATTEO, ALESSANDRA, ANNA, LEONARDO, SABRINA, FEDERICO, BRIANA, VICTOR

 

Andy Field is an artist, writer and art curator based in London. He creates projects that aim to consider our relationships both with the spaces we inhabit and the people around us. He works primarily with children and young people. He has created interactive projects for families at the Natural History Museum in London, the Southbank Centre and the Arnolfini Gallery in Bristol. He is co-director of the Forest Fringe and writes for The Guardian and The Stage and Contemporary Theatre Review.

 

Go to MASTERCLASS

Berlin (BE)

Ukraine. About a thousand inhabitants have returned to the contaminated territories of the Exclusion Zone within a 30 km radius of Chernobyl. They are called samosiols: those who have returned.

Pétro and Nadia never left.

When journalist and writer Cathy Blisson met them in 2009, Pétro and Nadia (both in their eighties) were the only two inhabitants of a ghost village just 4km long. Following the nuclear disaster that exploded on the night of 26-27 April 1986, Zvizdal was declared unfit for human habitation. A dramatic event that affected the lives of hundreds of thousands of Ukrainians, Russians and Belarusians. Status: officially designated for evacuation.

25 years after ‘Chernobyl’, Pétro and Nadia still live there, alone, surrounded by a forest that is slowly growing old with them. In the company of a guard dog, a skinny cow, a llama and a few chickens, they spend their days invoking Stalin and all the saints, waiting for the village to repopulate sooner or later.

A long-term project (from 2011 to 2015), Zvizdal unfolds through the passing of the seasons in a world where danger, invisible, is everywhere. A reflection on isolation, the question of survival, solitude and waiting for death.

 

Multimedia performance – in Italian
In collaboration with and c/o
Olinda/TeatroLaCucina, Ex O.P. Paolo Pini – via Ippocrate, 45

 

 

Concept: Bart Baele, Yves Degryse, Cathy Blisson With Nadia Pylypivna Lubenoce and Pétro Opanassovitch-Lubenoc Scenes Manu Siebens, Ina Peeters, Berlin Interviews Yves Degryse, Cathy Blisson Camera and editing Bart Baele, Geert De Vleesschauwer Sound recording Toon Meuris, Bas de Caluwé, Manu Siebens, Karel Verstreken Translation Olga Mitronina Music composition Peter Van Laerhoven Co-production Het Zuidelijk Toneel (Tilbourg); PACT Zollverein (Essen); Dublin Theatre Festival; Kunstenfestivaldesarts (Brussels); BIT Teatergarasjen (Bergen); Künstlerhaus Mousonturm (Francfort-sur-le-Main); Theaterfestival Boulevard (Den Bosch); Brighton Festival; Onassis Cultural Centre [Athène, GR]; Le CENTQUATRE-PARIS Co-production Le CENTQUATRE-PARIS; Festival d’Automne à Paris In collaboration with deSingel (Anvers) With the support of Gouvernement Flamand.

The show premiered on 12 May 2016 at Kunstenfestivaldesarts (Brussels)

 

Founders of BERLIN in 2003, directors Bart Baele and Yves Degryse decided not to choose a particular genre, but to venture into the realm of documentary and let the places of their forays guide their inspiration. This philosophy gave rise to two project cycles: Holocene (the current geological era) where the starting point is always a city or other place on the planet, and Horror Vacui (fear of the void) in which true and touching stories are delicately unravelled around a table. The Holocene cycle includes Jerusalem, Iqaluit, Bonanza, Moscow and Zvizdal. The first three episodes of Horror Vacui are Tagfish, Land’s end and Perhaps all the dragons. BERLIN are still working on both cycles. Holocene will end in the city of Berlin (hence the group’s name) with the creation of a docu-fiction project involving the inhabitants of the cities featured in the previous episodes. The company has worked in 27 different countries in recent years, within various circuits: from theatres to exhibition spaces, from festivals to special locations.

Kokoschka Revival (IT)

In Italian language there are the three S’s that many fight for: Soldi (Money), Sesso (Sex), Successo (Success). Online entertainment workers are a growing phenomenon.

Kokoschka Revival is working on the development of its latest production, a multimedia show that investigates the bizarre forms of live streaming entertainment and the phenomenon of monetising one’s image on online platforms.

It is a work that tells the story of two girls who work and live their daily lives in virtual space: two fighters who never look each other in the eye, even though they absurdly share the same space in the real world. In the era of branding the self, of dominant individualism, of the intimate and inseparable smartphone… YouFight! What are you fighting for?

YouFight! is a platform, where each user fights for a living and earns money, which he receives in the form of credit/Like from his audience (we call this currency Energy Coin). Everyone can propose the fighting game they want, and our two protagonists compete in Chess Boxing: a sport in which a round of Boxing and a round of Chess alternate. On the same platform as YouFight! you can spend your free time on other immersive entertainment services, to be enjoyed in solitude but always under the eyes of an audience.

 

Multimedia show –  In Italian
Followed by an informal participatory session of about 60 min, where the public can try out the interactive technologies.

 

 

with Ondina Quadri, Alice Raffaelli conception and direction Ana Shametaj composition music and design sound interactions Andrea Giomi graphics and design video interactions Fabio Brusadin mentor design of interactive systems Stefano Roveda dramaturg and lighting design Riccardo Calabrò scenes and costumes Marialuisa Bafunno, Giulio Olivero development of m0k1 smartphone application. pw production Kokoschka Revival with the support of IntercettAzioni – Centro di Residenza Artistica della Lombardia (a project of Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire) 

 

Kokoschka Revival is an interdisciplinary artistic collective founded in Milan in 2013, whose research moves transversally in a dialogue between theatre, cinema and experimental music. To date, the productions consist of theatre shows, performances, experimental films and parties/happenings. The collective’s shows have been produced in national and international residencies, mainly in France and Denmark. From 2015 to 2017, the collective organized numerous parties and performance events in Macao (Milan), proposing its own idea of artistic programming.

 

SPECIAL RESIDENCIES TECHNOLOGY

 

Imaginometric Society &
Accademia di Belle Arti di Brera (IT)

The Imaginometric Society, founded by a group of students from the Brera Academy and the Milan Conservatory of Music, created the project that represented Italy at the Quadrennial Stage Design Exhibition in Prague (June 2019), which was awarded the Award for Imagination.

The Milan Experiment develops the research on human imagination begun in Prague, adding new possibilities to the Imaginometer, the instrument designed to demonstrate the first imaginometric principle: imagination is what makes us human. Admitted one by one into the heart of the Imaginometer, the Performative Machine, visitors will live an immersive, personalized and unrepeatable experience, relentlessly realising the second imaginometric principle: imagination increases by reflecting itself. The collective imagination of the Milan Experiment will draw the face of the next research, linked to the third imaginometric principle: imagination cannot be reproduced, but only recreated each time.

 

c/o Sala delle adunanze of the Istituto Lombardo, via Brera 28

 

on ACCADEMIA APERTA 2019/2020
A project of the School of Scenography, Academy of Brera and the School of Electronic Music, Conservatory of Milan in collaboration with the School of Communication and Enhancement of the Artistic Heritage, Academy of Brera, with the support of Istituto Lombardo, Academy of Sciences and Letters, with the support of IntercettAzioni – Centre for Artistic Residency of Lombardy (a project of Circuito CLAPS and ZONA K, Industria Scenica, Milano Musica, Teatro delle Moire), technical sponsor EVO GROUP and with the participation of friends, young and old, of ZONA K

 

SPECIAL RESIDENCIES TECHNOLOGY